Opposite page 50. Anecdotes of painters, who have resided or been born in England.
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Tobias Smollett's Edition of Cervantes 'Don Quixote' (volume I, page 111); at night, Don Quixote with his foot on the chest of the unhorsed barber, threatens to kill him with a spear; Sancho watching at left with a bird in his hand, a carriage and figures fleeing behind at right."--British Museum online catalogue
Alternative Title:
Illustration from Don Quixote
Description:
Title devised by cataloger., Plate from: Cervantes S. The history and adventures of the renowned Don Quixote : translated from the Spanish ... by T. Smollett ... London : Printed for A. Millar [etc.], 1755., Sheet trimmed within plate mark with slight loss of text from end of printmaker's signature., "Vol. 1, pag. 111"--Upper left corner., Folded to 23.3 x 18.5 cm., and Bound in opposite page 50 in Thomas Kirgate's extra-illustrated copy of: Edwards, E. Anecdotes of painters, who have resided or been born in England. London : Printed by L. Hansard & Sons, for Leigh and Sotheby [etc.], 1808.
Publisher:
A. Millar etc.
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character),, and Panza, Sancho (Fictitious character),
A gentleman leads a young woman and her mother (or chaperone) to the door of a carriage, held open by the coach driver who wears a top hat and a peculiar grin. In the background is a house or inn with a partially drawn figure (in ink) watching or emerging from the door. On the verso, pencil sketches of two men in top hats, and a smaller figure lightly sketched with a top hat in black ink
Description:
Title devised by cataloger., Signed by the artist in lower left., Date from dealer's description., and On verso are later inscriptions in pencil.
Subject (Topic):
Young adults, Carriages & coaches, Coach drivers, and Dwellings
Title supplied by catalogue raisonné., Date and place of publication supplied by curator., In pencil lower right margin: A Besnard., Plate VII from Les Femmes., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Rich people, Balls (Parties), and Carriages & coaches
Smith, John Raphael, 1752-1812, printmaker, publisher
Published / Created:
[20 July 1781]
Call Number:
Bunbury 781.07.20.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"A short man riding (right to left) after a coach, the back of which only appears in the print, with a footman standing behind it. The rider's head is turned to his right concealing his profile. His legs are thrust forward on each side of the horse's neck. On a building (right) is a placard, "Angel Fetter Lane Derby Diligence continues flying daily as usual. Inside [the poster is torn at this point] Outsides & Children on the Lap half price, perform'd (if God permit by Bull & Co." Beneath the design is etched: "When I follow'd a lass that was froward & shy Oh I stuck to her stuff but she would not comply"."--British Museum online catalogue
Alternative Title:
When I followd. a lass that was froward & shy ..., When I followed a lass that was froward & shy ..., and Derby Diligence
Description:
Title and artist from British Museum catalogue., Printmaker identified as J.R. Smith in the British Museum online catalogue, registration no.: 1868,0808.4766., Watermark, mostly trimmed., and Figure identified by ms. note in a contemporary hand below plate: Lord Derby.
Publisher:
Publishd. July 20th, 1781, by J.R. Smith, No. 83 Oxford Street, nearly oposite [sic] the Pantheon
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Farren, Elizabeth, 1762-1829.
Subject (Topic):
Carriages & coaches, Horseback riding, Servants, and Signs (Notices)
Title devised by cataloger., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume, 1785 -- Male costume, 1785., and Mounted to 32 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Children, Illegitimacy, and Polygamy
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo), is being whitewashed by a plasterer (Pope) standing on scaffolding."--British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. Any body that comes in his way. C. Not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", The 'pe' in Pope is superscript. The 'E' above Kent's bust appears above his pen., "Price 6d."--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, Sheet trimmed within plate mark., and With contemporary ms. note on verso: "Pope whitewashing Ld. Burlingon & bespattering the Duke of Chandos. Vide Pope's Essay on taste."
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title and date from earlier version in Paulson., Later reduced copy., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), p. 35., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1873., See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., and On page 54 in volume 1. Plate trimmed to:
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo), is being whitewashed by a plasterer (Pope) standing on scaffolding."--British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. Any body that comes in his way. C. Not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", The 'pe' in Pope is superscript. The 'E' above Kent's bust appears above his pen., "Price 6d."--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, Sheet trimmed within plate mark., and On page 54 in volume 1. Plate trimmed to: 23.1 x 16.2 cm.
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Reduced copy after Hogarth, not Hogarth., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", "Price 6d"--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., In Steevens's hand at top of page (referring to 3 prints): See Mr. Nichols's Book, 3d edit. p. 28.175 / Three different originals of Burlington gate., and On page 54 in volume 1.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[25 January 1785]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Pages 139, 141, 143. Bunbury album.
Image Count:
3
Resource Type:
still image
Description:
Title from text on reissued state, published by J. Harris on 1 March 1799; see Lewis Walpole Library call no.: 799.03.01.01., For a slightly later state, with the date following printmaker's name changed from "Jany." to "March", see Lewis Walpole Library call no.: Bunbury 785.03.25.01., A single design on three plates., Sheets trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on pages 139, 141, and 143 of: Bunbury album., and Individual plates of the design are mounted on separate pages, instead of being joined at their ends to create a single image.
