"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"The Regent, with one gouty foot, postures before a pier-glass which reflects his tight waist and spherical posteriors. His wig and whiskers are much exaggerated. All round him nine grotesque German tailors are at work or register admiration of the Prince; most of them are lean and moustached. Some sit cross-legged on the floor; one cuts from a roll of cloth assisted by a man with a yard-stick who says: "D--n de English Taylor, he not know how to handle de yard like de foreigner!" One irons a braided hussar jacket. On the floor: 'A List of Foreign Tailors recommended by Prince Esther Crazy to work for the R--t!' Nearer the Regent is 'A Goose!' with the adjacent inscription: '"To waste your time before a Glass / Exposes oft a monstrous Ass!' The Regent recites: "I begin to think that I'm a marvellous proper Man! "I'll have my Chambers hung with looking Glass And entertain a score or two of Tailors To study fashions to adorn my Body--""--British Museum online catalogue
Alternative Title:
Foreign habits for a native prince!
Description:
Title etched below image., Printmaker identified as Robert Cruikshank in the British Museum catalogue., and Approximate month of publication from the British Museum catalogue.
Publisher:
Pubd. by Sidebethem [sic], 287 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
Gout, Mirrors, Buttocks, Tailoring, and Irons (Pressing)
Title from item., Date derived from copy in National Institute of Health website, viewed 8/23/2023: https://www.nlm.nih.gov/exhibition/surviving-and-thriving/digitalgallery-nojs-detail137.html, Place of publication derived from location of Whitman-Walker Clinic., In lower margin: Artwork by Duane Temple, San Francisco. Type and Camera work donated by Type Foundry., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Whitman-Walker Clinic
Subject (Topic):
Condom use, AIDS (Disease), Prevention, Safe sex in AIDS prevention, Anal sex, and Buttocks
Title supplied by curator., Date supplied by curator., Chinese Repository, vol. 5, 1836-1837, Fifth Ophthalmic Report: p. 457, No 2231. Nov 21st Congenital tumor. Wang Ke-King, aged 27 is the son of a respectable tea broker, resident in Canton. The history of the tumor is as follows: It was observed at the birth of the child that the nates of the right side were unusually large, ‘a little fat’ as his nurse expressed it. The child did not attract particular attention until eight years old, when the preternatural enlargement had become conspicuous. Till within a few years the growth was gradual, but for the last four years its increase has been rapid, and it is now nearly one third of the weight if the man. It is suspended apparently by fibrous bands, from the first of the last ribs on the back, the spinous processes and ilium, and nates. Its attachment covers a surface of about a square foot. The tumor extends a little below the knees. (...) The weight is variously estimated from 60 to 100 pounds. When the man sits down the tumor forms a circular cushion which elevates him six inches or more in his chair. It is relaxed according to the weather is hot or cold. In the morning the skin is corrugated upon its surface. The color of the skin upon the tumor, and a few inches upon the back and down the thighs is of a dark color, resembling a mole. There are masses somewhat distinct, which appear glandular. It is free from pain, and the young man has enjoyed good health. He is of a nervous temperament, all his motions quick, and very sensitive of the slightest touch. When he came to the hospital there was a large sore, formed by lying upon the right hip, and the callous and dead skin resembled thick leather. (...) The integument is distinct from the tumor [after the incision]. Of the feasibility and desirableness of removing the tumor, I have no further doubt, and am corroborated in the opinion of the gentlemen, among whom are Scotch, French, English surgeons who have examined the case, and in whose discrimination and judgment I have great confidence. Previous, to the incision, the main objection to an operation was the unwillingness of his wife; the removal now seems more formidable to the man himself. Whether it shall be attempted or not, depends upon him and his relations to determine., From Peter Parker’s journal: “Case Study from Peter Parker's Journal, (no date provided). "Man, aged 27. Weight of tumor, nearly one third of the weight of the man. Weight estimated variously from 60 to 100 pounds. When the man sits down, the tumor forms a chair or cushion, which elevates him 6 inches or more from his chair. It is relaxed according as the weather is hot or cold. Of the feasibility and desirability of removing the tumor, I have no further doubt. The main objection to the operation, on the part of the patient and his friends, was the unwillingness of his wife. The patient was not operated on. Later when this patient died, an attempt was made to secure a necropsy, but this was not obtainable.", and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Name):
