On the left, Charles Fox, with one hand in his pocket as if searching for money, holds out with the other what may be a jaw bone of a donkey. He appears to be addressing the voters. To the right, Sam House holds a flag attached to an erect fox's tail, inscribed, "the intripid Fox," and reaches into his left pocket for ribbons for the election favors. A group of men on the right comes celebrating Fox's canvassing; one of them drinks from a tankard inscribed, "Sam House," a reference to House's publick house in Wardour Street where he kept open house for Fox's supporters
Alternative Title:
F-x canvassing and Fox canvassing
Description:
Title from item. and Mounted to 30 x 43 cm.
Publisher:
Publish'd as the act directs, March 31, 1784, by H. McPhail, High Holborn N. 68
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806. and House, Samuel, -1785.
Subject (Topic):
Politics and government, Political elections, and Clothing & dress
A fashionably dressed young woman in a low-cut dress sits talking to an old (bearded but not bald) cleric in monastic habit who holds her hand. Behind the pair another monk peeks around the door smirking. Above the door a painting shows semi-clothed figures. Miss Tittup was a character in Garrick's "Bon Ton".
Alternative Title:
Miss Titups visit to Father Bald-pate and Miss Tit ups visit to Father Bald-pate
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Monasticism and religious orders, Paintings, and Clothing & dress
Title from item., First issued by: F. Wingrave, April 14, 1784. Cf. No. 6531 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Interiors: theater box., and Mounted to 37 x 26 cm.
Publisher:
Pubd. March 15, 1792, by S.W. Fores, No. 3 Piccadilly
On the right, a lady (Mrs. Catherine Macaulay) with an aquiline profile and wearing a morning gown, sits at a dressing-table; she is dipping a brush into a pot marked 'Rouge', other toilet implements and a looking-glass on the table. Her hair is in a grotesquely caricatured erection, with side curls, intended to ridicule the fashions of the day; on the top of it is a hearse drawn by six horses, decorated with enormous ostrich-feathers. Similar feathers adorn the heads of the horses. On the left behind the lady, a skeleton stands at a rectangular table grasping with both hands an hour-glass whose sands have run into the lower glass out the bottom onto the table. On the table there is also a knife. The base of the skeleton's spine is transfixed by a large arrow. On the wall behind the lady's dressing-table is a portrait bust of a clergyman, in profile to the right (Dr. Wilson).
Alternative Title:
Speedy and effectual preparation for the next world
Description:
Title from item., MD of publisher's name forms a monogram., and Numbered in plate at top: 3, v.2.
Publisher:
Pub May 1, 1777 by MDarly 39 Strand
Subject (Geographic):
England
Subject (Name):
Macaulay, Catharine, 1731-1791. and Wilson, Thomas, 1703-1784.
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue
Alternative Title:
Spencer and a thread-paper and Spencer & a threadpaper
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: spencers -- Neologisms: spencer (coat).
Publisher:
Pubd. May 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
"Three ladies are seated in a box, their arms to the elbow are in enormous fur muffs which project over the front of the box. Beneath them, to indicate the fur of the muff and (apparently) the character of the lady, is engraved respectively 'Mrs Bruin', 'Miss Chienne', 'Miss Renard'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted to 23.3 x 23.3 cm.
Publisher:
Pubd. Jany 1, 1787 by J. Wicksteed, No. 30 Henrietta Strt. Covt. Garden
Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles James Fox, brandishing a whip, is depicted riding the old White Horse of Hanover into a ravine, with the words "Aut Cromwell aut nihil...", a saddle bag labelled "enjoyments" before him, and a basket behind, labelled "hopes and expectations" which contains George III's head on a pike, a crown pierced by a sword, and a torn Magna Carta. Refers to Fox's alleged sympathies with French and Spanish interests
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower left corner and with scatology removed from image. For original issue of the plate, see no. 6239 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 48., Temporary local subject terms: Prudery., and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. June 3d, 1783, by J. Williams, Strand, No. 227 and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and George III, King of Great Britain, 1738-1820
Subject (Topic):
Politics and government, Horseback riding, and Clothing & dress
Charles James Fox, brandishing a whip, is depicted riding the old White Horse of Hanover into a ravine, with the words "Aut Cromwell aut nihil...", a saddle bag labelled "enjoyment" before him, and a basket behind, labelled "hopes and expectations" which contains George III's head on a pike, a crown pierced by a sword, and a torn Magna Carta. Refers to Fox's alleged sympathies with French and Spanish interests
Description:
Title from item., Sheet trimmed within plate mark., and Printmaker from earlier state. Cf. No. 6239 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
