On the left, Charles James Fox sits on a chair, his gouty left foot resting on a stool, his right hand holding a crutch. Behind him is a paper which reads "Plan to discharge the Nation[al] Debt". His right arm reaches out to a group of angry citizens confronting him with their complaints and pleas for relief. He says to them: "Gentlemen! I have been looking over my affairs, and give you my word of Honor you shall all be paid this day twelve month." A butcher, baker, orphan child, a nurse, and other troubled citizens voice their complaints in separate speech bubbles
Alternative Title:
Meeting of creditors
Description:
Title from caption below image., "SC" is the monogram of Samuel Collings., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
As the act directs published March 28, 1785 by W. Humphrey, Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Finance, Public, History, Butchers, People, and Clergy
A design in five compartments, each occupied by a figure in profile to the right. Above each is an inscription. On the extreme left is a parson preaching from a pulpit; the head of the precentor appears in his desk beneath. Inscribed: 'I pray for all'. Next an advocate in his gown, his right hand raised: 'I plead for all'. Next a corpulent well-dressed man, holding up a sickle in his right hand: 'I maintain all'. Next is a still more corpulent military officer with a drawn sword: 'I fight for all'. Next is the Devil, prancing among flames, his talons extended: 'I take all'.
Description:
Title from item., Title etched below images., The characters are: Dr. Andrew Hunter of the Tron Church, with John Campbell (unrecognizable), the precentor, see BMSat 5894, below him; Henry Erskine, Dean of the Faculty of Advocates 1785-96; James Rocheid of Inverleith, a distinguished agriculturist and absurdly self-important laird; Quartermaster Taylor, one of the defenders of Gibraltar., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Later state of: No. 7416 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 6.
Publisher:
publisher not identified
Subject (Name):
Erskine, Henry, 1746-1817, Hunter, Andrew, 1743-1809, and Rocheid, James
A design in five compartments, each occupied by a figure in profile to the right. Above each is an inscription. On the extreme left is a parson preaching from a pulpit; the head of the precentor appears in his desk beneath. Inscribed: 'I pray for all'. Next an advocate in his gown, his right hand raised: 'I plead for all'. Next a corpulent well-dressed man, holding up a sickle in his right hand: 'I maintain all'. Next is a still more corpulent military officer with a drawn sword: 'I fight for all'. Next is the Devil (no wings in this early state), prancing among flames, his talons extended: 'I take all'.
Description:
Title etched below image., The characters are: Dr. Andrew Hunter of the Tron Church, with John Campbell (unrecognizable), the precentor, see BMSat 5894, below him; Henry Erskine, Dean of the Faculty of Advocates 1785-96; James Rocheid of Inverleith, a distinguished agriculturist and absurdly self-important laird; Quartermaster Taylor, one of the defenders of Gibraltar., No. 56 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Name):
Erskine, Henry, 1746-1817, Hunter, Andrew, 1743-1809, and Rocheid, James
"The Duc d'Orleans (left) chases the Prince of Wales with a whip. Both wear riding-dress with top-boots. Behind them is a pond from which emerge the legs of a man who is submerged from the waist. They are on a path leading to a pavilion (right), the door of which is inscribed 'The Coffee Room'. Men stand at the door watching the scene, others look from a balcony. Behind Orleans, on the extreme left, are the profile and arms of a Frenchman, who says, "ah ha de French Man make de English run". Beneath the title is etched: 'L'abbé frere du Duc d'Orleans etant a Newmarket dans un jardin près dun bassin fit la Gageure avec S.A.R.P.G. [Prince de Galles] de chatouiller un poisson avec le doigt jusqu'à cequ'il Selaissât prendre; la gageure ayaunt ete acceptée & l'Abbé S etant mis Sur Ses genoux it [sic] commencant a agacer le poisson, lors que S.A.R. lepoussa dans la bassin. Le Duc d'Orleans qui etait present poursuit it avec Son fouet S.A.R. qui Serifugia dans un Caffe, ou le Ducs de Queensbury & Grafton & Bedford les reccomoderent, tandis que le pauvre Abbé fut conduit ches lui pour changer d'habits.'"--British Museum online catalogue
Alternative Title:
New-market race and Newmarket race
Description:
Title etched below image. and Publication date in imprint may read "July 3".
