"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: capes.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
"An elderly man, bent to deformity, thin and shambling, in profile to the left, follows two flamboyant prostitutes who walk arm-in-arm, looking behind them. He supports himself on a walking-stick; from his pocket protrudes a book: 'Modest Prints'. The women's dresses trail on the pavement, but one lifts her skirt to display her legs. The background is formed of the massive stones at the corner of a high building."--British Museum online catalogue
Alternative Title:
Example for fathers
Description:
Title etched below image., Plate numbered "428" in upper right corner., Printed on verso: Gillray, James. Georgey a'cock-horse. London: Pubd. Novr. 23d 1796 by H. Humphrey, New Bond Street., and Bohn's "Supressed plates"; restrike of no. 9083 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Sept. 26th, 1797, by H. Humphrey, No. 27 St. James's Street
"Whole length portrait of a man walking (right to left) with a mincing gait, left toe turned out. He looks through an eye-glass with a frowning grimace. His left hand, holding a bludgeon, is on his hip. His hair is cropped and he has side-whiskers, and is dressed in the manner adopted by the rakes and bloods of 1791, wearing a high-crowned hat, a waistcoat with a high collar at the back; his coat is slipped off his shoulder, showing the upper part of his shirt-sleeve. He wears long breeches or pantaloons and very short top-boots, see BMSat 8040, &c. In the background is a piece of water, trees, and buildings. He resembles Lord Barrymore. In the background is indicated a house (right) with a park wall and trees reflected in water."--British Museum online catalogue
Description:
Title etched below image. and Watermark: I Taylor.
Publisher:
Pub. Sepr. 1st, 1791, by S.W. Fores, No. 3 Piccadilly
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., 1 print : mezzotint on laid paper ; sheet 34 x 25 cm, mounted to 35 x 26 cm., Sheet trimmed within plate mark, resulting in partial loss of imprint and plate number., and Music notes below image removed.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., No. 43 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
On the street in front of the shop of S.W. Fores & Co. a mix of Londoners -- trades people, clergy, gentleman and ladies, etc. -- fight the effects of a very strong wind: a parson loses his wig, a woman's dress is blown up over her hips revealing her large buttocks; a woman selling fish has fallen to the ground, her hat and wares strewn across the sidewalk as a man with a walking stick trips over her, etc. Above the shop window is a sign that reads "Prints &c wholesale & for expotation".
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 42 x 56 cm., matted to 49 x 63 cm.
Publisher:
Pub. May 28, 1793 by S.W. Fores, No. 3 Piccadilly and No. 57 St. Pauls Church Yard
Subject (Geographic):
England, London., and England.
Subject (Name):
St. Paul's Church (Covent Garden, London, England) and Fores, S. W.
Subject (Topic):
City & town life, Clergy, Clothing & dress, Crowds, Fishmongers, Men, Prints, Publishing industry, Stores & shops, Wigs, Window displays, Winds, and Women
"A lady sits in back view before a tall pier-glass, twisting a piece of drapery round her head. Two young women (right) hold up festoons of the immensely long drapery, the end of which trails across the floor and is worried by a small dog, shaved in the French manner. The glass is surmounted by an earl's coronet and decorated by triple ostrich plumes, suggesting that the lady, who wears a loose wrapper, may be Lady Jersey. The mirror is lit by two candles. Through a window (right) is a crescent moon, sinking into clouds. The second attendant wears a hat, suggesting that she is a milliner. Both are dressed in the short-waisted fashion of the day (cf. BMSat 8571). An elaborate bowl of flowers stands on a pedestal or small ornate table. A patterned carpet covers the floor."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Furniture: mirrors -- Crowns: earl's coronet -- Claw-foot table -- Furnishings: flower arrangements -- Window curtains -- Emblems: Earls of Jersey ostrich feathers -- Pets: dogs -- Lighting: candle holders on mirror -- Trades: milliners -- Female dress: drapery headdress.
Publisher:
Pubd. June 30th, 1795, by H. Humphrey, No. 37 New Bond Street
Title from item., From the Laurie & Whittle series of Drolls., Plate numbered '172' in lower left corner., Printmaker identified from the original drawing in the Huntington Library., One line of text below title: "The end of these things is death.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Old women -- Earrings -- Miniature portraits as jewelry -- Female dress: masquerade costume -- Tickets: masquerade tickets -- Pictures amplifying subjects: portrait of Cleopatra -- Pulley-stiles -- Parasols -- Furniture -- Powder puffs -- Domestic servants: lady's maid -- Furnishings: window curtain tassels.
Publisher:
Published 15th Septr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Older people, Women, Headdresses, Clocks & watches, Jewelry, Dressing tables, Umbrellas, and Women domestics
"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: art exhibitions -- Literature: reference to Burgoyne's The Heiress -- Lorgnettes., and Mounted.
Publisher:
Pubd. Sept. 24th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
