Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 14., Cf. No. 10905, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of print with altered imprint statement., and Temporary local subject terms: Parson -- Male Costume: Parson -- Female Costume: 1807 -- Gin-Shop -- Pipes -- Tankards -- Glasses -- Mythology -- Bacchus.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, grotesquely fat, short, and carbuncled, stands in profile to the right, addressing an old woman seated outside the open door of a gin-shop, smoking a pipe. She holds a small tankard and a glass. He says, with an expression of scandalized horror: "Woman - are you not ashamed of yourself to be sitting smoking and drinking in Service time! - do you know Who I am woman? - I am the Parson of the Parish." She looks over her shoulder at him, puffing a cloud of smoke contemptuously in his face and says: "More shame for you I say, to be walking about troubling your head with other peoples consarns - when you ought to be in Church Preaching your Sarmint!!" A small dog walks by the parson. Over the door (right) is 'Rich Cordial Gin' in large letters. A shallow zinc tray covers a counter just within the door. Into this runs a vertical pipe with two taps. On it stands a miniature cask bestraddled by a Bacchus. Behind it is a large cask of 'Old Tom'. Opposite, and on the extreme left., is the corner of a pawn-shop, with the sign of three balls. In the background are a church and houses in a street."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earliest state with the imprint: Published by T. Tegg, 111 Cheapside, March 10, 1807. Cf. British Museum online catalogue, registration no.: 1935,0522.8.100., For an earlier state with imprint present but the year of publication removed from end of imprint, see no. 10905 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "159" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Male Costume: Parson -- Female Costume, 1807 -- Gin-Shop -- Tankards -- Glasses -- Mythology -- Bacchus., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 14 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, grotesquely fat, short, and carbuncled, stands in profile to the right, addressing an old woman seated outside the open door of a gin-shop, smoking a pipe. She holds a small tankard and a glass. He says, with an expression of scandalized horror: "Woman - are you not ashamed of yourself to be sitting smoking and drinking in Service time! - do you know Who I am woman? - I am the Parson of the Parish." She looks over her shoulder at him, puffing a cloud of smoke contemptuously in his face and says: "More shame for you I say, to be walking about troubling your head with other peoples consarns - when you ought to be in Church Preaching your Sarmint!!" A small dog walks by the parson. Over the door (right) is 'Rich Cordial Gin' in large letters. A shallow zinc tray covers a counter just within the door. Into this runs a vertical pipe with two taps. On it stands a miniature cask bestraddled by a Bacchus. Behind it is a large cask of 'Old Tom'. Opposite, and on the extreme left., is the corner of a pawn-shop, with the sign of three balls. In the background are a church and houses in a street."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earliest state with the imprint: Published by T. Tegg, 111 Cheapside, March 10, 1807. Cf. British Museum online catalogue, registration no.: 1935,0522.8.100., For an earlier state with imprint present but the year of publication removed from end of imprint, see no. 10905 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "159" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., and Temporary local subject terms: Male Costume: Parson -- Female Costume, 1807 -- Gin-Shop -- Tankards -- Glasses -- Mythology -- Bacchus.
"Scene outside a country church, with the departing congregation in the background. In the foreground a very fat parson addresses a neatly dressed countryman; the latter's wife and boy stand stiffly behind. Below: How do you do John? what has become of your neighbour Ashfield? I have not seen him these two months, I hope it is not Socinianism, or Deism, or Atheism, that keeps him from Church?--O no your Reverence! it be far worse than any of they complaints it be Rheumatism!"--British Museum online catalogue
Description:
Title etched below image. and Printmaker and date of publication from the British Museum catalogue.
