King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Ms. note in Steevens's hand below print: See Nichols's book, 3d edit p. 167., and On page 50 in volume 1. Sheet trimmed to: 49.3 x 37.3 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Manfred depicted full-length on the right, facing left with his arms out in front of him, a horrified expression on his face. He's watching six servants on the left hold an enormous black helmet topped with large black feathers; below the helmet a man lies on his back, blood on the ground surrounding his head. The castle stands in the background, with a low round tower and a crenellated wall immediately behind the figures and higher walls and towers rising in the middle distance
Description:
Title devised by cataloger., Signed and dated by the artist in ink in lower left corner., and Tipped in opposite page 4 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore speaking to one another from windows on separate levels of the castle. One facade of the castle is shown, with two trees growing in the foreground and additional trees, fields, hills, and a pond visible in the distance on the right. Matilda can be seen in the open half of an arched window on the upper floor; she looks outward, her arm propped against the opposite side of the window. Theodore, in a similar pose, looks out from the open window on the level below
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 69 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Nine views, arranged in three rows with three each, showing castles and fortifications, houses, bridges over rivers, and harbor
Description:
Title and publication date from Isaac., Sheet trimmed within plate mark on top edge., Plate numbered "34" in upper right corner., and Partial watermark at lower edge: [...]C [...]06?
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Bridges, Castles & palaces, Forts & fortifications, Dwellings, and Bays (Bodies of water)
Graham, Elizabeth Susanna Davenport, 1762 or 1763-1844, artist
Published / Created:
August & Septr. 1790.
Call Number:
75 G739 790
Image Count:
44
Abstract:
An album containing drawings of castles, ruins, abbeys, landscapes, roads, and bridges drawn by the artist while on tour in northern Wales in August and September 1790, the year before her marriage. Most of the drawings are titled with names of places visited and are listed on the front flyleaf. On the verso of the fifth drawing, sometime after 1826, the artist has written a short piece entitled "Recollections" in which she compares travelling in Wales in 1790 to the last trip she took in 1826
Description:
Elizabeth Susanna Davenport (1764-1844) was a writer known for her books written for children. She married lawyer Thomas Graham (1751-1814)., Binding: Marble boards, half-leather, with wax seal and stamped with the initiials ESD [i.e. Elizabeth Susanna Davenport]., In the artist's hand on front pastedown: "This is for THF" [i.e. her son Thomas Henry Graham]., and For further information, consult library staff.
An album of sketches largely comprised of images drawn by a traveller in central and southern France in the late 1820s and early 1830s. The images, executed in a variety of media and styles, are mostly skillfully drawn landscapes, elevations of buildings, and people in local costume, with captions in French (with some English), many of which show scenes in the Bagnères-de-Bigorre (September-October 1828) in southwestern France as well as scenes in Pau (1827), Saint-Étienne (1828), Peyrehorade (1828), Nimes (1828), Bayonne (June 1828), Toulouse (May 1829), Montpellier (June 1829), Bordeaux (August 1830), and Royan (1831). The picturesque views include: a shepherd on stilts ('berger des Landes'); a couple on a cacolet at Bayonne; a rear view of a farmer sitting on a wall; a view of a chateau near Toulouse silhouetted against the red night sky, and another of the Tour des Pins at Montpellier glowing in the dark. Several drawings demonstrate an interest in architecture and antiquities: there are detailed, very skilled architectural drawings of the Thermes de Marie Thérèse at Bagnères-de-Bigorre, and Latin inscriptions copied from Roman monuments. Landscape drawings include a tall chestnut tree at the convent of Notre-Dame de Médoux and Narcissa's tomb at Montpellier (with a quote from Young's Night Thoughts). The album also includes five British scenes by another artist: the Tower of Refuge, Isle of Man; Netley Castle in Hampshire England; Carisbrooke Castle, Isle of Wight; the ancient well at Wavertree and Prince Rupert's headquarters, Everton, both near Liverpool (these last two signed 'Alex Aikin').
Description:
In French and English, with some Latin., Title devised by cataloger., Artist unidentified, but is plausibly English; the sketch of Narcissa's tomb at Montpellier has a quote in English from Young's "Night Thoughts"., On different colored papers, with a table of contents, a few leaves previously removed; red glazed paper over pulp boards, green glazed endpapers., and For further information, consult library staff.
Subject (Geographic):
France, England, France., and England.
Subject (Topic):
Grand tours (Education), Buildings, structures, etc, Drawing, British, Monuments & memorials, and Castles & palaces
Title from Horace Walpole's ms. note below image., Sheet trimmed within plate mark., Date based on year of Walpole's death., Probably an illustration from a book., and Matted to 14.8 x 18.4 cm. For further information, consult library staff.
Drawing of Theobalds framed by two pencilled lines and mounted on a secondary sheet
Description:
Title devised by cataloger., Ms. note left unmounted., Drawing attributed to Vertue in pencil on the mount above. Identification from early sales catalog which has been questioned by former owner. Suggested alternative identification: Oatlands Palace (Surrey) from a painting by Van Somer in the Collection of Her Majesty the Queen., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
Title from later state in the Austrian National Library online catalogue., Early (proof?) state lacking title and dedication., Sheet trimmed to plate mark leaving thread margins., and Watermark.
Publisher:
Published Octr. 15, 1792, by Colnaghi & Co., No. 132 Pall Mall, Chez S. Tessavi, and Chez J. Lanna, Rue de la Madeleine
