"A low platform covered with roses extends almost across the design; from this bed new Ministers advancing from the left are ejecting the old. Roses are scattered on the floor. The central figure is the tall and handsome Castlereagh, author of the phrase, see British Museum satires No. 10558, &c. With a taut two-stringed bow in his left hand, a quiver on his shoulders, he strides across Grenville who is on his back on the bed, and takes 'Candle End[s] & Cheese Paring[s]' from a bag with which Windham tries to make off (see British Museum Satires No. 9735). He says: "I'd have you to know I've two strings to my Bow!! Down, Down, Down, Derry Down!!" [See British Museum satires No. 10426.] Behind him, Portland threatens Grenville (in his peer's robe) with a big block of 'Portland Stone' [see British Museum Satires No. 10718, &c.]. In front of Windham Rose steps forward from the bed to grasp a large rose on the floor: 'Treasurership of the Navy.' This Sheridan, in his Harlequin's suit (see British Museum Satires No. 9916), is crawling towards, saying, "Just got into my first Nap - how - Unfortunate - come Sir fat touch that however." Rose holds up a pair of bellows inscribed 'Sing old Rose & burn the Bellows'. Eldon, in Chancellor's wig and gown, strides from the bed on to the prostrate Erskine, seizing the Purse of the Great Seal, whose cord is still round the latter's arm. He raises the mace to strike the ex-Chancellor, whose wig has fallen off. Erskine says: "Be quiet I'll retire"; he holds a money-bag inscribed '4,000 Pr Anm' [see British Museum Satires No. 10714]. Lauderdale, wearing a plaid, is behind him on the ground. On the extreme left Canning, standing on the bed, holds up a massive club inscribed 'Bon Mots & Repartee by G C--g'; he stoops over Howick pointing at the 'Catholic Bill', which the latter holds. Howick steps from the bed, angrily looking up at Canning (his especial enemy, cf. British Museum Satires No. 10972), but, unlike his colleagues, not devoid of dignity. On the ground between Howick and Sheridan is Petty in his gown, one hand on his 'Budget', a small bag, the other on a sheaf of papers inscribed 'Ways & Means'. He says: "Bless me I wish I was safe in College I'd never have anything more to do with Taxes" [an allusion to his youth, and to the fact that he was M.P. for Cambridge]. In the background (right) are Moira in his cocked hat and Lord Temple who makes off rapidly."--British Museum online catalogue
Alternative Title:
Retaking the bed of roses by storm!!
Description:
Title etched below image., Attribution to Charles Williams and approximate date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with partial loss of title from bottom edge., and Mounted on linen and formerly sewn in an album, with only the holes remaining on the left edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Windham, William, 1750-1810, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rose, George, 1744-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Canning, George, 1770-1827, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839
Subject (Topic):
Politics and government, Beds, Roses, Draperies, and Fighting
Title from caption below image., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Plate numbered "39" in upper right corner., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Plate numbered '82' in ms. along top margin of sheet. Numbering corresponds to plate position within previous collection.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from item., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Concluding digit in the publication year erased from print leaving worn paper., Later reissued with series number. Cf. no. 10966, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Ttilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Mounted to 30 x 43 cm.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 10763, representing Ministerial and Opposition leaders on platforms in front of their booths. On the extreme left. is Sheridan addressing the crowd below: 'Walk in Gentlemen and Ladies - here is no deception. Just going to begin.' He points to his back-cloth which hangs from a flagstaff: under a bottle and glass is the inscription 'Prime Sherry Gratis - The Comedy of A New Way to Pay Old Debts [Massinger] - with the Publicans Friend.' Harlequin, masked, with a blackened face, postures behind him. The flag is inscribed 'In vino Veritas'. On the adjacent booth Castlereagh stands with upraised arms, holding a tali long-bow with two strings. Beside him a pierrot bangs a salt-box. His back-cloth is inscribed 'The Genuine Booth - Two Strings to your Bow [a popular farce by R. Jephson, 1791] and a Trip to Down [see British Museum Satires No. 10715]'. His flag is inscribed 'Down Down Hey Derry Down.' The centre booth has a tattered back-cloth inscribed 'The Old Broad Bottomd Booth rather out of repair But