"A stout and florid woman holds up on her two large hands the baby princess, face downwards. The infant holds out her arms towards the Prince of Wales, who advances tipsily through a doorway (right), and touches her hand. He is dishevelled, with unlatched shoes and ungartered stockings; his garter, inscribed 'honi soit', dangles round his right leg. He is followed by M. A. Taylor, on the extreme right, who carries on his head a wicker cradle ornamented with the Prince's feathers. Behind the infant are Fox and Sheridan, stooping obsequiously to kiss her posteriors; Fox clutches her long robe which reaches to the floor. In the background rows of guests are freely sketched, drinking (?) caudle from two-handled cups. The two on the extreme left and in the front row resemble Sandwich and Erskine (to whom a man (not dressed as a servant) hands a tray of steaming cups)."--British Museum online catalogue
Alternative Title:
Wise men's offering
Description:
Title etched below image. and Temporary local subject terms: Furniture: cradles -- Lighting: chandelier.
Publisher:
Pubd. Jany. 9th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Charlotte Augusta, Princess of Great Britain, 1796-1817, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Caption title., A poem, printed within black mourning border, illustrated above title with an image of an urn mounted on a plinth, her life dates engraved on the plinth; behind a weeping willow. Five stanzas of verse in letterpress at the bottom., Illlustration signed: Snowdon, Wigmore Street., First lines of verse: O! look, my sister, yonder our princess lay; How fragrant is her tomb, her very clay! ..., and 'Maria' written in black ink above imprint statement. For further information, consult library staff.
Publisher:
Published for the Authoress, and sold by T. Gardiner and Son, 20, Princes-Street, Cavendish-Square; N. Hailes, London Museum, Piccadilly; and T. Sizuer, Juvenile Library, 259, Oxford-Street, and 209, Piccadilly
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"Plate from the 'Scourge', viii, before p. 83. The Regent sits on a throne wearing academic cap, gown, and bands, and holding a huge birch-rod. Poised on his cap is a tiny merry-go-round; on the central post Punch, wearing a fool's cap, postures on one toe; on the rim are a tiny car, a donkey, goose, &c. His legs are wide apart and he has some resemblance to Henry VIII. He addresses Princess Charlotte who stands on the right, walking away but hindered by the Duke of York whom she tries to push aside. Beside the throne are Eldon and Ellenborough. Eldon (left), wears his Chancellor's wig and gown, a bag over his shoulder, his left hand on the right arm of the throne. Ellenborough sits at the Regent's left. A cross in the form of a pillory hangs from his neck; this is combined with a circle inscribed 'Croix de Pillory' forming a cross of Iona type. He holds a book: 'Magna Charta'. Beside him, and at the foot of the throne, are a birch-rod and a bag labelled 'Thumscrews & gags'. On a stool (left) next Eldon sits a fat and jovial bishop (the Archbishop of Canterbury) holding a bottle, and a large paper which he is reading: 'an old Song to a new Tune / I know my trade / Which tho it be made / By some a mighty serious / occupation, / I have found that to laugh / Is better by half / And more likely to get / a presentation / Tis all a mere hum / To stand preaching humdrum / And telling old Tales of / repentance / You had better burlesque / Both pulpit and desk / And turn up your female acquaintance / So bein ....' A roll of 'Old Songs Humorous Amorous &c', and a book (of old jests): 'Joe Miller', lie at his feet. Neglected behind his stool lies a book of 'Com[mon] Pray[er]'. The Regent says to his daughter: "I have sent for you my Dear Girl, to give you advice--for the future you must look up to me, as a pattern of Chastity, Sobriety, and Fidelity--I have just dismissed your late attendants, and intend now to teach you these virtues by my own precept and example--you will henceforward live under my roof--if you dont Obey--Mind--this!!" [his birch-rod]. Lord Eldon: "If you will allow me Sir! to send my wife to her, she will teach her how to Obey, I'll answer for it and that Scott free!!" Ellenborough: "Don't mind Brother Bags I'd have every body know what the Law can do it can decorate a Lord with the Croix de St Pillory, why not a Lady!" The Princess: "I wont stay Uncle--I won't be a Prisoner--I don't care for all the Bishops and Lords in the Kingdom, I'll put my self under the protection of some Coach'ee and drive to my Mother that I will!" The Duke of York answers: "No No my dear! must not run away from School Nuncky will pet it and Nurse it and Nunckys deary shant fret that it shant." He wears a military coat over a surplice, and a mitre projects from his coat-pocket. The Archbishop, turning from the conclave and absorbed in his song, says: "Fore George but this is a good one I must get into the right tune." The throne is an elaborate quasi-Chinese, quasi-Gothic erection, the top of the canopy with the Prince's feathers cut off by the upper margin, leaving the words 'Qui Pense'. The canopy is edged by bells. Below it are two winged cherubs' heads, both shedding tears. The arms are inscribed respectively 'Wisdom' and 'Activity', Eldon leaning against the former, Ellenborough against the latter. In a niche beneath the left arm are two bottles: 'Curr[açoa]' and 'Brandy'; the corresponding right niche is hidden by Ellenborough. On each side of the throne and above the heads of the two judges is an alcove containing large volumes: (left) 'Rule a Wife and [have a wife', John Fletcher's comedy, 1624, revived by Garrick]; 'Gullivers Travels'; 'Gack the Gian Killer' [sic]; 'Tom Thumb'; 'Family Quarrels a Novel in one Vol.' On the right: 'Little Red Riding Hood'; 'Law and Equity'; 'Duty of Jurymen by Veritas'; 'Life of John Bull'. These alcoves are flanked by large pictures partly cut off by the upper margin and concealed by labels enclosing speeches. On the left is 'Char[les the Se]cond', on the right 'Pri[nce Re]gent', a realistic rendering of his paunch and legs. At his feet is a scroll inscribed 'A Chines Bridge'. Against the portrait hangs a cage inscribed 'Sterne's Starling', containing a bird which puts its head through the bars, saying, "I can't get out."--British Museum online catalogue
Alternative Title:
Royal pedagogue and his ushers
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Watermark: H[?] 18[?]., and Manuscript "150" in upper center of plate.