Publisher:
Published by John Fairburn, Broadway, Ludgate Hill
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"Six groups of three persons (wife, husband, and lover) arranged in two rows, their words (not transcribed) etched above their heads. [1] A pretty young woman walking with an ugly and elderly husband makes an assignation with a military officer. [2] A shoemaker with a strap interrupts a French barber making love to his wife. [3] A young woman points to her fat old husband asleep in a chair, saying to a barrister, "Take care or you'll wake him". He says: "Remember my dear Madam how well I pleaded your last cause". [4] A fashionably dressed doctor holds the pulse of a young woman who sits beside him on a sofa. The husband watches with suspicion. [5] A handsome young clergyman sits on a sofa with a young woman, their arms round each other's shoulders, eyes closed, while a fat elderly parson gapes at them with horror, saying, "Here's a pretty scandal to the Cloth!!" [6] Two fat country people embrace under the eyes of the husband who says: "Come come this is carrying the joke a little too far."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: Foli's [sic] of caracatures [sic] lent out for the evening., Design consists of six groups of figures in two rows, with lines of dialogue etched above each group., Sheet trimmed to plate mark., Plate numbered in upper right corner: Vol. 1, pl. 14., and Restrike. Watermark: Fellows & Sons 1821.
Publisher:
Publishd. Jany. 1st, 1796, S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Barbers, French, Clergy, Military uniforms, Physicians, and Shoemakers
"Dr. Price preaches from a ramshackle tub inscribed 'Political Gunpowder', his arms outstretched to the right; from his pocket projects a document inscribed 'Revolution Toasts'. His sermon hangs over the edge of the tub, the upper sheet headed 'Bind the Kings with chains &c.' The tub rests on a large book: 'Calculations' (an allusion to Price's works on population and finance). Beneath the title is engraved : '"Every Man has his Price!" Sir R. Walpole'."--British Museum online catalogue
Description:
Title from text below image. Series title above image., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., and Plate from the Attic miscellany, v. ii, page 118.
Publisher:
Published as the act directs, by Bentley & Co.
Subject (Name):
Price, Richard, 1723-1791 and Walpole, Robert, Earl of Orford, 1676-1745.
George IV is shown as a grotesque sea monster, for which the following description is given below image: "He is of immence size, his head and face bear the appearance of a man, he has the neck of a bull, the body of a huge sea hog, the legs of an elephant, and the tail of a porpoise." The beast lies helpless on the shore facing right, emitting a plume from his mouth containing the words "debauchery", "trifling", "vice", "folly", etc. Queen Caroline's defense lawyers reign in the animal, Brougham on the left wielding a broom and Denman on the right holding a chain attached to the beast's collar. Broom exclaims: "At length I see thee! They death warrant's signed." Below him is written "The mighty Broom of Destruction", and a bundle labeled "more broom sticks" sits beside him. Denman stands at the mouth of a cave marked "A DEN", holding a club labeled "The Queens cause" and saying: "That blow from Broom will end thee." Below him is written "The intrepid Den-Man". Frogs, salamandars, snails, and other aquatic creatures enter the water at the feet of both men. Offshore a vessel, with the figurehead of Queen Caroline and flying a banner bearing her name, shoots and injures the monster, streams of blood with words such as "corruption", "bribery", and "perjury & ingratitude" flowing out of the wounds. In the water on either side of the ship, figures thrash about as they try to escape the scene. One in the group of men (politicians?) on the left says "Non mi Ricordo" as he struggles to stay afloat. Among the three men and one woman on the right is the Duke of Wellington, a member of the clergy, and another lawyer
Alternative Title:
Abyssinian monster, or, The invisible being drawn from his den and Invisible being drawn from his den
Description:
Title etched at top of image., Date of publication from The National Archives' online catalogue, reference: TS 11/115/326/74., Sheet trimmed within plate mark., Text at bottom of image: May the prow of innocence ever cut the foul waves of malice. J. Bull Esqr., Four lines of text below image, beginning: It having long been a desideratum with men of research to discover the souce of the Nile, we have much pleasure laying it before them ..., For a brief mention of this print, see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, page li., and Mounted on page 15 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Politicians, Sea monsters, Lawyers, Ships, Brooms, Caves, Frogs, and Clergy
The image is a copy of Hogarth's Midnight modern Conversation: A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conversation
Description:
Title engraved below image. Text etched on separate plate and mounted below., Poem in four columns: Sacred to thee, permit this, lay, Thy labour, Hogarth, to display! ..., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 128., Ms. note in pencil in Steevens's hand on separate sheet to the right of this print., and On page 65 in volume 1.
