"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 31.3 x 42.6 cm., Figures identified in pencil below plate mark at bottom of sheet., and Mounted on leaf 39 of volume 7 of 12.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
"The enormously fat Mrs. Hobart sits in profile to the left in a small armchair, her right foot on a stool, her leg exposed. She places round its grotesque girth a ribbon garter, the central part of which is stiffened by a spring. Perched on her hair is a small straw hat with a high silk crown from which a veil hangs down her back. On the wall behind her is a picture: 'Nina', a small thin man kneels before the stout and terrified Nina (who believes him to be the ghost of her lover)."--British Museum online catalogue
Alternative Title:
Van-Buchells garters
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Allusion to Martin Van Butchell, 1735-1812 -- Literature: allusion to Berkeley's Nina, or, The Madness of Love -- Pictures amplifying subject: Nina -- Furniture: armchairs -- Foot stools -- Clothing: garters., 1 print : etching on wove paper, hand-colored ; plate mark 27.2 x 17.5 cm, on sheet 30.4 x 20.4 cm., and Mounted on leaf 13 of volume 8 of 12.
Publisher:
Pubd. Octr. 3d, 1791, by H. Humphrey, N. 18 Old Bond Street
"The enormously fat Mrs. Hobart sits in profile to the left in a small armchair, her right foot on a stool, her leg exposed. She places round its grotesque girth a ribbon garter, the central part of which is stiffened by a spring. Perched on her hair is a small straw hat with a high silk crown from which a veil hangs down her back. On the wall behind her is a picture: 'Nina', a small thin man kneels before the stout and terrified Nina (who believes him to be the ghost of her lover)."--British Museum online catalogue
Alternative Title:
Van-Buchells garters
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., and Temporary local subject terms: Allusion to Martin Van Butchell, 1735-1812 -- Literature: allusion to Berkeley's Nina, or, The Madness of Love -- Pictures amplifying subject: Nina -- Furniture: armchairs -- Foot stools -- Clothing: garters.
Publisher:
Pubd. Octr. 3d, 1791, by H. Humphrey, N. 18 Old Bond Street
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 26.2 x 36.2 cm, on sheet 29.1 x 39.3 cm., and Mounted on leaf 7 of volume 9 of 12.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"The piazza of Covent Garden, with the hustings, showing a line of hill in the distance inscribed 'View of Richmond Hill'. In the air, flying towards the hustings, is Mrs. Hobart encased from the waist downwards in a circular balloon to which is attached a hammock-like platform, on which lie two voters, face downwards, looking over the side. The lady, in profile to the left, looking upwards, excessively fat, with uncovered breast, is saying "This may save him"; her petticoats have been transformed into the balloon, her 'last shift'. A blast issues from her posteriors. One of her passengers in profile to the left holds out his hand, saying, "I see the Hustings". The other, facing in the opposite direction, says, "thank God I am an outside Passenger". A flock of birds scatters right to left of the balloon. Wray, kneeling on one knee, and Hood standing behind him (right) look up eagerly to the balloon, holding out their hands. Wrays says, "A foul wind is fair for us"; Hood says, "O come sweet Air Balloon or I must off in one". The hustings under the portico of St. Paul's are freely sketched; gesticulating orators, hat in hand, address the crowd. One of the houses on the right (north) side of the piazza is inscribed 'Lows'; a flag flies from a window."--British Museum online catalogue
Alternative Title:
Aerostatic dilly
Description:
BEIN BrSides 2022 42: Sheet trimmed to 34.7 x 24.4 cm. Hand-colored., Title etched below image, at top of center column of text., Printmaker identified as Rowlandson and artist questionably identified as Townshend in the British Museum catalogue., Fourteen lines of explanatory text below image, in center column underneath title: The grand political balloon launched at Richmond Park on the of [sic] March 1784 and discharged by secret influence with great effect in Covent Garden at 12 O Clock on the same day. ..., Two numbered verses of a song, each verse in its own column to the left or right of center column, etched below image: Song, Tune Bellisle March. 1. Tho' in every street, all the voters you meet, the Dutchess knows but how to court them ..., Temporary local subject terms: Canvassing -- Elections: Westminster, 1784 -- Electors -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Songs: 'Bellisle March' -- Richmond Hill -- Hustings -- Balloons -- Coaches: Allusion to diligence (stage-coaches) -- Low's in Covent Garden., 1 print : etching on laid paper ; plate mark 34.7 x 24.7 cm, on sheet 35.1 x 24.9 cm., Watermark., and Formerly mounted on leaf 69 of volume 1 of 14 volumes.
