"Interior view of the chapel, in the prison; condemned prisoners kneel and pray in the Dock, around a coffin."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 57., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 209.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Chapels, Interiors, Prisoners, Prayer, Coffins, and Pulpits
View of the small "oratory of St. Nicholas" perched on a tiny island in Switzerland’s Lake Lucerne
Description:
Title etched below image., Signed with initials and dated in lower left corner. "I.G.", i.e., Isabella Godfrey, the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.
"Interior of the chapel, in Bermondsey; a priest delivering a sermon from pulpit in foreground."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 61., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 222.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Philanthropic Society (London, England)
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
Inscription: title written in unknown contemporary hand at bottom of sheet, below image., From a group of Strawberry Hill views by the same hand, two of which carry watermarks dated 1821 and 1822., Unknown artist., Formerly shelved as part of the SH Views collection., and Not in Manuscript Catalogue of 1763.
"Interior of the chapel; the congregation assembled and in prayer, two levels of balconies on either side supported by Doric columns, domed ceiling over altar"--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 16., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 114.
Publisher:
Pub. 1st April 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Interiors, Religious services, Chapels, Altars, and Prayer
"A bishop (right) standing behind an altar-rail, holds out both hands over the head of a kneeling clergyman. A demon kneels on the ground beside the latter; another has crept under his cassock, from which the tips of two wings project. Over the door is a picture of the Last Supper with Judas as a prominent figure. The lid of a large chest (left) is slightly raised, from it hangs a paper inscribed: "I Suit of Scarlet & Gold, I Suit White & Silver, I Suit Blue & Silver, i Suit Flower'd Silk, i Suit Black Silk, I Black Velvet Surtout." On the Chest is pasted a label: "Left to Messrs Panchauld & Fo . . ." Paris. On the ground is a book, 'A Course of Humanity on Miss S------rs'."--British Museum online catalogue
Description:
Title from text above image., One line of text below image: It is true I have suffered the infectious hand of a bishop to be wav'd over me, whose imposition like the sop given to Judas is only a signal for the devil to enter, &c., Temporary local subject terms: Benediction -- Parson -- Coffers., and Watermark: J Whatman.
Publisher:
Publish'd as the act directs, April 14, 1772, by W. Darling, engraver, Great Newport Street
In a clear parody of Hogarth's "Sleeping Congregation" this scene in a dissenting chapel, shows the preacher leaning from the pulpit, his fist raised as he shouts to the congregation below. A squirrel sits on the canopy of pulpit gnawing on a nut. While some of the congregation in the foreground and those in the background in a raised pew or balcony look up at the preacher, most are smiling at their neighbors and exchanging amorous glances. A chandelier hangs from the upper margin, beside it an inscription: "My friends fear nothing! Follow the first and good commandment -- increase & multiply! Defy as I do Beelzebub & all his crew. We are as innocent lambs passing our evenings here in love and harmony. Hearken not to backsliders, attend regularly & your feelings shall be gratified."
Alternative Title:
Celebrated and Reverend T. Screech Me Dead attacking the devil in his strong hold
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Dissenters, Religious, Chapels, Courtship, Dissenters, and Preachers
"Satire on the Jacobite rebellion, Prince Charles Edward Stuart, the Young Pretender, and the pro-French and Catholic measures he was expected to introduce. The Prince walks through a market place wearing a tartan kilt and a coat covered in fleur-de-lis; he is proceeded by a drummer and followed by Scots troops carrying Lochaber axes all of whom wear cockades on their Scots bonnets. At a butcher's stall on the right, proclaiming 'Flesh for such as haue Licences', a bishop buys a piece of beef from a woman who chops it up with a cleaver. Beside this is a stall selling 'FINE PLUMP FROGS for a Fricace'e, specimens of which hang from rods over the stall while a young woman arranges more on her counter; next is a Frenchman offering 'Woode(n) Shoes A la mod(e) PARIS' from a selection on a table before him. Above the final