Manuscript on parchment of 2 works that belong to the Pseudoclementine Literature, ascribed to Clement bishop of Rome (ca. 96), in a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: resembles Piccard, v. 2, IV.36 (?)., Script: Copied by one hand in light red-brown ink in Humanistica Cursiva Libraria., Ample space was provided for headings and initials at the beginning of the Prologue and the ten Books of art. 1 and at the beginning of art. 2, but these were never executed., and Binding: Seventeenth century (?). Deerskin (formerly red) over pasteboard. Spine with three raised bands and worn handwritten title " ******* Epistola. M.S."; at the bottom of the spine handwritten worn pressmark. Remnants of four leather ties, including one in the middle of the upper and one in the middle of the lower edge of the covers. On the lower edge of the book the handwritten title in ink (17th century): "Epist. D. Clementis".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Clemens I.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 24
Image Count:
412
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Birgitta, Revelationes. With the Life of St. Birgitta and several prayers, one of which is in German. Written by the abbot of the monastery of Maria Forst (near Cologne).
Description:
In Latin., Watermarks: similar to Briquet Lettre P 8619 and 8625., Script: Written in a well formed running hand by a single scribe who has been identified as Freiherr von Greifenclav. Divisions for indexing carefully noted in margins., Large penwork initials of mediocre quality, in red and blue; foliage designs in center of letters and penwork borders, in red, are sometimes accompanied by vulgar green dots. Many simple initials, 7- to 1-line, in red or blue; running titles in red. Rubricated throughout., and Binding: Between 1850 and 1900. Mottled, brown calf case, gold-tooled with monogram of comte Paul Riant on spine. Detached from bookblock.
Subject (Geographic):
Connecticut, New Haven., and Cologne (Germany)
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373.
Subject (Topic):
Christian hagiography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Prayers, and Women mystics
Manuscript on parchment (thick) of 1) List of relics in an unidentified church of St. James, probably in Spain. 2) Indulgences for various prayers, masses, etc. when visiting the church of St. James. 3) Unidentified Middle English devotional text. 4) Unidentified prayer, probably a form of absolution related to indulgences in art. 2. 5) Ps.-Augustine, Ps.-Bernard, etc., and wrongly attributed to Richard Rolle, Speculum peccatoris, ending imperfectly. 6) Richard Rolle, De emendatione vitae. 7) Richard Rolle, Oleum effusum (final four sections of the Comment on the Canticles). 8) John of Peckham, extract from Constitutiones. 9) The Five Wiles of the Pharaoh in Middle English
Description:
In Latin and Middle English., Script: Arts. 5-7 written by a single scribe in anglicana bookhand. Other texts by contemporary scribes in less careful bookhands, with art. 4 in a less formal hand., Flourished initials of good quality, 4- to 2-line, blue with red penwork designs incorporating leaf motifs and marginal extensions. Headings in red. Paragraph marks in blue., and Binding: Fifteenth century, England. Original, caught up sewing with very heavy thread on four tawed skin, slit straps laced from out to inside beech boards and pegged in channels which are filled with gesso (?). Green and gold, beaded endbands are sewn on cord cores laid in grooves in the outside of the boards. Spine lined with tawed skin. Covered in tawed skin, originally pink, with two fastenings, the catches on the lower board, the upper one cut in for brown leather straps. Spine covering disintegrating, thus exposing sewing. Covers much worm eaten.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Christian literature, English (Middle), Christian literature, Latin (Medieval and modern), Christian pilgrims and pilgrimages, and Manuscripts, Medieval
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers
Description:
In Latin., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., and Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions "SERMONES" / and "IOANNES / CHRYSOSTOMUS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, de Padua, d. 1328., John Chrysostom, Saint, -407., and Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons, Latin
Manuscript on paper of devotional treatises by numerous authors, including Guillelmus Iordani (Willem Jordaens, c. 1321-1372), Pseudo-Augustinius, Iacobus Mediolanensis, and Leroquais
Description:
In Latin., Script: copied by one hand in Gothica Hybrida Libraria/Formata; the ascenders on the top line and the descenders on the bottom line may have calligraphic extensions. The last treatise is by another scribe using the same type of script., Stroking of majuscules, underlining, paragraph marks and headings in red., and Binding: original binding, sewn on three double cords. Brown leather over wooden boards with rounded edges. Plaited headbands. Parchment endleaves. Remnants of one brass clasp attached to the rear board. Red leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
In Latin., Watermarks, buried in tight binding: unidentified flower., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., and Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Vices, and Virtues
Manuscript fragment on parchment of Isidore's Synonyma
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 1-line initials in brown square capitals highlighted with red; other 1-line initials in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Christian literature, Latin (Medieval and modern), and Dialogues, Latin (Medieval and modern)
Manuscript on parchment in two parts. Part I: Pseudo-Bede, Commentarius in Psalmos. Due to the loss of quires or leaves the following parts are missing: Ps. 23:1-31:6; Ps. 44:14-50:21; Ps. 88:48-95:10; Ps. 131:8-147:14. The contents of the first quire, which is equally lost, is unknown. Written at the Cistercian abbey of Morimondo. Part II: Unidentified definitions and theological and ethical discussions of Biblical terms and quotations without apparent order, on behalf of preachers
Description:
In Latin., Script: Part I (ff. 1-113): Written by various hands close to each other in small late Carolingian script, with sudden changes in the shade of ink and sometimes badly following the lines. The handwriting on ff. 77-84 (quire XI) and ff. 112-113 (quire XVI) has markedly different features. Part II (ff. 114-133): Written by a single hand in tiny Southern Gothica Textualis Currens, at different times and in many different ink shades. The scribe opens both quires with "Sancti Spiritus assit nobis gratia" in the upper margin., Part I: The very simple decoration is uneven and consists of plain Romanesque initials, 2 or 3 lines, in red ink; on f. 41r (Ps. 51) 5 lines; many initials are not executed or later coarsely added in black ink. Part II: Undecorated., and Binding: Fifteenth century. Brown sheepskin over heavy unbevelled wooden boards, blind-tooled with triple fillets. Spine with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bede. and Cistercians.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Preaching
