William Petty, Lord Shelburne, braces himself against the door to the Treasury in order to resist the pull of the rope tied around his waist. He is helped by John Dunning dressed in legal wig and cloak. The four men attempting to remove Shelburne from the Treasury are, from left to right, Charles James Fox, intent on forming a new administration; Admiral Augustus Keppel and the 3rd Duke of Richmond, both members of the Shelburne administration but opposing Shelburne; and Edmund Burke, later paymaster-general in the Fox-North administration
Description:
Title etched below image., Sheet trimmed within plate mark., and The figure on the right identified by George as Edmund Burke is identified here as Lord John Cavendish.
Publisher:
Pub. Jan. 9th, 1783 by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and Great Britain
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805., Dunning, John, Baron Ashburton, 1731-1783., Fox, Charles James, 1749-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Richmond, Charles Lennox, 3rd Duke of, 1735-1806., and Burke, Edmund, 1729-1797.
Subject (Topic):
Ropes, Tug of war, Military uniforms, British, Clothing & dress, and Politics and government, 1760-1789
"A sailor walking (right to left) arm in arm with a young woman, her right arm in his left. He wears striped trousers, and carries a cane. She wears a ribbon-trimmed hat, short petticoat with an over-dress draped above it at the back, and an apron. Behind are steps leading to a sea-wall, with ships. On the left are trees."--British Museum online catalogue
Description:
Title from item., Imperfect; sheet trimmed and date erased from this impression., Date of imprint from British Museum catalogue., and Numbered in lower left of plate, 459.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Sailors, British, Military uniforms, and Clothing & dress
In a richly decorated and carpeted interior, a clergyman, his obese bespectacled wife, and 3 children sit at table, behind which a portrait of the parson hangs on the wall. The clergyman raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from item., After a designed by Dighton., Numbered in lower left 343., A probable reduced version of no. 3753, originally issued ca. 1760. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Imperfect; hole in upper right corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Topic):
Clergy, Eating & drinking, Interiors, Tableware, and Clothing & dress
In a richly decorated and carpeted interior, an obese clergyman, his obese bespectacled wife, and three children sit at table. A portrait of the parson hangs on the back wall. The clergyman raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from item., Imperfect; trimmed to design with loss of imprint., Afger a design by Dighton., Place of publication and publisher from British Museum online catalogue., and Date estimated from British Museum. catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles."
Publisher:
Printed for & sold by Carington Bowles
Subject (Geographic):
England
Subject (Topic):
Clergy, Eating & drinking, Interiors, Tableware, and Clothing & dress
"Three men, each holding up an umbrella, meet and seem to find difficulty in passing. An officer, his hair in a long pigtail queue, walks (left to right), his umbrella held in his right hand and resting on his left shoulder. A lean man, holding his umbrella high, and with tasselled cane in his left hand, advances from the right. Between them, his umbrella resting on his right shoulder, a plainly dressed citizen stands full face, holding out his left hand as if to prevent a collision between the other two. A stone wall forms the background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Published as the Act directs [not before 20 May 1782]
Call Number:
782.05.20.05+
Image Count:
1
Resource Type:
still image
Abstract:
Shop interior with three milliners in frilled caps behind the counter, one seated and two sewing. Behind them the window to the left displays their work, while to the right shelves hold boxes labelled Feathers, Love, Coxcomb and Mode. Two fashionable men and a Pomeranian dog are before the counter, one man seated upon it and the other handing the ladies a "Masquerade Ticket".
Alternative Title:
Milliners shop
Description:
Title from item., Date erased from print., Numbered 478 in lower left margin., and Date estimated from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles."
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Millinery, Interiors, Counters, Clothing & dress, and Hats
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., 1 print : etching and drypoint on wove paper ; plate mark 28.5 x 36.6 cm, on sheet 30 x 38.7 cm., and Mounted on leaf 32 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., and Mounted on page 48 with one other print.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
