"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"The late ministers and the new Ministry spitting cannon-balls at each other, the former from a partly ruined castle ..." (--British Museum catalogue). Several of the ministers are recognizable, including, from the Opposition on the left, Burke, Conway, and Dunning, and in the castle the King, Archibishop Markham, Germain, and Cornwall
Description:
Title from item. and Sheet trimmed within plate mark at top.
Publisher:
Pubd. May 1st, 1782 by J. Barrow, sold by E. Rich at the little Print Shop faceing Anderton's Coffee House, Fleet Street, and at Mr. Turners frame maker and print seller, No. 40, Snow hill
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797., Markham, William, 1719-1807., George III, King of Great Britain, 1738-1820., and Conway, Henry Seymour, 1721-1795.
Subject (Topic):
Politics and government, Cannon balls, Bombardment, and Forts & fortifications
In the aftermath of the crisis of early 1783, the past and future ministers are depicted at a table competing for their share in the government. Foremost among them are Fox and North, seated at the top of the table to the left of the King who offers them a loaf signed "Secretary of State." They both hold on to the loaf signed "Treasury," while Lord Shelburne, seated to the King's right, is now empty-handed. In the lower right corner of the image, two dogs identified as "Pay Office Clerks," attempt to sneak away with bags of money, an allusion to Burke's reinstatement of two clerks accused of malversation before his return to the office of paymaster-general and "George III presides at a rectangular table at which sit past and prospective ministers, grasping at the loaves and fishes which lie on the table. On the left side of the table and on the king's right sit Shelburne and his supporters, on the opposite side sit those who have ousted them. The king sits in an ornate chair; on his right sits Shelburne putting his arm on the shoulder of Dunning, who sits on his other side. Shelburne says "I must submit! - may it prove Poison to them say I". Dunning answers "Never mind my Lord - give them rope enough, and they will hang themselves". The king turns to Fox and North, who sit on his left hand, and says, pointing to the table, "pray help your selves Gentlemen". Fox, who has a fox's head, has seized a loaf in each hand, saying "An't please your Maj------ty I'll have these for me & my friends". The loaf under his left hand is inscribed "Treasury"; North, who sits on Fox's left, says, "hold Charley, that's more then comes to your Share". The other two on the right side of the table are Keppel and Burke. Keppel, who is next North, puts his right hand on a loaf; in his left he holds a fish from whose mouth go lines attached to two other fish and another loaf; he is saying "I'm fond of Sea fish". A naval officer opposite him hugs a loaf and grasps the tail of one of the fish on Keppel's line. He is identified in a contemporary hand as Palliser, but is more probably Lord Howe, who was First Lord of the Admiralty from 29 Jan. 1782 (after Keppel's resignation) till 8 April, when he was replaced by Keppel. He is in "profil perdu" but his figure and a black eyebrow suggest Howe. On Keppel's left, and at the right corner of the table, sits Burke grasping a loaf in his right hand, a fish in his left. He is saying "Rhetorick is of no use here! tis catch that catch can". In the foreground (right), at Burke's side, two dogs laden with money-bags are running off to the right. Over them is inscribe "Pay Office Clerks" and (smaller) "Fulham". On the money-bag of one is "£200.000", on that of the other "£100.000". Burke became paymaster-general under Rockingham, resigned office with Fox on Shelburne's appointment, and was again (on 7 April) to become paymaster. On returning to office he reinstated two clerks, Powell and Bembridge, who had recently been dismissed by Barré for malversation, for which he was attacked in parliament on 24 April and 19 May 1783. 'Parl. Hist', xxiii, pp. 900 ff; Wraxall, 'Memoirs', 1884, iii. 77-86. [Possibly the dogs were added in a later issue of the print, as they seem to refer to the scandal over Powell and Bembridge. Powell committed suicide, Bembridge was tried and sentenced.] Opposite Burke, at the near left corner of the table, sits Conway, the Commander-in-Chief, in general's uniform, grasping a fish in one hand, a lobster in the other. He is saying, "I fear they'll not leave me one poor lobster". He had disappointed Fox by not resigning on Shelburne's appointment, he did not however lose office till after the dissolution of Parliament in 1784, when he resigned. In the centre of the table are three unclaimed loaves, the one nearest the king is inscribed "Secretary of State".--British Museum online catalogue
Description:
Title from item., Possiblly by Topham., Sheet trimmed within plate mark., and Reissue of no. 6195 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, with a verse from Shakespeare's "Othello" added under the title.
Publisher:
Pub by E. Achery March 24, 1783, St James Street
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820., Lansdowne, William Petty, Marquis of, 1737-1805., Dunning, John, Baron Ashburton, 1731-1783., Howe, Richard Howe, Earl, 1726-1799., Conway, Henry Seymour, 1721-1795., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Keppel, Augustus Keppel, Viscount, 1725-1786., and Burke, Edmund, 1729-1797.
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item., Sheet trimmed within plate mark., and Mounted to 37 x 29 cm.
Publisher:
Pubd. as the act directs, by J. Cattermoul, No. 376, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item. and Reissue by Hannah Humphrey of no. 6422 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. 24 Feby. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 61 with two other prints.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17 x 18.3 cm, on sheet 18.9 x 20.5 cm., and Mounted on verso of leaf 43 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
Pitt and Fox stand square-off, fists raised in the House of Commons at the height of the Regency Crisis, just before the passage of the Regency Bill, 1789
Alternative Title:
Humphreys & Mendoza fighting for a crown and Humphreys and Mendoza fighting for a crown
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 27 x 38 cm., and Watermark.
Publisher:
Pub'd by W. Dent December 22 1788 and Sold by W. Moore, Oxford Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, and Great Britain. House of Commons,