Excellent Entertainment.' Its flag, also tattered, is 'Catholic Emancipation'. On the platform Grenville bows very low, hat in hand. Beside him is a pierrot holding up a steaming bowl and a placard: 'Treasury Soup Hot at all Hours'. The next booth is 'The Only True Constitutional Booth Persevere & Company' the flag is 'No Popery'. On this Perceval, his back to Grenville, bows, saying, "Dont mind what the Broad Bottoms say good people - mine is the only treue constitutional Booth." He has two attendants, one holding 'Magna Charta' besides a man blowing a trumpet to which is attached a banner with the royal arms. On the extreme right., a little apart from Perceval's booth, is that of Canning. The back-cloth is inscribed: 'A Collection of Sky Rockets Just arrived from Denmark very Curious.' Rockets rising from behind the cloth descend in golden streams on the crowd below. Canning is in full armour and holds a tilting-lance; he says: "Don't be afraid they won't hurt you." His pennant is 'Necessity has no Law.' A man in the crowd, looking up at the rockets, says: "To tell you the truth I don't admire Sky." On the ground-level are side-shows under two of the platforms. That of Grenville is the roof of a square stone building; its door is placarded 'Portland Stone moveable Kitchen, a great Curiosity' [cf. British Museum Satires No. 10718]. No ladder ascends to the top, as with all the other booths, so that Grenville can descend only by stepping on to an adjacent platform. Beneath Perceval's platform is inscribed: 'Underneath to be seen the Bed of Roses' [see British Museum Satires No. 10558, &c.]. Among the crowd of gaping spectators are men crying their wares. They hold out broadsides. One (left) shouts: "Who buys my rotten Burrows if I'd as much money as I could tell I never would cry rotten Burrows to sell." A yokel in a smock asks him: "What do you ax Master for a good snug thing in your way." A man cries: "Who wants to buy any New Taxes"; a fat farmer says: "Dang it we have got enough of that Article". A Highlander in a kilt cries "Places and Pensions at half Price". A man offers a similar Highlander: "Snug Sinecures Dirt Cheap." A corpulent parson addresses a stout woman whose arm a much shorter man is holding: "Any more Church livings than you make use of I'll buy them of you." On the extreme right a quack doctor offers money-bags: 'Delicate Consciences effectively cured - no cure no Pay'."--British Museum online catalogue
Alternative Title:
Saint Stephens fair
Description:
Title etched below image., Later state, with former plate number "39" removed and a new number added. See British Museum catalogue., Text following title: O don't you think it a wonderful fair." Holcroft., Companion print to: A political fair., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling colored.", Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: Pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Male costume: Armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume, 1808 -- Physicians -- Quacks., and Leaf 39 in volume 4.
Publisher:
Pubd. Feby. 8th, 1808, by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., Watermark: A Stace., and Mounted to 33 x 42 cm.; ms. annotations on mount identify some figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., 1 print on laid paper : etching, hand-colored ; sheet 25 x 34 cm, mounted to 30 x 38 cm., Sheet trimmed within plate mark., Watermark., and Ms. annotations on mount identify figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"A 'conjuror' or magician displays to John Bull on a screen four scenes, one below the other, representing the expedition to Flushing. He wears a conical hat with a wide fur brim, and his magician's robe resembles that of the Chancellor of the Exchequer, indicating Perceval; he holds a long staff or wand topped by a little head, that of Portland, grinning; it is labelled The Old One. John stoops to look through a telescope inscribed Patent directed at the screen, the vision on which is projected by a small dark-lantern held by Perceval. John is a yokel in a smock; beside him lies his cudgel inscribed Oak. He is highly delighted at what he sees, namely: [1] a fleet leaving England, tiny figures being indicated on the shore. [2] Ships bombarding and soldiers attacking a fortified town which is on fire. [3] The garrison of the town surrendering to British officers, with grenadiers drawn up at attention. A French officer holds out the keys of the town to Chatham, one of whose staff is in Highland uniform. Two tricolour flags are being laid down by fat Dutchmen in French uniforms. [4] British troops being landed from a man-of-war; wounded soldiers are being carried up the beach. John says: Zookers Measter Shewman that be a main foine sight sure enough, that will fright the Mounseers however Aye Aye they be at it. I think I can smell the Gonpowder, by Goles if they ha'nt done the