"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Title from item., Sheet trimmed within plate mark., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The macaroni and theatrical magazine. London : John Williams, Dec. 1772, p. 97., and Mounted to 24 x 15 cm.
Leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile to the right. He holds a book in his right hand, a strap in his left. He wears a short, tightly curled wig, and a light flowered dressing-gown over dark clerical clothes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "v. 5" in upper left corner and "17" in upper right corner.
Publisher:
Publish'd as the act directs Decr. 7, 1772, by MDarly, 39 Strand
Leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile to the right. He holds a book in his right hand, a strap in his left. He wears a short, tightly curled wig, and a light flowered dressing-gown over dark clerical clothes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "17" in upper right corner., Second of three plates on leaf 91., and 1 print : etching on laid paper ; plate mark 17.5 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd as the act directs Decr. 7, 1772, by MDarly, 39 Strand
"An elderly parson embraces indecorously an elderly woman who stands beside the bed where her husband sleeps. A dog watches them. The scene is a poverty-stricken room with a raftered roof."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of a later state of the print. Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Architectural details: windows with diamond pattern -- Furniture: chairs -- Pets., Temporary local Medical Library subject terms: Sex behavior -- Marriage & married life., 1 print : etching, hand-colored ; sheet 23 x 29., and Sheet trimmed within plate mark.
Publisher:
Published Novemr. 25th, 1785, by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
"An elderly parson embraces indecorously an elderly woman who stands beside the bed where her husband sleeps. A dog watches them. The scene is a poverty-stricken room with a raftered roof."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of a later state of the print. Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Architectural details: windows with diamond pattern -- Furniture: chairs -- Pets., Temporary local Medical Library subject terms: Sex behavior -- Marriage & married life., and Watermark: fleur-de-lis on a crowned shield.
Publisher:
Published Novemr. 25th, 1785, by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Satire against corruption with an image of a huge automaton representing the new London University (later University College, London) tramples over greedy clerics, doctors, lawyers and the crown. Five lines of text below image: "I saw a vision, a giant form appeard, it's eys where [sic] burning lights even of Gas, and on its learned head it bore A Crown of many towers, It's Body was an Engine yea of steam it's arms where [corn?] and the legs with which it stode like unto presses that men called printers use, from whence felt ever and anon small Books that fed the little people of the Earth, It rose and in it's hand it tool a Broom to sweep the rubish [sic] from the face of the land, the Special pleaders & thier [sic] wigs also & the Quack Doctors also and the ghosts & those tha twhear Horns & the Crowns of those kigns that set themselv's above the laws & the Delays in Chancery it utterly destroy'd, likewiase it sweept from the Clergy every Plurality, Nevertheless the Lawyers & the Parsons & divers others kick't up a great dust!!!"
Description:
Title from text above image., Shortshanks is the pseudonym of Robert Seymour., Date from online British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
