publish'd according to act of Parliament Sepbr 30th 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day., Ms. note, and On page 132 in volume 2. Sheet trimmed within plate to: 26.5 x 34.5 cm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Rake's progress, Pews, Pulpits, Religious services, Singing, and Women
publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and On page 132 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
publish'd according to act of Parliament Sepbr 30th 1747.
Call Number:
Kinnaird 45K(b) Box 100
Collection Title:
Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day., and Imperfect impression; sheet trimmed within plate mark to 263 x 348 mm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Rake's progress, Pews, Pulpits, Religious services, Singing, and Women
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
"Satire on French everyday life: a large kitchen a clergyman stands talking to the innkeeper who wears large wooden shoes stuffed with wool and a hat with a large brim, his long hair hangs loose; a lrge dog sits at the clergyman's feet. On the left, a thin postillion standing tall takes a pinch of snuff from his box while a woman beside him bows to the clergyman, tucking her hands in her apron pockets; in front of her a boy in wooden shoes, hands in pockets, stares at the clergyman. Behin an old woman wearing glasses sits at a table by the fireplace with a glass and bottle in front of her; a large pot hangs over the fire. On the wall are pasted notices, including an "Ordonnace de Monsgr Le Duc de Choiseul Grand Maitre des Postes et Relais de France Sa Majesty ...", popular religious prints and another of LouisXV "le bien Aimé" 1771."--British Museum online catalogue
Alternative Title:
Cuisine de la poste
Description:
Title from caption below image., Later printing. Date of printing based on watermark., Temporary local subject terms: Kitchens: French kitchen -- French poodle -- Furniture: Paper sheet pictures -- Snuff box -- Cure., and Watermark: J. Ruse 1799.
Publisher:
Pubd. accordg. to act of Parlt. Feby. 1st, 1771, by John Harris, Sweetings Alley, Cornhill
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Title from item., Sheet trimmed within plate mark., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The macaroni and theatrical magazine. London : John Williams, Dec. 1772, p. 97., and Mounted to 24 x 15 cm.
