After William Hogarth's plate 6 from A rake's progress, depicts the interior of a gambling house (Leicester Fields) where groups of men play cards and roll dice, large piles of coins at their sides. The losers are shown in various stages of despair, their wigs tossed on the ground alongside their losing hands. The windows are shuttered and the room lit with candles in wall sconces and in candlesticks on the table. On the right one man is being restrained by his friends as he tries to attack the winner of the stacks in their game. On the left a young man sits at a table signing over his plate and jewelry as an angry man stands over him
Description:
Title in manuscript on mounting sheet., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., Plagiary on Hogarth's design of A rake's progress, plate 6, "Scene in a gambling house.", Copy of No. 2235 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Mounted to 18 x 26 cm.
A set of playing cards, or transformation cards, drawn by an unidentified artist, showing caricatured figures; each vignette incorporates the formation of hearts or diamonds into the scene. Some of the cards are numbered or annotated on the backs while others show drafts of other sketches. The set contains only the red suits, cards numbered from one to ten in each, although some numbers are missing and there are multiples of some numbers. Illustrations are also duplicated while others appear not to have been finished. There are no cards with clubs and spades. A number of the cards center on Shakespearean themes, social history, and street scenes (such as courtroom drama, musicians performing, a man in the stocks and, in a few, card playing itself). Some of the scenes depicted on these cards show more ribald, drawing from Macbeth’s Weird Sisters, Twelfth Night, King John, and The Merry Wives of Windsor; several are annotated on the reverse with lines from the plays. Falstaff is featured on several cards. Many of the cards reflect the mores of the period and the contrast between ruling passions and rules of conduct. In one, two men cast judgment upon a pregnant woman; it is annotated on the reverse with a dialogue between a Constable and a Judge. In "Village School" a schoolteacher manages to simultaneously hold a book and pinch a child's ear (nine of hearts). Other subjects include a game of chess (five of diamonds); drinking and smoking in a pub (seven of diamonds); and "Bunbury’s Country Club" (six of diamonds) in which the artist has kept elements from the print (published circa 1788). On the ten of diamonds the artist depicts a game of whist (annotated on the reverse "Can you one?").
Description:
In English., Title devised by cataloger., Some cards annotated and numbered on the verso., and For further information, consult library staff.
Subject (Geographic):
Great Britain
Subject (Name):
Shakespeare, William, 1564-1616
Subject (Topic):
Playing cards, Card games, and Social life and customs
A scene in a tavern with a pair of inebriated men sitting on a bench in front of fireplace, smoking pipes and drinking from tankards, a dog at their feet. Another man from the next booth leans over the wall to engage them in conversation which they seem not to enjoy. In the next booth (right) a group of four men play cards while a fifth looks on.
Description:
Title and date from dealer's description., Unsigned; attributed to Rowlandson., and With color tests on verso (not visible).
Pen and ink drawing depicting a large gaming room decorated with a single chandelier, a large mantel holding vases and candles, and framed paintings on the walls. Guests are seated around two tables playing card games while other guests stand together in groups
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Games, Card games, Chandeliers, Mantels, and Rooms & spaces
A collection of hand-drawn transformation playing cards using the suit symbols incorporated in the sketches of people in a variety of scenes, some clearly English, others continental. Two examples are a fireside scene illustrating a mother and child (and two others) seated in front of a fireplace with a hanging cauldron, and an illustration of an amorous couple enjoying a dance as a violinist plays stage left. The cards depict both black and white characters, all of whom are wealthy or of high status, including soldiers, bishops, and men and women in fashionable dress. At the top of one card above the head of a man who reads from a sheet as he addresses a woman who looks down demurely, are the words "Mio ben.". On the verso of two cards are inscriptions in English. The first shows a figure in Shakespearean-era costume on the front and on the back, a quote from Twelfth night (Act II, Scene 5): "Some are born great, some achieve greatness, and some have greatness thrust upon them.” A second shows a couple sitting across from each other with an empty table between and on the back three stanzas from William Cowper’s The Diverting History of John Gilpin, first published in 1782
Description:
Title devised by cataloger. and In a later envelope inscribed 'Mlle. de Bernardy' and 'N. Anderson'.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [Or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the print-seller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer.] a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue
Description:
Title, printmaker, date, and publisher from finished state. and Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
