Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
Rake's progress. Plate 5 and Youth to reimburse his squander'd gold
Description:
Title from text engraved above image., "Plate 5"--Lower right below design., Verses below image in three columns, four lines each: The youth to reimburse his squander'd gold, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fifth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the left and last word on the right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Leaf 15r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man stands in the foreground, in profile to the right, a sack slung over his shoulder. Behind him on the opposite side of the street are two buildings, Conongate Kirk and Canongate Tolbooth
Alternative Title:
Canongate Church & Prison
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Canongate (Edinburgh, Scotland), Scotland, and Edinburgh.
Subject (Name):
Canongate Kirk (Edinburgh, Scotland),
Subject (Topic):
City & town life, Peddlers, Bags, Churches, and Prisons
Leaf 17r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A blind man stands in the foreground, in profile to the left, holding a cane in his left hand. The Chapel of Ease of St. Cuthbert's, in Crosscauseway, is seen in the background
Alternative Title:
Chapel of Ease, Cross Causeway
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Blind persons, Poor persons, Staffs (Sticks), and Churches
Leaf 3v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
An old man, holding a cane and a basket of eggs, stands in Edinburgh's New Town. St. Andrew's Church is seen in the background on the right; a carriage, two pedestrians, and a dog are seen in the background on the left
Alternative Title:
St. Andrews Street
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Older people, Staffs (Sticks), Baskets, and Churches
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue
Alternative Title:
Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
Pubd. May 4, 1799, at Ackermann's Gallery, 101 Strand
Subject (Topic):
Baked products, Beggars, Children, Churches, City & town life, Clergy, Peddlers, Vegetables, and Women
Verse begins: "Ye commons and peers,", Attributed to Benjamin Bragge as vendor by Foxon on strength of a Daily Courant advertisement., Fourteen stanzas in this edition., Mounted on leaf 48. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
sold by Benjamin Bragge
Subject (Geographic):
Great Britain
Subject (Topic):
Churches, Steeples, Campaigns & battles, Massacres, and History
A young woman (Sally) works at her spinning-wheel in front of a farm building. With her left hand, she pushes away an elegantly clad young man (Squire) who is bowing to her. Next to his feet, a mother hen and chickens drink from a flat bowl; in the background across the road is a church
Description:
Title from caption below image., Publication date from British Museum catalogue., Plate numbered in lowere left corner: '485'., Below the title are four verses "From the favourite Scotch Air in the Overture to Thomas and Sally," beginning with "Till bolder grown so close he press'd ...", Description based on imperfect impression; sheet trimmed to plate mark and publication date erased., No. 3 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.4 x 25.3 cm, on sheet 38.5 x 27.4 cm.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
