The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title and state from Paulson., Third state with motto added, under royal arms: [Dieu] et mon droit. Also the pipe has been removed from the angel's mouth and cracks added in the wall on which the angel is painted. The clerk's hair has been redrawn and lightened again. The triangle has been given a second outline., "Price one shilling.", Sheet trimmed within plate mark with loss of price., 1 print : etching and engraving on laid paper ; plate mark 26.5 x 20.9 cm, on sheet 35.5 x 25.8 cm., and Mounted on leaf 46 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title and state from Paulson., Sheet trimmed within plate mark., "Price one shilling.", Ms. pencil note in Steevens hand above print: 1st Impression., and On page 81 in volume 1. Trimmed to: 264 x 207 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
Copy of a Hogarth print: The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title from caption below image., Copy of No. 2285. See v. 3 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 140., and On page 81 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
A thin emaciated Parson holds a 'tithe' in the form of a pig in a basket while a second Parson, obese with a huge puanch, raises a stick in the air and opens his mouth wide as if beginning an admonishment
Description:
Title, date, and artist attribution suggested by cataloger. and For further information, consult library staff.
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.3 x 13.3 cm., Mounted with three other prints on leaf 5 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Powis.
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Numbered '31' in contemporary hand in the upper right corner.
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 7 with three other prints.
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Description:
Title from Paulson., From Paulson: The plate ... appeared in the first edition published January 28, 1761., "Vol. 4 Page 112"--Upper right corner., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
