"Satire: a balance with George IV and his ministers with green bags on one pan being outweighed by Queen Caroline alone on the other, with John Bull cheering in the centre and soldiers toasting her at the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843., Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wilberforce, William, 1759-1833, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, Bags, Soldiers, and Toasting
"A low platform covered with roses extends almost across the design; from this bed new Ministers advancing from the left are ejecting the old. Roses are scattered on the floor. The central figure is the tall and handsome Castlereagh, author of the phrase, see British Museum satires No. 10558, &c. With a taut two-stringed bow in his left hand, a quiver on his shoulders, he strides across Grenville who is on his back on the bed, and takes 'Candle End[s] & Cheese Paring[s]' from a bag with which Windham tries to make off (see British Museum Satires No. 9735). He says: "I'd have you to know I've two strings to my Bow!! Down, Down, Down, Derry Down!!" [See British Museum satires No. 10426.] Behind him, Portland threatens Grenville (in his peer's robe) with a big block of 'Portland Stone' [see British Museum Satires No. 10718, &c.]. In front of Windham Rose steps forward from the bed to grasp a large rose on the floor: 'Treasurership of the Navy.' This Sheridan, in his Harlequin's suit (see British Museum Satires No. 9916), is crawling towards, saying, "Just got into my first Nap - how - Unfortunate - come Sir fat touch that however." Rose holds up a pair of bellows inscribed 'Sing old Rose & burn the Bellows'. Eldon, in Chancellor's wig and gown, strides from the bed on to the prostrate Erskine, seizing the Purse of the Great Seal, whose cord is still round the latter's arm. He raises the mace to strike the ex-Chancellor, whose wig has fallen off. Erskine says: "Be quiet I'll retire"; he holds a money-bag inscribed '4,000 Pr Anm' [see British Museum Satires No. 10714]. Lauderdale, wearing a plaid, is behind him on the ground. On the extreme left Canning, standing on the bed, holds up a massive club inscribed 'Bon Mots & Repartee by G C--g'; he stoops over Howick pointing at the 'Catholic Bill', which the latter holds. Howick steps from the bed, angrily looking up at Canning (his especial enemy, cf. British Museum Satires No. 10972), but, unlike his colleagues, not devoid of dignity. On the ground between Howick and Sheridan is Petty in his gown, one hand on his 'Budget', a small bag, the other on a sheaf of papers inscribed 'Ways & Means'. He says: "Bless me I wish I was safe in College I'd never have anything more to do with Taxes" [an allusion to his youth, and to the fact that he was M.P. for Cambridge]. In the background (right) are Moira in his cocked hat and Lord Temple who makes off rapidly."--British Museum online catalogue
Alternative Title:
Retaking the bed of roses by storm!!
Description:
Title etched below image., Attribution to Charles Williams and approximate date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with partial loss of title from bottom edge., and Mounted on linen and formerly sewn in an album, with only the holes remaining on the left edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Windham, William, 1750-1810, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rose, George, 1744-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Canning, George, 1770-1827, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839
Subject (Topic):
Politics and government, Beds, Roses, Draperies, and Fighting
"Ministers recline on a large low platform, representing a magnificent state bed, which is completely covered with roses. It recedes in perspective from left to right. On the left is Fox, looking sourly over his left shoulder at his neighbour, Sheridan, to say: "This is the most uncomfortable bed I was ever on in my Life and not the least like a bed of Roses - Zound!! what a thorn is running into me - Oh that Bramble - Sherry my Dear how do you find it - ". Sheridan answers: "My dear Charley, I have not had a wink since I have been on it, - curse that Castle man what did he mean by his bed of roses - I am as sore from the tip of my Nose, to the tip of my Toe - as if I had been roling on a quick set-hedge - or stung to death by a swarm of bees at a Hampshire Farmers [an allusion to Cobbett's pen]". Behind Fox, and in profile to the left, Moira, in uniform, with cocked hat and jack-boots, sits up, very erect; he says: "What are Cannons or Bombs or clashing of swords, compared to the pain I endure." Windham, next Sheridan, registering melancholy, says: "I feel more uneasy than if the whole Volunteer force was upon me." Ellenborough, behind Sheridan and Windham, ill-temperedly puts his hand to his wig. Erskine, also in wig and gown, reclines as if exhausted, his eyes closed, his attitude characteristic of his notorious fainting in court (see British Museum Satires No. 7956). He and Grey (Lord Howick from 11 Apr.), who sits behind him, are in profile to the right; the latter says: "It is just such a bed, as I expected the late bungling bed makers would leave us." On the extreme right little Lord Henry Petty (wearing his Chancellor of the Exchequer's gown) sits up, angrily holding above his head two handfuls of thorn-branches. He says: "I shall never have done clearing the brambles and Nettles from this Bed, my Budget would not hold one half of them." The low frame of the bed is carved and has a valance of fringed and festooned draperies. At the head are the Royal Arms; looped curtains are suspended above it."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Mounted on linen and formerly sewn in an album with only the holes remaining on left edge.
