Page 155. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
View on George Street, looking towards the square, St. George's Church on the right with large Corinthian portico, fat farmer driving sheep in street at center, sedan chair to right
Alternative Title:
View of Saint Georges Church, Hanover Square, from Conduit Street, London and Vuë de l'Eglise de Saint George dans le Carré de Hanover, prés du Côté Rue Conduit à Londres
Description:
Titles engraved below image, in English and French., Titled 'View of St. George's Church, Hannover Square, published by Jefferys' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Date range for publication based on publisher's street address and death date; Thomas Jefferys moved to the corner of Charing Cross in 1750 and died in 1771. See British Museum online catalogue., "Publish'd according to act of Parliamt."--Below image., For a variant state published by John Boydell, see British Museum online catalogue, registration no.: 1880,1113.4534., Title in English and French, with publication line in English., Folded to 30.2 x 25.5 cm., and Tipped in at page 155 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for T. Jefferys, the corner of St. Martins Lane, Charing Cross
Subject (Geographic):
England, London, London (England), and London.
Subject (Name):
St. George's Church (Westminster, London, England),
Subject (Topic):
Church buildings, Plazas, Churches, City & town life, Sedan chairs, and Herders
"Scene outside the closed iron gate of Covent Garden Theatre. A smartly dressed man swaggers tipsily and jovially along, both arms raised; clutching his arm is a dejected companion in a drunken torpor, fashionably dressed, and wearing a blue cloak lined with red over his evening suit. In the foreground (right) a well-dressed man reclines against a step, drunk and jovial, a battered top-hat on the pavement beside him. An old watchman stoops to lift him up. Behind them a fourth toper is jovially attempting to fight a watchman holding lantern and rattle, while a brother-watchman raises his staff. On the left a fat John Bullish fellow tries to waltz with a pretty little courtesan, while a second girl picks his pocket and holds up in triumph a watch and seals. Both are smartly dressed, wearing big feathered hats. Behind them an old bawd walks along taking by the arm a seedy rake. On the wall are playbills both headed Theatre Royal Covent Garden, [1] Tomorrow Night The Blue Devils [1798] Love's Labour Lost [2] The Road to Ruin [1792, see BM Satires 8074] Fortune's Frolic [1799]."--British Musem online catalogue
Alternative Title:
Amorous, clamorous, uproarious and glorious
Description:
Title from caption below image., Publication date from British Museum catalogue., Quote below title: All coming from a public dinner., Sheet trimmed within plate mark., and Watermark: J. Whatman.
"An election procession of thirteen patriots walking from right to left wearing the colours of Sir Watkin Lewes, elected M.P. for the City, 29 Sept. 1781, see British Museum satire no. 5849. Two flags are carried, one "Lewes & Freedom", the other, "No Ministerial Influence", in reference to Lewes' speech on his election on 29 Sept. Two of the men are playing flutes, a third blows a horn. The figures are probably portraits; two are butchers wearing aprons, their steels hanging from their waists; beside one of them walks a muzzled dog with a collar inscribed "Liberty"; this butcher is eating as he walks. One man drinks a glass of wine, holding a lump of food in his left hand. One with a swathed and gouty leg walks on crutches. All have election favours in their hats, these are inscribed respectively "Lewes for ever"; "Sr Watkin for ever"; "Freedom"; "Lewes"; "No Bribery"; "Lewes"; "No Corruption". In the hat of the butcher with the dog is "Freedom's my plan Sr Watkin is the Man". The background is formed by the lower part of the façade of two houses in a street, the front of two shops being indicated. On the pavement (left) four little chimney-sweeps are shouting and waving their hats and brushes."--British Museum online catalogue
Alternative Title:
Electioneering procession from the Mansion House to Guildhall
Description:
Title etched below image. The 'o' in 'electioneering' has been inserted above the line., Signed in the image "J.N." JN is the monogram of John Nixon., and Verses following title: These stanch friends to freedom you here do behold, Will be bribe'd with good eating tho' they spurn at yr gold. For offer them money it's such a disgrace, 'Tis a thousand to one they dont spit in your face. But give them pudding & beef with compliments civil, To serve you they'll go ay e'en to the devil."
Publisher:
Pubd. Octr. 25, 1781 by W. Wells No. 132 Fleet Street
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Great Britain. Parliament
Subject (Topic):
Political activity, Elections, Butchers, City & town life, Chimney sweeps, Clothing & dress, Corruption, Dogs, Muckraking, Musical instruments, Political parades & rallies, Slogans, and Staffs (Sticks)
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Alternative Title:
Ticket for the benefit of Spiller
Description:
Title etched within image., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2.
Publisher:
Publish'd May 1st 1788, by Molton & Co. No. 132 Pall Mall
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
"Benefit ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right ..."--British Museum online catalogue
Alternative Title:
Ticket for the benefit of Spiller
Description:
Title etched within image., See description of original print. No. 1815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2.