Publisher:
Pubd. April 29th, 1784, by H. Humphreys, Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
"The piazza of Covent Garden, with the hustings, showing a line of hill in the distance inscribed 'View of Richmond Hill'. In the air, flying towards the hustings, is Mrs. Hobart encased from the waist downwards in a circular balloon to which is attached a hammock-like platform, on which lie two voters, face downwards, looking over the side. The lady, in profile to the left, looking upwards, excessively fat, with uncovered breast, is saying "This may save him"; her petticoats have been transformed into the balloon, her 'last shift'. A blast issues from her posteriors. One of her passengers in profile to the left holds out his hand, saying, "I see the Hustings". The other, facing in the opposite direction, says, "thank God I am an outside Passenger". A flock of birds scatters right to left of the balloon. Wray, kneeling on one knee, and Hood standing behind him (right) look up eagerly to the balloon, holding out their hands. Wrays says, "A foul wind is fair for us"; Hood says, "O come sweet Air Balloon or I must off in one". The hustings under the portico of St. Paul's are freely sketched; gesticulating orators, hat in hand, address the crowd. One of the houses on the right (north) side of the piazza is inscribed 'Lows'; a flag flies from a window."--British Museum online catalogue
Alternative Title:
Aerostatic dilly
Description:
BEIN BrSides 2022 42: Sheet trimmed to 34.7 x 24.4 cm. Hand-colored., Title etched below image, at top of center column of text., Printmaker identified as Rowlandson and artist questionably identified as Townshend in the British Museum catalogue., Fourteen lines of explanatory text below image, in center column underneath title: The grand political balloon launched at Richmond Park on the of [sic] March 1784 and discharged by secret influence with great effect in Covent Garden at 12 O Clock on the same day. ..., Two numbered verses of a song, each verse in its own column to the left or right of center column, etched below image: Song, Tune Bellisle March. 1. Tho' in every street, all the voters you meet, the Dutchess knows but how to court them ..., Temporary local subject terms: Canvassing -- Elections: Westminster, 1784 -- Electors -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Songs: 'Bellisle March' -- Richmond Hill -- Hustings -- Balloons -- Coaches: Allusion to diligence (stage-coaches) -- Low's in Covent Garden., Watermark: E P., and Mounted to 41 x 31 cm.
Publisher:
Pubd. April 29th, 1784, by H. Humphreys, Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
"A scene at a faro-table; part of the table, including an angle of the central well, stretches across the foreground, players and spectators sit and stand behind it. Lady Archer is the most prominent; she holds a pack of cards in one hand, a knave in the other, looking with a triumphantly rapacious smile at a stout lady (? Mrs. Hobart) who sits (right) clenching her fists and scowling back. All the others have expressions of alarm or concern, the least agitated being the Prince of Wales, seated on Lady Archer's left. On the extreme right and next Mrs. Hobart is Fox, turning up his eyes. The guests (except the Prince) are much caricatured; one of Gillray's witch-like hags sits between the Prince and Mrs. Hobart. On the table are heaps of coins, notes or bills, and rouleaux of guineas. Above the design is etched 'The Knave wins all'. ..."--British Museum online catalogue
Alternative Title:
Friendly party in high life and Knave wins all
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication following title: To those earthly-divinities who charmed 20 years ago this honorable method of banishing mortifying reflections is dedicated., One line of text below title: O Woman! Woman! Everlasting is your power over us, for in youth you charm our hearts, and in your after-years you charm away our purses., Sheet trimmed within plate mark., Temporary local subject terms: Gambling: faro -- Playing cards -- Furniture: faro table -- Money., 1 print : etching on laid paper, hand-colored ; plate mark 24.9 x 35.4 cm, on sheet 27.7 x 38.7 cm., and Mounted on leaf 36 of volume 8 of 12.
Publisher:
Pubd. March 31st, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