Job! there's Mounseer and Mynheer on their Marrow-bones! but Dang it what have we got at the bottom here I be quite. Perceval interrupts: Stop! Stop! Mr Bull if you have got to the bottom of it I'll turn the Instrument for that part wont bear Magnyfieing. Canning (?), poorly characterized, as is Perceval, kneels (left), raising John's smock to take a money-bag from his pocket. He says: With your leave Johnny I'll take a little more money for the next shew of the Jubilee [see No. 11381]. A demon looks out from behind the curtain on which the 'Phantasmagoria' is projected; he laughs: He, He. The room is that of a quack, cf. No. 9611. A large crocodile is suspended from the roof, draped with a tricolour flag and labelled Caug [sic] in the Nile by Nelson [cf. No. 9250, &c.]. A bat (alive or stuffed) is also displayed. Perceval and John Bull stand within a circle surrounded by cabalistic signs and lit by a second dark-lantern which stands on the floor beside a celestial globe (left). Behind Canning and on the extreme left three small niches are recessed in the wall, one upon the other, in each of which is a skull; inscriptions: Conjuror Pitt (above), Katterfelto, and Conjuror Bute. They are: Curious Collection of Conjuros Capets [sic]. On a high shelf are documents: Way to raise the Wind; New Taxes; Proceedings in Spain and Portugal; Plan of an Expedition to Brobdignag; List of Killed and Wounded [torn]. A broadside is pinned to the wall. A soldier on two stumps for legs, supported on a crutch: Soldier Dick come from the War. On the ground (right) are two large bags filled with guineas inscribed Charmes. Beside them is a paper on which are circles and arrows."--British Museum online catalogue
Alternative Title:
Kings conjurors amusing John Bull
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Attributed to William Heath in the British Museum online catalogue, registration no.: 1868,0808.7871., Text following title: They deal in destiny's dark counsels and sage opinions of the moon sells. Vide Hudibras., and Sheet trimmed within plate mark.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Chatham, John Pitt, Earl of, 1756-1835, Canning, George, 1770-1827, Nelson, Horatio Nelson, Viscount, 1758-1805., Pitt, William, 1759-1806., Katterfelto, Gustavus, -1799., and Bute, John Stuart, Earl of, 1713-1792.
Subject (Topic):
Peninsular War, 1807-1814, John Bull (Symbolic character), Crocodiles, Curiosities & wonders, Dreaming, Magicians, Projectors, Robberies, and Ships
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
"Heading to a broadside printed in two columns. The King, a bloated and whiskered infant, sleeps in a cradle, rocked by Sidmouth (right), a lean old woman wearing a cap and bag-wig, who sits in a rocking-chair, his clyster-pipe (cf. British Museum Satires No. 9849) on the ground. The cradle is surmounted by a pagoda with bells, and ornamented by two large crocodiles, representing the Chinese dragons of the Pavilion, cf. British Museum Satires No. 12749. On it are also a sun, with a fool's cap in its disk, between crescent moons. Round the cradle lie toys: soldiers, mounted lancers, &c., on wheels, a cannon, a sceptre, a crown with a toy windmill stuck in it. With these are papers: 'Divorce'; 'Protocal' [sic]; 'Send her to Hell'. The infant holds a coral and bells and a corkscrew. Castlereagh sits over the fire warming a napkin. Canning (see British Museum Satires No. 13737) walks off to the left, disgustedly carrying the pan of a commode decorated with a crown and 'G.R.' On the chimneypiece are pap-boat, bottle of 'Dolby's Carminative, &c'. (Dolby was a radical bookseller, 'Dalby's carminative' a well-known remedy for infants). A large 'Green Bag' hangs on the wall. In a doorway behind Sidmouth, inscribed 'French Dolls', stand two young women, in evening dress, stiff and impassive."--British Museum online catalogue
Description:
Title printed in letterpress below image., First edition? For the eighth edition, see no. 13764 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Date of publication from description of later edition in the British Museum catalogue., Twelve stanzas of verse in two columns below title, printed in letterpress: Hush! GREAT BABE! lie still and slumber, Troops of lancers guard thy bed, Chinese gimcracks, without number, Nicely dangle o'er thy head. ..., "Price, with the engraving, coloured, 1s."--Below verses., Publisher's advertisement above imprint statement: "The Devil's ball; or, There never were such times." Words only, 2d. - with coloured engraving, 1s. 6d.", and "(Entered at Stationers' Hall.)"--Below imprint.
Publisher:
Published by T. Dolby, 299, Strand, and 34, Wardour Street, Soho
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
Subject (Topic):
Politics and government, Political satire, English, Cradles, Rocking chairs, Toys, and Fireplaces
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
