"View of buildings of Whitehall Palace from the river, from an inlet of the Thames in Lambeth Marsh; boats in the foreground, Banqueting House in the background."--British Museum online catalogue
Description:
Title etched at top of plate., Restrike (probably retouched) of a print by Hollar that was originally published in 1647 as part of a series of eight. See Adams., Approximate publication date from Adams, who notes that printsellers such as Laurie & Whittle were selling impressions on wove paper of the prints in this series at the turn of the 19th century. Decades earlier, the publishers Sayer and Bennett had offered impressions "on very good paper" in their 1775 catalogue, writing that the original plates had been "carefully cleaned" (that is, the worn lines had likely been re-engraved)., Imperfect; sheet trimmed within plate mark with some loss of image from right and left sides., Mounted to 20.9 x 27.1 cm., and Mounted after page 172 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
"View of Buckingham Palace from St James's Park; figures in foreground including children and soldiers."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 65., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 1.
Publisher:
Pub. 1st May 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Saint James's Park (London, England), England, and London.
"Caricature with the oak of England, weighed down by George IV and his mistresses swinging on its branches, being undermined by devils, watched by an appalled John Bull."--British Museum online catalogue
Alternative Title:
Old oak in danger
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1983,0305.33., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 59 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner.
Publisher:
Published September 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Windsor Castle,
Subject (Topic):
John Bull (Symbolic character), Adultery, Mistresses, Trees, Oaks, Swings, Devil, Axes, Soldiers, Bridges, and Castles & palaces
Fashionably dressed ladies and gentlemen stand or sit in small groups conversing the elegant saloon at the Marine Pavilion designed by Henry Holland
Description:
Title etched below image., Sixth of eight plates to: Wigstead, H. An excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., 1 print : etching and aquatint in sepia on laid paper ; sheet 26.2 x 33.3 cm., Sheet trimmed within plate mark with loss of imprint. Printmaker's statement partially erased., and Watermark.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinsons, Paternoster Row
Leaf 69. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A comely young woman, the centre figure, stands bare-legged in a wash-tub, holding her petticoats high, and smiling coyly. Behind (left), another woman with kilted petticoats steps into a tub, looking over her shoulder. In the foreground (right) a man in Highland dress sits on the ground, taking snuff. Water gushes into a rectangular tank of masonry from a satyr's head set in a wall. Behind is a tree and in the distance (?) Edinburgh Castle."--British Museum online catalogue
Description:
Title etched below image., Signed by the printmaker in lower left corner of image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Krumbhaar, E.B. Isaac Cruikshank: a catalogue raisonné, no. 1069., and On leaf 69 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Scotland.
Subject (Name):
Restrike, with remnants of a burnished imprint statement above image. For original issue of the plate, published ca. 1809, see no. 11476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"Bird's eye view of Somerset House and its garden and fountain from the Thames; the Folly, or Royal Diversion, a timber building on a barge, moored on the river; a coat of arms at the bottom of the sheet"--British Museum online catalogue
Alternative Title:
Maison de Somerset
Description:
Title from caption below image., Publisher and date of publication from that of the volume in which the print appears., Plate from: Britannia illustrata ... London : D. Mortier, 1707., and Plate numbered "6" in lower right corner.
View of the real-life Castle of Otranto in Italy. The gray structure is seen in the middle distance beyond a low stone wall, one branch of which extends towards the viewer in the right foreground. Blue-tinted mountains are visible in the far distance on either side of the castle. A green lawn occupies the rest of the foreground; a blue sky completes the top half of the image
Description:
Title from contemporary note in ink on strip of paper pasted on facing page of volume., Unsigned; artist unidentified., Date of production based on death date of Richard Bull, who owned the volume in which this drawing is mounted., Another version of this drawing, presumably by John Carter, was also owned by Richard Bull. Cf. Lewis Walpole Library call no.: 33 30 Copy 11., and Mounted before title page in Richard Bull's extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
Watercolor drawing of the real-life Castle of Otranto in Italy. The gray structure is seen in the middle distance beyond a low stone wall, one branch of which extends towards the viewer in the right foreground. Blue-tinted mountains are visible in the far distance on either side of the castle. A green lawn occupies the rest of the foreground; a blue sky strewn with white clouds completes the top half of the image
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., The original drawing by Willey Reveley, of which this is a copy, was kept by Horace Walpole in the Small Closet at Strawberry Hill., Mounted on page 255 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
"Bird's eye view of St James's Palace looking across formal gardens towards the City of London; cavalcade with coaches advancing down the Mall on the right"--British Museum online catalogue
Alternative Title:
Saint James's House and Palais Royal de St. James
Description:
Title from caption below image., Publisher and date of publication from that of the volume in which the print appears., Plate from: Britannia illustrata ... London : D. Mortier, 1707., and Plate numbered "2" in lower right corner.
Volume 1, page 69. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title written in pencil in upper left corner., Date supplied by cataloger., and Mounted on page 69 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