Publisher:
Pubd. April 1806 by Walker, 7 Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Ellenborough, Edward Law, Baron, 1750-1818, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Castlereagh, Robert Stewart, Viscount, 1769-1822., and Cobbett, William, 1763-1835.
Subject (Topic):
Politics and government, Beds, Roses, and Draperies
Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six scenes, arranged in two rows, each with an inscription above the design. The figures are realistic, not 'Lilliputian', as in British Museum Satires No. 11134, &c. [1] 'Lilliput is situated a considerable distance from the Island of Great Britain, and the Natives have many singular manners and customs, one in particular is swearing to give a vote according to conscience with one hand, and receiving a bribe with the other--what a happy thing it is that nothing of the kind ever occured in England.' A scene at the hustings, showing one of the posts inscribed 'St M . . .' indicating the polling-place for one of the Westminster parishes, cf. British Museum Satires No. 10619, &c. An elector takes a book (Testament) from a poll-clerk, while a man slips coins into the hand which he holds behind his back. There are spectators (or voters) outside and inside the hustings; a woman sells a ballad. [2] 'They have a litte [sic] man in Lilliput call'd John Bull, we suppose in humble imitation of that Gentleman so named in our Country but the comparison can never hold good, the Lilliputian John Bull though overburthened with Taxes is continually visited by the collector for more--we well know that is not the case in England!!' John Bull, a fat 'cit', is seated in an arm-chair wearing a hat, with a tankard and pipe on a table beside him. He looks up angrily at a lean tax-collector who stoops towards him, holding an open book. On the wall is a (damaged) picture, 'Liberty', holding her cap on a staff. [3] 'There we frequently see Merit in distress, and Ignorance, rolling in affluence, if such facts were mention'd in England, they would not be believed!! their manners are so different.' A street scene. A small thin man (left), his eyes on the ground, and a fat, vulgar, arrogant fellow walk towards each other on the pavement. The former has his hand in his coat-pocket in which is a pamphlet: 'Poem[s] on var ....' They are identified by two bills on the wall: 'By Permission of the Lord Chamberlain--for the Benefit of Peter Prose authour of several Pieces' and (headed by the Royal Arms) 'Slushbuckett Nightman to his Majesty'. [4] 'In Lilliput it is well known that a Female throug [sic] certain influence has disposed of situations in the Army and Church, what would our John Bull say to that!!' Mrs. Clarke receives her clients seated at a small round table; she holds out her hand to take a money-bag from a parson (O'Meara, see British Museum Satires No. 11258, &c.). Behind, an officer advances, sweeping the ground deferentially with his cocked hat, a money-bag in his hand. The head of a third applicant is on the extreme right. A window and a folding screen form a background. The Duke of York inconspicuously watches from behind the screen. See British Museum Satires No. 11216, &c. [5] 'A certain Nobleman in Lilliput is said to have become a jobber and disposed of a seat in Parliament; a pretty Parliament that must be!! O John Bull you are a happy man!' Castlereagh and another well-dressed man sit facing each other across a small round table. Castlereagh hands over a document, the other a money-bag. [6] 'In Lilliput it is common for a boy of fifteen through interest, to leap over the shoulders of a vetran Hero!--Ay John Bull you may well be suprized--but such things are practiced there we assure you.' A boyish officer poised on the bent back of an elderly one, is about to leap over his head; he wears a fashionable crescent-shaped cocked hat; the elder man's old-fashioned tricorne falls to the ground. In front of them is an open door set in a stone arch, probably that of the Horse Guards. John Bull, a fat 'cit', stands in profile to the right, gazing in astonishment. This long-standing abuse came into notice over the proceedings against the Duke of York, see British Museum Satires No. 11281."--British Museum online catalogue
Alternative Title:
Sketches of Fairyland, or, A comparison between England & Lilliput. Pl. 1, Comparison between England & Lilliput, and Comparison between England and Lilliput
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Decr. 1810 by Thos. Tegg, 111 Cheapside. See British Museum catalogue., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 56 in volume 3.
Publisher:
By Thos. Tegg, 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Castlereagh, Robert Stewart, Viscount, 1769-1822
"Castlereagh, wearing the caped coat (blue with red facings, for the Windsor uniform) of a bell-man over his own fashionable trousers, &c., stands in a London street in profile to the left, ringing his bell and shouting with his hand cupped to his mouth. The Queen looks from a first-floor window (in Wood's house in South Audley Street, see British Museum Satires No. 13734), holding a disk inscribed '2/6'. Castlereagh: "Stolen or Strayed, Lost or Miss led, a fine Old Buck of the Hanoverian Breed the Prime of the Herd in good condition, rather thick about the Ancle's, most graceful in his action, full about the Neck & Chops, his Rump erect, Haunches square, quick in his paces when persueing or persued, is extremely fond of his Antlers or Horns; which he seems particularly desirous of showing, was last seen in the Neighbourhood of Virginia Water, which it is supposed he mistook for the Lake of Como, being then seen toying with a remarkable fine Doe & her full grown Kid, having left his former Doe, who has been ever since worried by a set of Mongrel Animals, who ever will give information of his retreat or if any accident has befallen him, or if straying with any of the wild does of that neighbourhood [a phrase in brackets erased] so that he may be restored to the Herd a Crown will be the Reward!!" The Queen says: "aye Master Bell Man if you can but restore him it will be worth Half a Crown to me.""--British Museum online catalogue
Alternative Title:
Saint Stephens bell man
Description:
Title etched below image., Tentatively attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 27 of: George Humphrey shop album.
