Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
"Satire on politicians; an elegant candidate removes his hat to a portly countryman who rebuffs his approach, mindful of the candidate's vote in favour of the Roman Catholic Relief."--British Museum online catalogue
Description:
Title etched at bottom of image., Reissue of a print originally published ca. 1791. See British Museum online catalogue, registration no.: 2010,7042.3., "One shilling colour'd"--Lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed within plate mark.
Publisher:
Pub. by T. Tegg
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Catholic Church
Subject (Topic):
Politics and government, Catholic emancipation, and Politicians
The Virgin, seated in the clouds, feeds a naked child with irradiated head into the large hopper of a windmill; wafers, the product of the mill, fall onto a patera held up by a short figure in a white surplice; a stout priest, intended as a Roman Catholic, gives the sacrament to a kneeling figure at the left, another kneeling behind
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 122., and Cf. Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2156.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
Great Britain
Subject (Name):
Mary, Blessed Virgin, Saint. and Catholic Church
Subject (Topic):
Transubstantiation, Communion, Grinding machines, and Priests
The Virgin, seated in the clouds, feeds a naked child with irradiated head into the large hopper of a windmill; wafers, the product of the mill, fall onto a patera held up by a short figure in a white surplice; a stout priest, intended as a Roman Catholic, gives the sacrament to a kneeling figure at the left, another kneeling behind
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 122., Cf. Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2156., and On page 232 in volume 3. Sheet trimmed to: 22.4 x 14.3 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
Great Britain
Subject (Name):
Mary, Blessed Virgin, Saint. and Catholic Church
Subject (Topic):
Transubstantiation, Communion, Grinding machines, and Priests