Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
Thomas, of Ireland, approximately 1265-approximately 1329
Published / Created:
[between 1400 and 1495]
Call Number:
Beinecke MS 380
Image Count:
583
Resource Type:
unspecified
Abstract:
Manuscript on paper of 1) Excerpts (De prudentia, De fortitudine, De continentia, De iustitia) from Martin of Braga, Formula honestae vitae, a work often attributed incorrectly to Seneca. 2) Salomonis dicta; excerpts concerning wisdom, including quotes from Seneca, Book of Wisdom, etc. 3) Thomas of Ireland, Manipulus florum. 4) Excerpts from Petrarch, De remediis utriusque fortunae. 5) Isidore, Chronicon
Description:
In Latin., Watermarks: similar to Briquet Huchet 7693., Script: Written by a single scribe in various styles of italic script; heavy annotations by the scribe and later hands., Several crude initials: f. 1r, 4-line gold initial on blue ground, infilled red, and 3-line red initial on gold ground; on f. 2r, 5-line red initial on blue ground; f. 72v, 4-line red initial on green ground with some flourishes and gold dots, infilled blue. Initials (2- and 1-line), names of authors (added in margins), paragraph marks and headings in pale red., and Binding: Nineteenth century. Quarter bound in brown, diced calf with a gold-tooled title on spine: "Miscellanea di Seneca, Petrarcha e d'altri". Orange, leather-grained paper sides. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Classical literature, Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on paper of Ovid, Metamorphoses, translated into Italian and with allegorical interpretations by Giovanni Bonsignori (Citta di Castello, d. after 1377), finished 29/30 Nov. 1377. With various Italian poems by different poets. The scribe Giovanni Tolosini did the copying from an Apulian exemplar and at the request of Chirico di Pietro Tolosini
Description:
In Italian., Watermarks: Briquet 8348 and 11868-11869 (?)., Script: Copied by Giovanni Tolosini in very small Gothica Semihybrida Libraria/Currens (Mercantesca)., Headings in black up to f. 27v, afterwards in red. Heightening of majuscules in yellow up to f. 27v. 3- (sometimes 4- or 5-) line flourished initials alternately in red with blue penwork and blue with red penwork, with penwork extensions in the left margin or in the intercolumnar space. Large decorated flourished initials with developed and diversified penwork (c. 7 lines) in the same colours., The upper edges damaged by moist, especially in the fold., and Binding: Fifteenth century. Half leather (red-brown goatskin, which replaces an original wider piece of leather) with unbevelled wooden boards and remnants of two clasps attached to the front cover. Bound on three white leather thongs. On the spine a paper label with the handwritten 18th-century inscription "Metam. d'Ovidi[o]". On the front board the number "45" is written in ink; on the inner side of the rear board a 5-line account in Italian, 16th century, by the same hand (?) as copied the latter part of art. 8.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Classical literature, Italian poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (trimmed) of Aristoteles, Oeconomica, translated into Latin by Leonardo Bruni
Description:
In Latin., Watermark: bird (Briquet 12127?)., The main scribe (artt. 1-2) writes Gothica Hybrida (often close to Gothica Semitextualis) Libraria under strong Humanistic influence, visible in the use of Roman Capitals and straight s in final position., Space and partly guide-letters for a few initials were provided but the decoration is missing. In the space for the first initial (f. 1r) a coat of arms (silver, with a bend gules) was afterwards drawn., and Binding: Twentieth century. Half brown leather over pasteboard, the covers covered with brown paper. On the spine the gold-tooled title "ARISTOTLE . OECONOMICA . MS. 15TH CENT.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Bruni, Leonardo, 1369-1444.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (rough; light brown) of 1) Tzetzes, Scholia in Hesiodi Opera et dies. 2) Hesiod, Opera et dies. The codex has been repaired extensively. Certain leaves have been replaced in different periods; in most cases the missing text was supplied in the same format. (Folios added later: 39, 68, 84, 94-97.)
