"Sheridan leads the forces of the professionals against the amateurs of the Pic Nic Society, who are performing on a small, elegant stage, rising (without orchestra) from the boards in the foreground where these enemies advance. He is dressed as Harlequin; the tight chequered dress (slightly torn) accentuates his obesity; an empty purse hangs from his belt; in his left hand is a hat with a tricolour cockade (emblem of Jacobinism). In his right hand he flourishes a large pen whose feather makes wide swirling curves, terminating in firework-stars, and inscribed with the names of newspapers: 'Courier', 'Morning Post', 'Morning Herald', 'Morning Chronicle'. He is masked, to indicate that he has been writing anonymous squibs against the Pic Nics. The swirls of his pen partly obscure a figure of Comedy, meretricious, and half-naked, holding up a mask which decorates the left pilaster of the proscenium. The actors follow in characteristic attitudes. Kemble (as Hamlet) wearing a ribbon, ranting in tragedy, directly behind Sheridan, staggers back with legs astride, both arms raised. On the left is Mrs. Billington, singing as in BMSat 9765, left hand on her breast. Mrs. Siddons (? as Lady Macbeth) clutches a dagger. Behind is the head of Lewis (see BMSat 9915), with a comedian's smile, wearing a cocked hat. Crowds of actors pressing on from behind (left) and in deep shadow, are indicated by arms holding up banners; the chief one with the head of 'Shakespeare', badly torn. Others are 'Otway Rowe'; 'Kotzbue', and 'Schiller', both tricolour (indicating the supposedly revolutionary tendencies of modern German drama, cf. 'The Rovers' in the 'Anti-Jacobin', and BMSat 7054); 'Jonson', 'Congreve', 'Addison'. In the foreground, through splintering boards, the ghost of Garrick rises, a mask in his hand. ..."--British Museum online catalogue
Alternative Title:
Harlequin Quixotte attacking the puppets
Description:
Title etched below image., Text following title: Vide Tottenham Street pantomime., Watermark: E & P., and Mounted on leaf 72 of volume 10 of 12.
Publisher:
Publish'd April 2d, 1802, by H. Humphrey, St. James's Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Kemble, John Philip, 1757-1823, Billington, Elizabeth, 1765-1818, Siddons, Sarah, 1755-1831, Lewis, William Thomas, 1746?-1812, Garrick, David, 1717-1779, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Mount Edgcumbe, Richard Edgcumbe, Earl of, 1764-1839
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", Figure identification in pencil in contemporary hand below plate mark., and Mounted to 39 x 29 cm.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with stipple on wove paper ; sheet 26.3 x 20.1 cm., Sheet trimmed to plate mark., Watermark: 1804 J. Whatman., and Mounted on leaf 45 of volume 10 of 12.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.5 x 20 cm., and Offset from another impression on verso.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"A crowded scene, the amateurs of the Pic Nic Society are dressing and rehearsing. The design may derive from Hogarth's 'Actresses dressing in a Barn' (BMSat 2403), Gillray stressing the contrast between his luxurious mise-en-scène and the squalor of Hogarth's players. The centre figure is Lady Buckinghamshire, enormous, florid, and gorgeous, her skirts outspread, standing before a dressing-table, touching one of many patches on her face and holding her part, that of 'Roxana' [in Lee's tragedy, 'The Rival Queens; or the Death of Alexander the Great']. Under her dressing-table is a square bottle of 'Usquebaugh' and a glass. On Roxana's l., with her back to the dressing-table, sits Lady Salisbury, her legs crossed and much exposed, pulling on a laced boot. Her neck is swathed with a spotted cravat as in BMSat 9908. Near her on the floor are the second boot, a pair of breeches, and her part: 'the Part of Squire Groom to be per[formed], by [Lady Salisbu]ry'. She gazes at the huge Lord Cholmondeley who stands in profile to the left., dominating the left. of the design. He is dressed as Cupid; a tunic covered with a design of ring-doves, hearts, arrows, and cross a torches defines a vast paunch across which is a tricolour ribbon inscribed 'Amor Vincit Omnia'. He has butterfly wings, massive quiver filled with heavy arrows, and holds an arrow in his left hand. He stands impassively, his head wreathed with flowers. In the foreground, in front of Cholmondeley stands the tiny Lord Mount Edgcumbe in a swaggering attitude, studying his part: 'Alexander the Great', as in BMSat 9916. He wears armour, with a swathed cravat and vandyked ruff, and a helmet on which is a dragon spitting fire. Facing Cholmondeley and immediately behind Lady Salisbury is little Lord Derby blowing a French horn. Behind is a group of musicians: Lord Carlisle (l.) blows the bassoon with a melancholy expression, facing Lord Salisbury who pompously plays a small fiddle. Between them is Col. Greville or Lord Abercorn playing the triangle. ..."--British Museum online catalogue
Alternative Title:
Peep at the green room
Description:
Title etched below image. and Mounted on leaf 2 of volume 11 of 12.