stall two angels hold a notice, adorned with the Papal arms, advertising 'Holy RELICKS from JERSULEM ITALY FRANCE SPAIN & other Catholick Countries to be Sold or Chang'd for old Silver by Antonio Maria Francesco Credo' while in the stall beneath a monk stands before a pile of sculls holding a broken femur; the wares for sale include a rosary, a cross, a knife, 'Queen Maries shoes', bits of bones, one of which is labelled 'Legg of St. Andrew', another, 'Arme of St Ninion', and notices advertise, 'The VIRG(in's) MILK', 'Angels Sweat', 'Saints Teeth'; in front of the stall a dog holds a 'Bone of St Dominick' in its teeth. In the foreground, on the left, a group of Scotsmen, one playing the bagpipes, sits outside an inn from which hangs the sign of the 'FRENCH YOKE', while another enters carrying over his shoulder a heavy bag lettered 'CONTRIBUTION MONEY'. On the balcony of the in inn stand Cardinal Tencin, the Pope, holding a cross and a crown, and a monk; lettering at their feet reads, 'FRENCH BRANDY & ITALIAN WINES imported by P.BENIDICT C. TENCIN'. A street sweeper sweeps up papers lettered 'Magna Charta', 'Bank Notes', 'India Bills', and 'Scotch Directory for Worship', 'The HOLY BIBLE' and 'The BOOK OF COMMON PRAYER'. Behind him a Scotsman gives a coin to a monk in exchange for papers lettered 'Indulgences for 100 Years' and 'Pardons for Sins Past'; a French priest standing beside him, a white Jacobite cockade in his hat, carries a pedlar's tray laden with bottles and balls lettered, Poison Gaggs and Spanish Padlocks'. In the centre, a barefoot boy drives a donkey with panniers on top of which are papers lettered 'Petition for a General Spunge', 'Petition to dissolve the Union', 'Petitions of your true Friends', 'Petition to Restore Abby Lands and for Clanships'. On the right, a young woman, also barefoot, kneels by a basket, with the label 'Royal Nosegays' offering for sale bunches of thistles and lilies. In the background is a market cross on which hangs a paper lettered 'J[ames] R[ex]', with the sign of a fleur-de-lis, 'MANIFESTO by the Power of France and Spain Rome Sept 2 sign'd Okely'. Beyond is a chapel with a thatched roof in the doorway of which a woman kneels before a monk standing behind three thistles; on the front of the chapel, under the sign of a host over a chalice with St Peter's keys and the papal tiara, is a large notice promising 'Full Indulgences, MIRACLES Done here by the Holy Fathers of the INQUISITION Three Thistles grow out of a hard Stone'."--British Museum online catalogue
Alternative Title:
Highland fair
Description:
Title etched below image., Publisher identified from address., Publisher's announcement following imprint: ... & a 100 sortmt., and Temporary local subject terms: Literature: The Pretender's manifesto by Pierre Guerin de Tencin, 1679-1758 -- Frogs for sale -- Trades: frog seller -- Flower seller -- Wooden shoe seller -- Clerical sellers -- Donkey driver -- French yoke -- Market cross with a sign on it -- Booths in market place -- Brooms -- Hoaxes -- Jacobites -- Enslaved person in wooden shoes -- Money: contributions -- Market signs -- Tavern sign: French Yoke -- Documents being swept away -- Angels holding sign.
Publisher:
Sold in May's Buildings, Covent Garden ...
Subject (Name):
James, Prince of Wales, 1688-1766, Tencin, Pierre Guérin de, 1679-1758, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Black people, Dogs, Donkeys, Petitions, Frogs, Street vendors, Markets, Sweeping & dusting, Chapels, Skulls, Bones (Anatomy), and Signs (Notices)
"Chapel interior with George III and Charlotte watching from royal box as poor figures lined up to receive charity, the men at left and women at right, members of the congregation surrounding in pews at right and chior at left"--British Museum online catalogue
Description:
Title from caption below image., Description based on imperfect impression; sheet trimmed to plate mark leaving thread margins., and Partial watermark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820. and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818.
Perspective interieure de la Chapelle du College du Roi a Cambridge
Description:
Titles in English and French etched below image., Date based on time period (1746-1755) when Canaletto worked in England and produced the original painting., Text below English title: N.B. This building is esteem'd the most perfect and finest piece of Gothic architecture now remaining in Europe., Text below French title: Cet edifice est regardé comme le plus beau monument d'architecture gothique qui soit en Europe., Sheet trimmed within plate mark., and Mounted on page 24 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
