Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 389., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], The digit "4" in "1784" in imprint statement is etched backwards., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. Feby. 11, 1784, by W. Humphey [sic], Strand and Field & Tuer
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
March 26th, 1831.
Call Number:
831.03.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled "Reform 1813". The load on the left side labeled "People', though containing fewer documents -- Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government -- is heavier than the other plate "Oligarchy" which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says "Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace." Just beyond them in the middle distance the King stands firmly and says "The triumph of this great & vital cause will fix my crown more firm upon my head." On the right a group of over six men including a clergyman who wipes his brow and cries "The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-". Another gentleman behind him cries "They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic]." In the distance a crowd cheers, and some hold signs for "Reform" and "Support the King & his ministers", etc
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Cabinet officers, Clergy, Crowds, Demonstrations, Judges, Justice, and Scales
Design in an oval. A head with lank, unkempt hair and melancholy, twisted features, mouthing grotesquely, appears to emerge from a tub; this is a section of a tub held by the performer on a table. Reference to G.A. Stevens's Lecture on Heads (1764).
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pub. October 10, 1793, by S.W. Fores, No. 3 Piccadilly
Leaf 62. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"An old Parson, of Dr. Syntax type, falls into the water from his horse which rolls in the stream. His hat, wig, and 'Funeral Sermon' are in the water, where a dog chases geese. On a rustic bridge (right) two women and a child are watching in alarm, a milk-pail falls from the head of one of them. In the background (left) two horses gallop up a slope pursued by a dog, one rider loses his seat, the other his hat."--British Museum online catalogue
Alternative Title:
Miseries of traveling and Being mounted on a beast who as soon as you have watered him ...
Description:
Title etched below image., Text below title: Being mounted on a beast who as soon as you have watered him on the road, proceeds very coolly to repose himself in the middle of the pond, without taking you at all into his counsel, or paying the slightest attention to your remonstrances., Restrike. For original issue of the plate, see no. 10837 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 62 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Clergy, Falling, Accidents, Bodies of water, Horses, Dogs, Geese, Pedestrian bridges, and Pails
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
[between 1752 and 1764]
Call Number:
741.00.00.15+
Image Count:
1
Resource Type:
still image
Abstract:
"A cleric taking tea with a young woman in morning dress, who sits on a sofa pouring the tea for him, while a maid stands on the left holding a piece of lace ready to help dress her mistress; after Lancret; from a set of the four Times of Day."--British Museum online catalogue, description of an earlier state
Description:
Title from item., Later state with altered imprint statement. For an earlier state from 1741 with the publication line "Sold by I. Bowles at the Black Horse in Cornhill, London," see British Museum online catalogue, registration no.: 2010,7081.2718., Date of publication based on publisher's name in imprint; John Bowles partnered with his son Carington Bowles and traded as "John Bowles & Son" from approximately 1752 to 1764. See British Museum online catalogue., Four lines of verse in two columns on either side of title: This early visit to the beauteous fair ..., and One of four plates in an untitled series on the times of the day.
Publisher:
Sold by I. Bowles & Son at the Black Horse in Cornhil [sic]
"Half length portrait in profile to the left of a man holding a music score. He is fat and smiling, and wears his own scanty hair. After the title is engraved, "Singing Psalms of a Morning and over a Bowl of Punch Scotch Tunes at Night.""--British Museum online catalog
Alternative Title:
Mr. Campbell the jolly presenter of the Cannongate Kirk in Edinburgh
Description:
Title from item., Attributed to Gillray by T. Haviland Burke and D. Perrins., Date from British Museum catalogue., and Sheet trimmed to plate mark.
Head and shoulder profile caricature of clergyman in wig and bands, with face absurdly concave in shape, features accentuated by jutting chin and protruding hair
Description:
Title from item. and MD of publisher's name forms a monogram.
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Numbered '4' in upper right corner., Illustration to: The British antidote to Caledonian poison., "Price six pence."--Following imprint which is mostly burnished from the plate in this state., and With annotations in Bowditch's hand, identifying the figures depicted; mounted on a sheet 33.2 x 45.5 cm.
Publisher:
[...] in Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Later used as an illustration to: The British antidote to Caledonian poison., Sheet trimmed within plate mark with loss of text?, Copy of no. 4078 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 264 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