Publisher:
Pubd. Feby. 18th, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Mount Edgcumbe, Richard Edgcumbe, Earl of, 1764-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Smith-Stanley, Edward, 1752-1834, Salisbury, James Cecil, Marquess of, 1748-1823, Abercorn, John James Hamilton, Marquess of, 1756-1818, Skeffington, Lumley St. George, Sir, 1771-1850, George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, Fitzherbert, Maria Anne, 1756-1837, Queensberry, William Douglas, Duke of, 1725-1810, and Hanger, George, 1751?-1824
"A reception given by Mr. and Mrs. Fox to various groups of the Opposition, [With one or two exceptions the identifications are those of Miss Banks; the characterization is excellent, and most are unmistakeable.] in which the arrangement has political and social significance. Three Grenvilles bow to the host and hostess; the Marquis of Buckingham, wearing his ribbon, holding hat and gold-headed cane and showing a gouty leg and foot, bends low. Next is Lord Grenville, clasping his hat to his breast, more ingratiating but less obsequious than his brother. Next is the stout Lord Temple, awkwardly imitating his uncle's gesture. Fox, wearing a sword, returns Buckingham's bow, his hand on his heart; on his right. stands the fat Mrs. Fox, curtseying, and ogling Grenville. She holds a fan on which is a profile portrait of 'Napoleone Ist'; from her pocket projects a flask of 'French Brandy', indicative of her antecedents (cf. BMSats 7370, 10589) as well as her sympathies, cf. BMSat 9892). On the extreme right. is the Prince of Wales, in back view, the greater part of his figure cut off by the margin, but unmistakable. From his pocket projects a paper: 'Henry IV. Sc. I [sic] Pr of W -l know you all, & shall . . . while.' A short fat man gazes up at him admiringly, obsequiously amused; he is identified by Miss Banks as 'Mr [i.e. General] Fitzpatrick', but resembles M. A. Taylor. Beside him is a dog, his collar inscribed 'Tommy Tattle' [? Thomas Tyrwhitt]. Mrs. Fitzherbert sits, in semi-state, in the corner of a sofa, holding a fan on which are the Prince's feathers and 'Ich Dien'; she is about to take a ticket, 'Coalition Masquerade', proffered with ingratiating vivacity by Lord Carlisle. Next Carlisle behind the sofa stands the Duke of Clarence, facing the Prince, and cruelly caricatured. Mrs. Jordan takes his right. arm, but is reading Jobson & Nell [characters in 'The Devil to pay] with the Farce of Equality' [see BMSat 7908, &c.]. Behind the pair are Col. McMahon, sly and furtive, and a large man, resembling the Duke of York. [Identified by Miss Banks as 'Mr. Tyrwitt', but Tommy Tyrwhitt was noted for his small size. ] Behind Mrs. Fitzherbert, Erskine, in wig and gown, delightedly holds up a large paper (the words partly obscured): 'Arraignments for the new Broad-Bottom'd Administration [cf. BMSat 10530], Citn Volpone [see BMSat 9892] . . . Lord Pogy [Grenville] . . . Madame Volpone .. . Cit . . . Ego [Erskine, see BMSat 9246], Lord High [Chancellor], Greyhound [Grey], H . . . Tooke . . ., Tierney' [imaginatively legible]. ..."--British Museum online catalogue
Alternative Title:
Grand cooperative meeting at St. Ann's Hill
Description:
Title etched below image., Text following title: Respectfully dedicated to the admirers of a "Broad-Bottom'd administration.", Sheet trimmed within plate mark., and Mounted on leaf 74 of volume 5 of 12.
Publisher:
Publish'd June 18th, 1804, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Taylor, Michael Angelo, 1757-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Spencer, George John Spencer, Earl, 1758-1834, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, John Russell, Duke of, 1766-1839, Walpole, George, 1761-1830, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Adair, Robert, Sir, 1763-1855, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Gordon, Jane Maxwell Gordon, Duchess of, d. 1812, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Salisbury, James Cecil, Marquess of, 1748-1823, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., George III, King of Great Britain, 1738-1820, and Napoleon I, Emperor of the French, 1769-1821
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with aquatint on laid paper ; sheet 26.7 x 36.6 cm., and Mounted on leaf 12 of volume 7 of 12.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
A satire ridiculing the installation of Lord Grenville as the Chancellor of Oxford University on July 3rd, 1810. The installation followed a divisive election in which Lord Eldon opposed Lord Grenville on political and religious grounds. Opponents like Gillray saw Grenville's installation as a triumph for Catholic Emancipation. Here Grenville rises in balloon over a vast applauding crowd in Oxford. Many of the faces in the crowd are identifiable political figures: Buckingham, Stafford, M.A. Taylor, Erskine, Tierney, Holland, Grey, Sidmouth, Cholmondeley, Whitbread, Watkin Williams-Wynn, Fingall, Sheridan, etc
Description:
Title from Latin quote below image., Sheet trimmed to plate mark., Sequel to Gillray's The introduction of the Pope to the convocation at Oxford by the Cardinal Broad-Bottom., Published in: Hill, Draper. Fashionable contrasts: Caricatures by James Gillray. London: Phaidon Press, 1966, cat. no. 49., and For further information, consult library staff.
Publisher:
Publish'd August 8th, 1810 by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Moss, Charles, 1763-1811, and University of Oxford
Subject (Topic):
History, Catholic emancipation, Satires (Visual works), and Cartoons (Commentary)
