Title etched below image., Date and place of publication supplied by curator., Text in English and Italian., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Giants, Anomalies, Giants (Persons)., Human curiosities, Spears, and Clowns
A social satire with an image of the two dancers, full-length with a Bologna in a dress and hat on the left and a Grimaldi in clown make-up on the right. Both are in costume holding hands as they raise their opposite arms and legs
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published March 15, 1807 at R. Ackermanns, No. 101 Strand, London
Subject (Name):
Bologna, John Peter, 1775-1846. and Grimaldi, Joseph, 1779-1837.
Title from item., Date from copy in British Museum., Part of image after Marcellus Laroon., Description from the British Museum copy: A satiricial broadside on Hans Buling, a Dutch mountebank in London; with an engraving partly after Marcellus Laroon, showing an interior with the quack doctor Buling on the left, bearded and dressed in an elaborate costume with cape, a broad collar and soft-brimmed hat, holding in his right hand a sheet of paper, in his left a small medicine bottle, at his feet to the left a medical chest, bottles, spatulas, and at his feet to his right a monkey; in the right background a curtain from which a Merry Andrew emerges, dressed in a Harlequin costume; with engraved title and verses in two columns., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Buling, Hand, active approximately 1670-1680.
Subject (Topic):
Quacks and quackery, Patent medicines, Medical equipment and supplies, Medicine shows, Monkeys, and Clowns
A tracing of a 1731 print after Hogarth: Satire on Orator Henley and his followers. A view of his Oratory in Clare Market with Henley preaching from an open-air platform in front of the building, one cloven hoof protruding from beneath his robe. A monkey wearing clerical bands holds a rope which is attached to Henley's right hand; a small chest of pills, a medicine bottle and a pamphlet lettered "The Hyp Doctor" lie at his feet. In the foreground is a procession of men, lettered, "Ha!", "Ha!", "Te Hee", "He!" and "Silly Cur"; the latter wearing a laurel wreath is identified by Hawkins as Colley Cibber, and the others, two of whom wear ruffs, may be intended as actors or clowns; a puritan at their head, is urged by Henley's "Scout" towards the door of the Oratory, outside which stands a butcher acting as doorman; inside a man pays a clergyman at "The Treasury". On the extreme left, a man squats defecating on Henley's publications. Behind him a coach bears Folly, holding her bauble, towards an inn with the sign of the dunce's cap; a gallows labelled "Merit" stands beside it and an angel holding a ribbon labelled "Modesty" flies off
Description:
Title from text in image., Attributed in lower left, below image: W. Hogarth sc., Drawing attributed to Steevens by curator., Tracing of a 1731 print., Detailed description of the scene in a Steevens's hand, mounted to the right of this drawing., and On page 12 in volume 1.
Subject (Name):
Henley, John, 1692-1756 and Cibber, Colley, 1671-1757
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet., and 1 print : etching, hand-colored ; plate mark 245 x 346 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., and Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"On the right is 'The old Building', an inn of old-fashioned construction with a projecting upper story and attic, representing Great Britain or the Constitution. On the left is the king, apparently asleep, driving off to Hanover in a coach with a crown on its roof. Two men and a barefooted woman who holds up two naked infants kneel beside the coach in attitudes of despairing entreaty. In the upper left corner of the print, above the coach, an eye looks towards the 'Old House' labelled, 'Turn out those Robbers and repair the House'. The robbers in possession are members of the Coalition. The lowest story, stone-built and solid but sinking beneath the weight of the upper floors, is inscribed 'Public Credit', a large padlocked gate being inscribed 'Funds'. Outside it sits Fox, in the form of a fox, on a stone inscribed 'Protector'; he points towards the padlock. A chain attached to his waist is attached to a curving pillar, inscribed 'Coalition', which is the bending support of a balcony. Beside him, seated on a turnstile, is North saying, "Give me my Ease And do as you Please". On the other side of the gateway the crown stands on a block inscribed 'To be Sold'. The first floor is supported by two massive beams or props, one, 'The Lords', being intact (indicating the part taken by the Lords in rejecting the India Bill), the other, 'Prerogative of the Crown', is almost chopped through by one of two lawyers in a first-floor window inscribed 'ye two Lawyers'; he sits with one leg over the sill wielding an axe. Beside him projects from a beam the sign of the house, 'Magna Charta', a torn document with a pendant seal; the signboard is dropping down. He is Lee the Attorney-General, pilloried for his speech on the East India Company's Charter, see British Museum Satires No. 6364, &c. Next him is another lawyer, who shakes his clenched fist towards 'Magna Charta'. He is perhaps James Mansfield (1733-1821) who succeeded Lee as Solicitor-General (Nov. 19) on the death of Wallace. The first-floor balcony, an