Publisher:
Samuel Ireland
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Description:
Title etched within image., Sheet trimmed within plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no 1815., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2., Title and date supplied by curator., Ms. note above in Steevens's hand: Spiller's Ticket. His ms. note in pencil above: See Nichol's Book, 3d edit. p.44 p. 444. His ms. note in pencil below: Sold for £5.5.0., and On page 86 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
"Frontispiece from 'Metropolitan Grievances; or, a serio-comic glance at minor mischiefs in London and its Vicinity', 1812. A crowded street scene, with the corner of a tripe-butcher's on the right: 'Gilbert. Gall Tripem[an]', a lean-to shop, in which the butcher bargains over sheeps' trotters and offal with an elderly woman. Outside this is a pavement along which a little boy bowls a hoop between the legs of an elderly lady on the extreme right who totters on high-heeled shoes, having dropped a lap-dog from her muff. A little chimney-sweep is much amused. Above the butcher's a woman at a window empties a pan: the contents splash on to the pent-house roof and pour through a spout over the white stockings of a fashionably dressed passer-by who registers horror, holding up an eyeglass. The stream splashes the unconscious woman who chaffers with the tripe-man. A street-lamp projecting from the corner of the house is broken. Over the uneven cobbles an old woman pushes a barrow of cat's-meat, shrieking her wares; two dogs bark at the barrow, a cat miaows. Near her stands a ragged, bare-legged man, with grievously twisted and misshapen legs (showing the effects of rickets); he sells 'The Last Dying Sp[eech] . . .', with a print of bodies on a gibbet, shouting from a cavernous mouth in a subhuman face. Behind him a jovial crossing-sweeper plies his broom. On the left is a caricature shop, the window-panes filled with prints, among which one of 'the Hottentot Venus', Saartjie Baartman, see No. 11577, &c., is conspicuous. There are also large comic heads. A fashionably dressed woman leaves the shop, holding her nose (assailed by the cat's-meat). Four men gaze at the window; one is a countryman whose pocket is being picked. Heavy flower-pots are about to fall on their heads from a projecting ledge. A woman leans from a first-floor window trying vainly to stop the fall, and letting her watering-pot discharge its contents on the still unconscious window-gazers. On the wall is the disk of the 'Sun' Fire Office, with the date '1812'. The next house is a small gin-shop with a bunch of grapes for its sign and the inscription '. . Arsnic--Best Cordial Gin'. Three dram-drinkers stand at the door. The last house, a corner one, is dilapidated and shored up with a beam. The ground floor belongs to 'D. Dip Tallow Chandler'; against the window is a stall or bulk. The top floor is that of 'Ling--Dyer &c'; a pole projects from a window with dyed garments and a length of material hanging out to dry. On the corner of the house is the notice: 'F P 20 Ft'. In the background the dome of St. Paul's rises above the roofs of houses in the middle distance."--British Museum online catalogue
Description:
Title from caption below image., Date based on information from the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. G. Smeeton, 139 St. Martin's Lane
Subject (Geographic):
England and London.
Subject (Name):
Baartman, Sarah,
Subject (Topic):
Butchers, Chimney sweeps, City & town life, People with disabilities, and Window displays
"A boy stands selling long matches from a basket, outside the Mansion House, London."--British Museum online catalogue
Alternative Title:
Mansion House
Description:
Title etched below image., Alternative title etched above image: The Mansion House., Sheet trimmed within plate mark., Illustration to 'Cries of London', reprint of the 'London Cries' section of Phillips's 'Modern London'; see British Museum online catalogue, registration no.: 1938,0307.6., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 25, 1804, by Richard Phillips, 71 St. Paul's Church Yard
Volume 1, opposite page [161] Page 55. New London spy, or, A twenty-four hours ramble through the
Image Count:
1
Resource Type:
still image
Abstract:
"May-Day; a busy urban street festival; milkmaids with their 'garlands' - headresses of plate, greenery and brushes; chimney sweepers, a violinist with an artificial leg, and others."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; sheet 17 x 21.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., Mounted to 32 x 26 cm., and Mounted on page 57 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Publish'd as the act directs by Harrison & Co.
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, May Day, Festivals, Milkwomen, Headdresses, Chimney sweeps, Street musicians, Violins, Peg legs, Dance, and Eating & drinking
Volume 1, opposite page [161] Page 55. New London spy, or, A twenty-four hours ramble through the
Image Count:
1
Resource Type:
still image
Abstract:
"May-Day; a busy urban street festival; milkmaids with their 'garlands' - headresses of plate, greenery and brushes; chimney sweepers, a violinist with an artificial leg, and others."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Publish'd as the act directs by Harrison & Co.
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, May Day, Festivals, Milkwomen, Headdresses, Chimney sweeps, Street musicians, Violins, Peg legs, Dance, and Eating & drinking