Parker, Peter, 1804-1888. and Canton Hospital (Guangzhou, China)
Subject (Topic):
Medicine, Chinese, Missions, Medical, Buttocks, Tumors, and Sick persons
Girl with large tumor of the buttocks. Not numbered by Dr. White C.J.B., 1914
Alternative Title:
Case No. 3000 and Lew Akin
Description:
Title supplied by curator., Date supplied by curator., Sixth Report of the Ophthalmic Hospital in Canton ending on the 4th of May 1837 In: Chinese Repository, vol. 6, May 1837 -- April 1838, p. 38: No 3000, Lew Akin, aged 12 years, of Tsunchun, a village of Shuntih district, and the only child of her affectionate parents, had a steatomatous tumor upon her right hip, of a magnitude that required the patient to lean forward when she walked, in order to preserve her balance. Her health appeared good, except that she was much emaciated. In ten days she had made surprising improvement under a generous diet. On the 27th of April the usual indemnity given by the parent, the tumor was removed in two minutes and fourteen seconds. Its circumference (exceeding that of her body) was two feet at the base and much larger at the middle, it was very slightly attached, and consisted of concentric layers of fatty substance separated from each other by a surrounding cerous membrane, till near the center it was found of a much firmer structure, resembling cartilage. (...) In one week the whole was so far healed that the child was able to walk in the room without pain to herself or injury to the wound. She is now in good health, more fleshly than ever before. Since the first twenty four hours after the operation she has experienced but little pain. The feelings of the father were particularly noticed by the spectators at the time of the operation. He was in the room, but the unsightly wound that presented, as the integuments retracted ten or twelve inches apart, the incision being about ten inches long, was too much for the father to witness without tears. He left the room, but the cry of his little daughter, when the needle was passed through the integuments in applying sutures, soon recalled him, as soon to retreat. His vigilance in his attention to his only child, continually, day and night, have strongly exhibited the strength of natural affections, equaled only by his gratitude for the relief afforded his daughter. I am greatly indebted to Lamqua, who has taken an admirable likeness of this little girl, and a good representation of the tumor. The more interesting cases that have been presented at the hospital, he has painted with equal success, and uniformly says that as there is no charge for “cutting”, he can make none for painting., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Name):
Parker, Peter, 1804-1888. and Canton Hospital (Guangzhou, China)
Subject (Topic):
Medicine, Chinese, Missions, Medical, Tumors, Buttocks, and Sick persons
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
An old man sits outdoors in an upholstered chair, looking through a telescope which is pointed up left to a black woman standing on a cliff with her dress pulled up and her large derrière bared. A dog sits by the man's chair with a similar look on its face as it too looks up at the woman
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 38 x 31 cm.
A bold-looking woman with a large hat and long curls, dressed in an exaggerated style with a pouter pigeon bosom under a fichu and an enourmous rump. She has on an apron and carries a muff and umbrella
Description:
Title from item., Year of imprint mostly burnished from plate., Five lines of text below title: Carries only one inside & two out ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Fox as Dr. Busby birches Pitt and his supporters in a lofty hall with stone walls. Fox (left) sits under a statue of Justice which is in an alcove above his head, a birch-rod in her right hand, in the left, her scales evenly balanced. Pitt lies across Fox's knee, his posteriors scarred; he says, "O pardon me & I'll promise you on my honor that I will Honestly & boldly endeavour a reform!" Fox, his birch-rod raised to smite, says, "That's all Twaddle! - so here's for your India Task! there! there! there! & there's for blocking up the old Womens Windows & making them drink Tea in the dark! - there! there! & there's for------O I've a a a hundred accounts to settle - there! there! there! there! there! there." Those who have been already chastised are borne off (right), a sea of heads, on the backs of the Foxite party ..."--British Museum online catalogue
Alternative Title:
Dr. Busby settling accounts with Master Billy and his playmates
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse below title: "Illustrious burns, might merit more regard ...", Sheet trimmed to plate mark., Mounted to 41 x 29 cm., and Watermark in center of sheet.
Publisher:
Pubd. Feby. 4th, 1785, by J. Ridgeway, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Robinson, John, 1727-1802, Hill, Richard, Sir, 1733-1808, Sheridan, Richard Brinsley, 1751-1816, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
Sculpture, Justice, Scales, Buttocks, Chamber pots, and Spanking