Publisher:
Pubd. Augt. 1, 1814 by W.N. Jones No. 5 Negate [sic] Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
A rose with the head of Princess Charlotte as the center, the stigma
Description:
Title etched below image., "Proof"--Lower left corner., Six lines of verse, signed "J.B.B.", etched beneath title: A rose, of loveliest form and hue, in Britain's royal garden grew ..., and Dedication etched above imprint: Dedicated to His Serene Highness the Prince Leopold of Saxe Cobourg, &c. &c. by his most grateful and very humble servant, P.W. Tomkins.
Publisher:
Published Decr. 16, 1817, by P.W. Tomkins, 53, New Bond Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817,, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Léopold I, King of the Belgians, 1790-1865,
A rose with the head of Princess Charlotte as the center, the stigma
Description:
Title etched below image., "Proof"--Lower left corner., Six lines of verse, signed "J.B.B.", etched beneath title: A rose, of loveliest form and hue, in Britain's royal garden grew ..., Dedication etched above imprint: Dedicated to His Serene Highness the Prince Leopold of Saxe Cobourg, &c. &c. by his most grateful and very humble servant, P.W. Tomkins., 1 print : stipple engraving with etching ; sheet 24.2 x 15.2 cm., On wove paper, hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of statements of responsibility, dedication, and imprint statement from bottom edge., and Probably the published version, not a proof state.
Publisher:
Published Decr. 16, 1817, by P.W. Tomkins, 53, New Bond Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817,, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Léopold I, King of the Belgians, 1790-1865,
Title from caption above poem., Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia and British Lion in front of Princess Charlotte's tomb, which is located under a weeping willow and is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom, signed "J. Thompson"., All engraved., First line of verse beneath title: Cease, ye minstrels! all be mute ..., Possibly Samuel Rothwell, but this address not listed in British Book Trade Index?, and For further information, consult library staff.
Publisher:
Published by S. Rothwell, 3 Hatfield St., Blackfriars Road
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Britannia (Symbolic character), Tombs & sepulchral monuments, and Grief
Caption title., Broadside, with three paragraphs of text within thick mourning border and initialed ‘J.W.L.’ at the end. ‘From the Morning Post of Nov. 11th’ printed in lower left. Beneath the title are three lines quoted from Lord Lyttleton's 'To the memory of the same lady, a monody. A.D. 1747.', First line: Even thus in the flower of youth - in the bloom of loveliness - ..., and Laid on to a slightly larger modern sheet. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Engraved broadside poem published shortly after the death of Prince Edward, Duke of Kent, father of the future Queen Victoria. The verses also commemorate Princess Charlotte, three years after her untimely death in 1817. With six vignette illustrations: at the top are images of the Duke of Kent, Kensington Palace, and the Duchess of Kent; and at the foot are images of Prince Leopold, Claremont House, and Princess Charlotte
Alternative Title:
Tear of respect to the memory of a generous & patriotic prince
Description:
Title from item., All engraved., The text, in two columns, begins: Hark, hark! what deep knell is now striking my ear ..., and For further information, consult library staff.
Publisher:
Engraved & published 23rd March 1820 by Jas. Debaufer, 11 Creed Lane, Ludgate Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Edward Augustus, Prince, Duke of Kent, 1767-1820, Victoria Mary Louisa, Duchess of Kent, 1786-1861,, Léopold I, King of the Belgians, 1790-1865,, Claremont House (Surrey, England),, and Kensington Palace (London, England),
Title from first line of text, left column of engraved text., All engraved., A memorial to Princess Charlotte of Wales, the overall design being an image of her tomb, including a portrait of the princess and a depiction of her funeral procession directly below. Engraved text within the columns of the tomb provide the details of the procession along with Charlotte's biography. The central body of the tomb includes verse in memory of the tragically deceased princess: Thy hand, mysterious providence! Hath snatched the hope of millions hence. She, she is gone, whom joy and truth, And all the loveliness of youth ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Funeral processions