Volume 12, page 214. Horace Walpole and his world.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing with two scenes: 'the back parlour" in an oval within a larger rectangular view of a 'park wall'. The park wall is covered in ivy and at its base, lush ferns and other plants and mushrooms, ferns and at the top a stand of trees. The oval inset in the lower right shows a man view from behind, sitting in a chair looking out a window at a city street scene and two birds at perched on the vine before a leadlight casement window
Description:
Title written below image, from a quotation by Horace Walpole's letter to Miss Berry December 1793: "A park-wall with ivy on it and fern near it, and a back parlour in London in summer, with a dead creeper and a couple of sooty sparrows, are my strongest ideas of melancholy solitude. A pleasing melancholy is a very august personage, but not at all good company.”, Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 288., and Bound in as page 214 in volume 12 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Subject (Topic):
Parlors, Garden walls, Casement windows, and Depression (Mental state)
"[Left image] One of two designs on the same plate, see BMSat 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756). [Right image] A companion design to BMSat 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Essay on the sublime and beautiful
Description:
Two images on one plate, each individually titled below., Printmaker from description of earlier state in the British Museum catalogue., Reissue of a plate originally published in 1785 by T. Cornell. Cf. Nos. 6863 and 6864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 165., and Watermark: I Taylor.
Publisher:
Pub. April 10, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Podiums, Public speaking, and Shoemakers
"[Left image] One of two designs on the same plate, see British Museum Satires No. 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756)"--British Museum online catalogue and "[Right image] A companion design to British Museum Satires No. 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue
Alternative Title:
Essay on the sublime and beautiful
Description:
Titles from text etched below each image., Printmaker from British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Publication information supplied from Grego., Two images on one plate, each individually titled below., and Watermark: fleur-de-lis.
Publisher:
T. Cornell
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Desks, Public speaking, and Shoemakers
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., Partial watermark top center of sheet., and Mounted to 28 x 38 cm.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
Novr. 1, 1790.
Call Number:
790.11.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"A lean man wearing a hat sits in profile to the left, holding a large frothing tankard and smoking a long pipe. His expression is one of pleased anticipation. Before him (right) is a round table on which are a tobacco-box and lighted lantern. Behind is a casement window, its blackness indicating night."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., From the series: Symptoms of drunkenness., and Variant state, with abbreviated title, of No. 7771 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
