"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., 1 print : etching, hand-colored ; sheet 320 x 349 mm., Sheet trimmed within plate mark., and Imperfect? Numbering in upper right possibly trimmed or erased from sheet.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., Watermark: J. Whatman 1820., and Restrike.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
Two vicars sit at a table in a sitting room; a painting on the wall behind them is labelled "View of the vicarage". One of the men is very fat and wears a night cap; he dozes in an arm chair, his foot on a sleeping dog at his feet, the "Oxford Journal" on the floor having apparently dropped from his hand. The other, a thinner man, pours two generous glasses of port from a full carafe, and observes to his companion "What is life without the enjoyment of a friend".
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pubd. Sept. 10, 1799, by R. Akerman, No. 101 Strand
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 46 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A dour woman wearing a feathered headdress stands before a preacher and his clerk as they exclaim respectively, "O Lord, save this lady, thy servant" followed by "Who putteth her ladyship's trust in thee."
Alternative Title:
Churching a lady
Description:
Title inscribed in the artist's hand below image., Signed by the artist., and Date supplied by cataloger.
Subject (Topic):
Clergy, Great Britain, Preaching, Religious services, and Churches
"Grinning yokels, burlesqued, wheel (right to left) three wheelbarrows; one (right) contains a very fat parson with a gouty leg and grog-blossom nose, who lies on his back, registering impotent rage. Next is a very thin apothecary, holding his gold-headed cane; between his legs is a pestle and mortar containing medicine-bottles, one labelled 'To be well shaken'. On the left is an angry lawyer, holding a bag from which a paper projects. Villagers stand round watching the procession, cheering delightedly. Behind, from among trees, appear a hay-stack, an antique farm or cottage, and a church tower with a large Union flag at its flag-staff."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "377" in upper right., and Temporary local Medical Library subject terms: Law -- Country Doctors -- Physicians caricatured.
Publisher:
Pubd. Decr. 15th, 1819, by Thos. Tegg, No. 111 Cheapside, London
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., 1 print : etching with aquatint, hand-colored ; plate mark 26.2 x 36.1 cm., and Restrike?
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., and Mounted to 29 x 41 cm.
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