Publisher:
Pub. July 11, 1788, by S.W. Fores, No. 3 Picadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Orléans, Louis Philippe Joseph, duc d', 1747-1793
"Satire on Robert Walpole, showing the grounds for the Motion to remove him from office. In the foreground an extravagantly dressed young woman, representing bribery and corruption, distributes lucrative offices to the clergy, judges, army officers and members of parliament all of whom wear yokes about their necks and profess their loyalty to her and to Walpole's policies including, in the case of the politicians, a general Excise. At her feet is a pile of money bags, coronets, orb and sceptre, bank bills and pensions. In the background Walpole rides on a wagon in the form of a large money chest labelled "for the word "king" has been added here in a later hand] /For Secret Services /For [th]e Projector / for Friends and Assistants"; its wheels are labelled "Expence of Law &c./Penal Laws/G[i]n A[c]t/Debts/Civel List/Taxes" crush men representing "Manufactures/Trade/Honesty/Liberty"; penants attached to the waggon name taxes levied under Walpole's ministry, "Malt Ale/Tobacco Wine/Leather/Gin/Stamp/Land Tax/Candles/Soap/Salt/Coals". Walpole himself, lettered, "Volpone the Projector", stands on top of the waggon saying "Whoever flinches I'll discard"; he slices open an infant ("Sinking Fund") with a sword so that coins from its belly fall into the money chest, at the same time he blows French and Spanish ships out of Brest and Ferol into the Atlantic to frustrate Admiral Vernon's efforts in the Caribbean, while breaking wind that holds British ships in Torbay; a devil flying above, observes, "this wind is strong agt. them). The waggon is driven by "Volpone Junior" (Robert, Baron Walpole) and drawn by six yoked placemen, while the "Balance Master" (Horatio Walpole) sits on the back exclaiming, "Lawful plunder". Bishop Herring (labelled "Salty") follows the waggon acting as a recruiting officer holding a spear and encouraging, "All B[isho]ps, P[ee]rs, C[ommon]ers or others, willing to List in Projectrs Service. repair thither & meet with suitable Encouragemt."; a pamphlet of 1740, "Letter to a Member [of Parliament concerning the present state of affairs at home and abroad]" protrudes from his pocket; he is accompanied by two journalists, "Freeman" (Raphael Courteville) playing the drum and "Sidney" blowing the horn each has a copy of the "Gazeteer" in his pocket
Description:
Title etched above image., Description based on imperfect impression; sheet trimmed to plate mark resulting in loss of imprint and verse in letterpress below the plate., Publication date from variant state described in the British Museum Catalogue., Variant state of no. 2484, with additional words added to the back left wheel of the wagon. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Truman's notes about the print are shelved as: LWL Mss Group 1 File 3., and Watermark: Pro Patria.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Herring, Thomas, 1693-1757, and Courteville, Raphael, -1772
Subject (Topic):
Taxation, Misconduct in office, Great Britain, Politics and government, Clergy, Corruption, Lawyers, and Politcians
publish'd according to act of Parliament, March 7, 1741.
Call Number:
741.03.07.02.3+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Robert Walpole, showing the grounds for the Motion to remove him from office. In the foreground an extravagantly dressed young woman, representing bribery and corruption, distributes lucrative offices to the clergy, judges, army officers and members of parliament all of whom wear yokes about their necks and profess their loyalty to her and to Walpole's policies including, in the case of the politicians, a general Excise. At her feet is a pile of money bags, a coronets, orb and sceptre, bank bills and pensions. In the background Walpole rides on a waggon in the form of a large money chest labelled "for the [blank]/For Secret Services/For ye Projector/for Friends and Assistants"; its wheels are labelled "Expence of Law &c./Penal Laws/G[i]n A[c]t/Debts/Civel List/Taxes" crush men representing "Manufactures/Trade/Honesty/Liberty"; penants attached to the waggon name taxes levied under Walpole's ministry, "Malt Ale/Tobacco Wine/Leather/Gin/Stamp/Land Tax/Candles/Soap/Salt/Coals". Walpole himself, lettered, "Volpone the Projector", stands on top of the waggon saying "Whoever flinches I'll discard"; he slices open an infant ("Sinking Fund") with a sword so that coins from its belly fall into the money chest, at the same time he blows French and Spanish ships out of Brest and Ferol into the Atlantic to frustrate Admiral Vernon's efforts in the Caribbean, while breaking wind that holds British ships in Torbay; a devil