Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of Colucii Salutati, De seculo et religione
Description:
In Latin., Script: Written by the scribe Martinus de Laurentio de Padono in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura., Spaces for decorative initials are unfilled; guide-letters in margins., and Binding: Seventeenth century (?). Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Salutati, Coluccio.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on parchment (varying quality) of 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts and ends incomplete. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints. 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae
Description:
In Latin., Script: Written by more than five hands in Carolingian script and Praegothica., Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., and Binding: Twentieth century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription "S. GREGORII DIALOGI. SAEC. X".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Catholic Church
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons
Honorius, of Autun, approximately 1080-approximately 1156
Published / Created:
[between 1100 and 1150]
Call Number:
Marston MS 112
Image Count:
156
Resource Type:
unspecified
Abstract:
Manuscript on parchment (thick, end pieces; ff. 7v-8v palimpsest) of 1) Honorius Augustodunensis, Elucidarium. 2) Honorius Augustodunensis, Inevitabile, beginning of the first version. 3) Unidentified moral sentences
Description:
In Latin., Script: Folios 1r-7r written in late caroline minuscule (portions of text retraced); the underscript of the palimpsest on ff. 7v-8v was also written in caroline minuscule. Folios 7v-72v written in inelegant Beneventan script., Plain red initials, f. 1r-v; modest black initials filled with red, ff. 24v, 48r, 68v, 71v. Majuscules touched with red throughout., Upper edge of book block damaged, with some loss of text., and Binding: 18th-19th centuries, Italy. Rigid vellum case with traces of title (upside down) on spine. Edges daubed red and green.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Honorius, of Autun, approximately 1080-approximately 1156.
Subject (Topic):
Christian education, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript fragment on parchment of Isidore's Etymologia with portions of books 13 and 14.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2- and 3-line initials are in red capitals with an uncial M and round E decorated with small round balls or with two or three cross-hatches; 1-line initials are in brown and a mixture of rustic capitals, uncials, and enlarged minuscules; rubrics are in red minuscule with some capital forms; punctuated with the punctus, punctus elevatus, and the punctus versus; hyphenation in the same ink as the text; accents added by later hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Latin language, Etymology, and Christian literature, Latin (Medieval and modern)
Manuscript on paper of 1) Epistolae of Isidore, Braulio and Sisibutus. 2) Isidore of Seville, Etymologiae. 3) Richardus de Wedinghausen (Richardus Praemonstratensis), Expositio missae. 4) Bonaventure, Sermo VI de assumptione Beatae Virginis Mariae. 5) Extract from Hugh of St. Victor, Didascalion IV.14. 6) List of forbidden magical arts
Description:
In Latin., Watermarks for both end papers and text: Piccard, Ochsenkopf XII.685, Nuremberg 1430., Script: Written by a single scribe in running hybrida script., Unattractive initials in red (or red and black divided) with penwork designs, dots, knobs and/or heart-shaped appendages, all in red and black. Numerous plain red initials of similar design. Headings, running headlines, chapter numbers and initial strokes in red. T-O map of the world on f. 131v in red., and Binding: 15th-16th centuries, Bohemia. Stays from 15th-century parchment manuscript. Original sewing on three double supports attached to flush, sharply bevelled wooden boards. Spine leather originally sewn around endbands. Covered in cream colored suede-like skin with very faint traces of a blind-tooled X in an outer frame. Spine: double fillets at head and tail; a neat, sewn mend near the head. Pink paper place marks on the fore edge. Two strap-and-pin fastenings, the pins on the upper board and stubs of kermes pink straps attached to lower one with flower-shaped plates. Trace of a chain attachment near head of lower board; title (mostly effaced) in gothic bookhand near head of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin language, Etymology, and Manuscripts, Medieval
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary
Description:
In Latin., Script: Written in compact gothic script with numerous corrections and notes in contemporary and later hands, 13th-15th centuries., Decorative initials, divided red and blue, 3-line, with extensive penwork designs and cascades also in red and blue, for the beginning of each book of art. 5 and for art. 6. Simple initials, red or blue, 2-line, with penwork designs of the opposite color throughout the codex. Running titles (e.g., FLO. B. I) in red and blue; headings, chapter numbers, and underlining, in red., Outer column of f. 140 cut off; no loss of text., and Binding: Nineteenth century. Limp vellum case with two ties and two black, gold-tooled labels: "Flores ex operibus B. Bernardi" and "M. S. XIII-XIV C." Wound, caught-up sewing, wound endbands, and vellum lining on the spine between sewing supports. On front and back flyleaves: Deed, in Latin, dated 26 March 1450, issued by Antonius Longobardus [several letters or words lost in binding] neapolis Reginalis ad contractus Iudex. The document was cut in half and trimmed to serve originally as pastedowns; considerable loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153. and William of Tournai.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Theology
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Alternative Title:
Historia scholastica
Description:
In Latin., Script: Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., The ink on the first pages has flaked, making them very difficult to decipher., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and Binding: Modern limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century, Catholic Church. Council of Lyons, and Franciscans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Religious poetry, Latin, and Sermons, Latin
