Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 May 1772]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A country rector (identified as Rev. Sam Peck, tutor, in the British Museum catalogue) rides on a cob horse towards Cambridge (as shown by the road sign); from his pocket is seen a piece of paper "[N?]ext Chap. xx". Two pigs look up at him as he rides by on the country road. In the distance is a country church; people walk around the churchyard
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Temporary local subject terms: Tutors -- Road to Cambridge., Mounted on page 3 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and drypoint on laid paper ; sheet 20.4 x 25.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs May 2, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Peck, Sam, Reverend, active 1772.
Subject (Topic):
Clergy, Horses, Riding, Swine, and Traffic signs & signals
Six round medalions arranged in two columns of three, each with its own caption title. Reading top row right to left, the medalion in the left is titled: A morning visitor; on the right, A noon visitor. In the second row, left: An evening visitor; on the right, A night visitor. Third row on the left: ight column, in the same order: A welcome visitor; on the right, An unwelcome visitor
Description:
Title etched below images., Print by Rowlandson after Woodward. See Ackermann catalogue 1802, p. 36.15 and Ackermann catalogue 1805, p. 46.15., Plate numbered 'No. 44' in upper left corner., "Plain 2 Cold. 4."--In upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 1 April 1800, at R. Ackermann's Repository of the Arts, 101 Strand
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted "Miser'. In response to the request, the miser says "Give you a Christmass box. Curse you don't I pay you for your meat." On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, "Most worthy Parson give me a Christmass box." The Parson replies, "Give you a halter you rascal. What should I give you a Christmass box for." In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, "If you ever ask me for a Christmass box again, I'll physic you to death." They are standing in front of building with a lantern and sign that reads "Gargle Apothycary." The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, "Take that you saucy rascal for a Xmass box!" He replies, "What's that for. I did not want a box on the ear, not I."
Alternative Title:
Christmas boxes
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by Wm. Holland, 50 Oxford St.
Subject (Geographic):
England. and England
Subject (Topic):
Charity, Christmas, Social life and customs, Begging (Pleading), Cemeteries, Clergy, Dogs, Milestones, Muffs, and Obesity
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Reissue? Cf. No. 8196 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Reissue of Grego, J. Rowlandson, v.i, p. 313-4., Temporary local subject terms: Skates -- Marquees., Watermark: J Whatman 1815., Printmaker's name and date partially erased from this copy., and Mounted to 28 x 38 cm.
"Skaters have fallen upon breaking ice, some lie flat; heads and legs and arms emerge in wild confusion. In the middle distance (right) two skaters, one a parson, flee headlong from the danger-spot. On the shore (left) three men stand watching the catastrophe with amusement. Farther off is a marquee within which are tiny figures seated at a table."--British Museum online catalogue
Alternative Title:
Cold broth and calamity
Description:
Title from item., Sheet trimmed to plate mark., and Watermark: Strassbourg lilly on shield with coronet.
Publisher:
Pubd. Jany. 26, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Clergy, England, Ice skating, Skaters, and Marquees
At one end of a long table, a cleric with crossed eyes and mortar board drinks tea. He appears to be suspended in the air (the chair is not drawn) and leans with his elbow on the Morning Herald on the table. At the other end, a yawning academic in an unbuttoned coat under his robe, is doing up his stockings. His loose garter draws the attention of a playful cat while a dog watches him impatiently. Next to him on the table is an open volume of Euclid's Elements. The maid standing behind the table looks at the cleric on the left and pours hot water on the floor missing the teacup. Above the fireplace hang two muskets and three silhouette portraits of women. The bookshelves on the right display works of English authors and philosophers; on the left hangs a painting of a reposing nude and a satyr
Description:
Title etched below image.
Publisher:
Publish'd Octr. 21st, 1783 by J. Harris, Sweetings Alley, Cornhill, London