Publisher:
Pub. Aug. 25, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Title from caption below image., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Plate numbered "39" in upper right corner., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Plate numbered '82' in ms. along top margin of sheet. Numbering corresponds to plate position within previous collection.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from item., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Concluding digit in the publication year erased from print leaving worn paper., Later reissued with series number. Cf. no. 10966, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Ttilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Mounted to 30 x 43 cm.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 10763, representing Ministerial and Opposition leaders on platforms in front of their booths. On the extreme left. is Sheridan addressing the crowd below: 'Walk in Gentlemen and Ladies - here is no deception. Just going to begin.' He points to his back-cloth which hangs from a flagstaff: under a bottle and glass is the inscription 'Prime Sherry Gratis - The Comedy of A New Way to Pay Old Debts [Massinger] - with the Publicans Friend.' Harlequin, masked, with a blackened face, postures behind him. The flag is inscribed 'In vino Veritas'. On the adjacent booth Castlereagh stands with upraised arms, holding a tali long-bow with two strings. Beside him a pierrot bangs a salt-box. His back-cloth is inscribed 'The Genuine Booth - Two Strings to your Bow [a popular farce by R. Jephson, 1791] and a Trip to Down [see British Museum Satires No. 10715]'. His flag is inscribed 'Down Down Hey Derry Down.' The centre booth has a tattered back-cloth inscribed 'The Old Broad Bottomd Booth rather out of repair But Excellent Entertainment.' Its flag, also tattered, is 'Catholic Emancipation'. On the platform Grenville bows very low, hat in hand. Beside him is a pierrot holding up a steaming bowl and a placard: 'Treasury Soup Hot at all Hours'. The next booth is 'The Only True Constitutional Booth Persevere & Company' the flag is 'No Popery'. On this Perceval, his back to Grenville, bows, saying, "Dont mind what the Broad Bottoms say good people - mine is the only treue constitutional Booth." He has two attendants, one holding 'Magna Charta' besides a man blowing a trumpet to which is attached a banner with the royal arms. On the extreme right., a little apart from Perceval's booth, is that of Canning. The back-cloth is inscribed: 'A Collection of Sky Rockets Just arrived from Denmark very Curious.' Rockets rising from behind the cloth descend in golden streams on the crowd below. Canning is in full armour and holds a tilting-lance; he says: "Don't be afraid they won't hurt you." His pennant is 'Necessity has no Law.' A man in the crowd, looking up at the rockets, says: "To tell you the truth I don't admire Sky." On the ground-level are side-shows under two of the platforms. That of Grenville is the roof of a square stone building; its door is placarded 'Portland Stone moveable Kitchen, a great Curiosity' [cf. British Museum Satires No. 10718]. No ladder ascends to the top, as with all the other booths, so that Grenville can descend only by stepping on to an adjacent platform. Beneath Perceval's platform is inscribed: 'Underneath to be seen the Bed of Roses' [see British Museum Satires No. 10558, &c.]. Among the crowd of gaping spectators are men crying their wares. They hold out broadsides. One (left) shouts: "Who buys my rotten Burrows if I'd as much money as I could tell I never would cry rotten Burrows to sell." A yokel in a smock asks him: "What do you ax Master for a good snug thing in your way." A man cries: "Who wants to buy any New Taxes"; a fat farmer says: "Dang it we have got enough of that Article". A Highlander in a kilt cries "Places and Pensions at half Price". A man offers a similar Highlander: "Snug Sinecures Dirt Cheap." A corpulent parson addresses a stout woman whose arm a much shorter man is holding: "Any more Church livings than you make use of I'll buy them of you." On the extreme right a quack doctor offers money-bags: 'Delicate Consciences effectively cured - no cure no Pay'."--British Museum online catalogue
Alternative Title:
Saint Stephens fair
Description:
Title etched below image., Later state, with former plate number "39" removed and a new number added. See British Museum catalogue., Text following title: O don't you think it a wonderful fair." Holcroft., Companion print to: A political fair., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling colored.", Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: Pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Male costume: Armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume, 1808 -- Physicians -- Quacks., and Leaf 39 in volume 4.
Publisher:
Pubd. Feby. 8th, 1808, by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