Description:
In Greek., Script: The main text was written by a single copyist who used a well spaced, but crude, style of writing for the work of Hesiod, and a more cramped, abbreviated style for the commentary of Tzetzes. Numerous interlinear and marginal notes in several hands., Title of work and simple initial on f. 1r in red; other ornamental initials, some of which incorporate animal motifs, in black. Diagrams, also in black ink, include: f. 67v (outer margin) mortar and pestle; f. 67v (lower margin) man driving a cart pulled by two oxen; f. 69v (lower margin) plow, with parts labelled., The manuscript is in poor condition with loss of text due to: faded ink, water stains, worm-holes, and repaired leaves., and Binding: between 1800 and 1829. Tan, diced goatskin, gold-tooled. Bound by C. Lewis (active in London 1807-36).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hesiod.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on parchment (goatskin) of 2) Bucolica. 3) Georgica. 4) Aeneis. With commentaries, pseudo-Virgilian tracts, and a miscellany of treatises, many anonymous. Ff. 1-31 are from the first half of the thirteenth century; the rest of the manuscript and the decoration were added half a century later
Description:
In Latin., Script: Two scribes: A copied ff. 1-31 in Southern Praegothica close to late Carolingian script; B copied the rest, starting with the text of Book 5 of Aeneis, in more rapid early Southern Textualis/Semitextualis; his spelling is marked by italianisms., The headings in red are not executed; some added later in Gothica Cursiva Formata (Cancelleresca); instructions for the rubricator are seen ff. 70v-75r. Numerous paragraph marks alternately in red and blue, sometimes black. Plain and flourished initials of various sizes in red and blue (other colours are also used in quires I-IV). Seventeen painted initials decorated with gold balls. From f. 70v onwards there are guide-letters, but all initials and other decoration are missing. A rectangular space of the width of one column was reserved for a miniature on f. 1ra, which was not executed., Ff. 1-31 appear to be palimpsest, with very irregular edges, sometimes repaired by sewing strips of parchment onto them, which are now lost., and Binding: Seventeenth century. White parchment over pasteboard. On the spine with five slightly raised bands red leather label with gold-tooled inscription "VIRGI-/LIUS / M.S." (this title has been completed in black ink with "P(ublius)" , "Eneidos etc." and "membr"); below the label the handwritten date "saec. XIV". Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholia
Manuscript on parchment of a facsimile of the edition Venice, Aldus Manutius, [1495-1497]. In contrast with the edition, in which the Greek text is interleaved with the Latin translation by Marcus Musurus (c. 1470-1517), in the facsimile the Greek text is followed by the Latin translation and the copy of the two woodcuts illustrating the Hero and Leander story is placed between both on ff. 11v-12r
Description:
In Greek and Latin., Script: "Typographic" Greek and Latin script., and Binding: De luxe binding by Francois Bozerian called Bozerian Jeune, 19th century. Black morocco over cardboard, both covers with gold-tooled frame and corner-pieces and the Aldine anchor and dolphin in the centre. Spine with seven raised bands with in the compartments the gold-tooled inscriptions "MUSAEUS", "ALDUS / 1495", "REL.P.BOZERIAN.JEU" and "IN MEMBRAN". The other compartments tooled. Gilt edges. Gold-tooled green silk doublure and silvery silk pasted on the facing flyleaf.
Manuscript on parchment of Lucan's De bello civili (Pharsalia).
Description:
In Latin., Script: copied by various hands writing a small late Carolingian script. Folios 24v-25r have been erased, ruled again in lead and rewritten by a 13th century hand using Southern Gothica Textualis Libraria; the top 10 lines of f. 41r appear to be rewritten over erasure by one of the main hands. Headings, explicits and incipits in display script heightened with red. Red heightening of the opening majuscules of the verses and of the paragraph marks., Lucan's De bello civili (Pharsalia). The text is incomplete due to the loss of two quires in the middle and two leaves at the end. Marginal and interlinear glosses and corrections date from the 12th-15th centuries. There are running headlines “I”, “II”, “III” etc. on the recto pages up to f. 56. The manuscript also contains a fictitious epitaph of Lucan., The manuscript contains two maps: (1) in the outer margin of f. 21v: schematic drawing coloured in red and yellow illustrating the fauces, lingua and cornua of the harbour of Brundisium; (2) in the outer margin of f. 87v: erased T-O map with the winds, uncoloured, illustrating the description of the world beginning., and Binding: English 19th century binding: brown leather over cardboard; on the spine the gold-tooled title “LUCANI / PHAR./ SALIA”. Marbled endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, Latin
Manuscript on paper of Aristoteles, Poetica, anonymous Latin translation of chapters 1-7. On f. 2r the translator has replaced Homer and Empedocles, cited by Aristotle, by Virgil and Lucretius ("Nihil tamen commune est Virgilio et Lucretio nisi carmen").
Description:
In Latin and Greek., Watermark: coat of arms with a bend, surmounted by a star and with a roundel depending from it, not in Briquet., Script: Copied by one scribe in small Humanistica Cursiva Libraria; words in Greek written by the same hand., Undecorated., and Binding: Sewn on a gilded leather thong; no cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