flying above, observes, "this wind is strong agt. them). The waggon is driven by "Volpone Junior" (Robert, Baron Walpole) and drawn by six yoked placemen, while the "Balance Master" (Horatio Walpole) sits on the back exclaiming, "Lawful plunder". Bishop Herring (labelled "Salty") follows the waggon acting as a recruiting officer holding a spear and encouraging, "All B[isho]ps, P[ee]rs, C[ommon]ers or others, willing to List in Projectrs Service. repair thither & meet with suitable Encouragemt."; a pamphlet of 1740, "Letter to a Member [of Parliament concerning the present state of affairs at home and abroad]" protrudes from his pocket; he is accompanied by two journalists, "Freeman" (Raphael Courteville) playing the drum and "Sidney" blowing the horn each has a copy of the "Gazeteer" in his pocket."--British Museum online catalogue
Description:
Title etched above image., Publication line printed in letterpress at bottom of sheet., "Sold at the print and pamplet-shops of London and Westminster"--Preceding publication line., "(Price four-pence)"--Following publication line., Three columns of verse in letterpress below image, the first of fifteen numbered stanzas beginning: I. Vat be dat machine do make de Folk groan-é? It be de invention of de old Fox Volponé ..., and Sheet trimmed within plate mark on top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Herring, Thomas, 1693-1757, and Courteville, Raphael, -1772
Subject (Topic):
Taxation, Misconduct in office, Politics and government, Clergy, Corruption, Lawyers, and Politcians
A lady (Mrs. Catherine Macaulay) with an aquiline profile sits at a table opposite a clergy man (Dr. Wilson) as she writes with a quill pen. The walls are lined with full bookshelves separated in the middle by a fireplace with a mantelpiece on which sits a bust of "Alfred rex". Both figures wear the same enormous hair as in British Museum no. 5441
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., In black ink plate numbered "2" added to upper right corner in ink., Mrs. Macauley and Dr. Wilson also appear in another Mattina Darly satirical print. See number 5441 in v. 5 of British Museum catalogue: A speedy & effectual preparation for the next world. [London] : Pub. May 1, 1777 by M Darly 39 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary annotations in pencil in lower margin: Mrs. M[...?]ly ; Dr. Wilson.
Publisher:
Pub. May 1, 1777, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Macaulay, Catharine, 1731-1791. and Wilson, Thomas, 1703-1784.
Title etched below image., Unverified attribution to Dent from local card catalog., Publication information from the Library of Congress copy. Cf. LC 3:42., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dissenters -- Symbols: dove of peace -- St. Paul's Cathedral -- Dice and dice-box -- Reference to St. Stephen's Chapel -- Reference to the House of Commons -- Literature: reference to Richard Price's Observations on civil liberty -- Literature: reference to Edmund Burke's A philosophical inquiry into the origin of the sublime and beautiful -- Acts: repeal of the Test and Corporation Acts, March 2, 1790 -- Thirty-nine articles -- Votes: majority 189 on repeal of Test and Corporation Act., and Mounted to 37 x 25 cm.
Page 244. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate from: The new wonderful magazine, and marvellous chronicle. London : Published by Alex. Hogg, v. 3 (1794)., "Wonderful magazine"--Above image., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Irish wakes -- Drunkenness., 1 print : etching and engraving on laid paper ; sheet 10.8 x 15.3 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and periodical name from top edge., Mounted to 32 x 26 cm; a small newspaper clipping (3.9 x 6.2 cm) is mounted below print, dated "1773" in ink., and Mounted on page 252 (misnumbered '244') in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. by C. Johnson
Subject (Geographic):
St. Giles in the Fields (London, England),
Subject (Topic):
Interiors, Churches, Wake services, Dead persons, Ethnic stereotypes, Alcoholic beverages, Intoxication, Drinking vessels, Vomiting, Clergy, and Fans (Accessories)
Inside a humble house, a man and woman standing together at right, the woman with hand on hip and leaning against the man, both looking towards a cleric at left who turns away with a rod in his hand, a tankard resting on a table before him, the door opens onto a street behind. In the center of the room is a cobbler's bench with some tools of the trade. Against the back wall is a large cabinet with substantial pillars and with plates lined against the back. See British Museum nline catalogue
Alternative Title:
Humorous farce of Jobson and Nell
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