excrescence on the original structure supported by the pillar Coalition, extends round the corner of the house above Fox and North. It is filled with revellers: a harlequin leans over it, next him is Burke, who blows a long trumpet from which issue the words 'Sheridan Sheridan Sheridan dan Sheridan', pointing towards a group on his left which includes a man (Sheridan?) flourishing a bottle and dressed as a clown or zany (cf. British Museum Satires No. 7273), and two women, one of whom resembles the Duchess of Devonshire. Beside her a large flag projects from the balcony, 'Man of the People'; on it is a fox's brush. On the rails of the balcony is a placard 'Here's the Whore of Babylon the Devil and the Pope'. The wall behind is inscribed 'The old Building'. The projecting windowless attic or cornice is divided, in front of the house into partitions numbered from 1 to 10. Round the corner (right) the wall is inscribed 'The accursed 10 years American War fomented by opposition and misconducted by a timid Minister'. The roof is composed of stones or large irregular slates, on each of which is the word 'Tax', showing that the security of the house is endangered by the weight of taxes. On it sits a bird, probably a raven of ill omen."--British Museum online catalogue
Alternative Title:
View of the old house in Little Brittain and View of the old house in Little Britain
Description:
Title etched below image., Printmaker from British Museum catalogue., Letter "S" in "Strand" in imprint is etched backwards., Sheet trimmed within plate mark., and Mounted to 29 x 46 cm.
Publisher:
Pubd. Ian. 23, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Lee, John, 1733-1793, Mansfield, James, Sir, 1733-1821, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Politics and government, Taverns (Inns), Foxes, Clowns, and Carriages & coaches
Leaf 14. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"On the right is 'The old Building', an inn of old-fashioned construction with a projecting upper story and attic, representing Great Britain or the Constitution. On the left is the king, apparently asleep, driving off to Hanover in a coach with a crown on its roof. Two men and a barefooted woman who holds up two naked infants kneel beside the coach in attitudes of despairing entreaty. In the upper left corner of the print, above the coach, an eye looks towards the 'Old House' labelled, 'Turn out those Robbers and repair the House'. The robbers in possession are members of the Coalition. The lowest story, stone-built and solid but sinking beneath the weight of the upper floors, is inscribed 'Public Credit', a large padlocked gate being inscribed 'Funds'. Outside it sits Fox, in the form of a fox, on a stone inscribed 'Protector'; he points towards the padlock. A chain attached to his waist is attached to a curving pillar, inscribed 'Coalition', which is the bending support of a balcony. Beside him, seated on a turnstile, is North saying, "Give me my Ease And do as you Please". On the other side of the gateway the crown stands on a block inscribed 'To be Sold'. The first floor is supported by two massive beams or props, one, 'The Lords', being intact (indicating the part taken by the Lords in rejecting the India Bill), the other, 'Prerogative of the Crown', is almost chopped through by one of two lawyers in a first-floor window inscribed 'ye two Lawyers'; he sits with one leg over the sill wielding an axe. Beside him projects from a beam the sign of the house, 'Magna Charta', a torn document with a pendant seal; the signboard is dropping down. He is Lee the Attorney-General, pilloried for his speech on the East India Company's Charter, see British Museum Satires No. 6364, &c. Next him is another lawyer, who shakes his clenched fist towards 'Magna Charta'. He is perhaps James Mansfield (1733-1821) who succeeded Lee as Solicitor-General (Nov. 19) on the death of Wallace. The first-floor balcony, an excrescence on the original structure supported by the pillar Coalition, extends round the corner of the house above Fox and North. It is filled with revellers: a harlequin leans over it, next him is Burke, who blows a long trumpet from which issue the words 'Sheridan Sheridan Sheridan dan Sheridan', pointing towards a group on his left which includes a man (Sheridan?) flourishing a bottle and dressed as a clown or zany (cf. British Museum Satires No. 7273), and two women, one of whom resembles the Duchess of Devonshire. Beside her a large flag projects from the balcony, 'Man of the People'; on it is a fox's brush. On the rails of the balcony is a placard 'Here's the Whore of Babylon the Devil and the Pope'. The wall behind is inscribed 'The old Building'. The projecting windowless attic or cornice is divided, in front of the house into partitions numbered from 1 to 10. Round the corner (right) the wall is inscribed 'The accursed 10 years American War fomented by opposition and misconducted by a timid Minister'. The roof is composed of stones or large irregular slates, on each of which is the word 'Tax', showing that the security of the house is endangered by the weight of taxes. On it sits a bird, probably a raven of ill omen."--British Museum online catalogue
Alternative Title:
View of the old house in Little Brittain and View of the old house in Little Britain
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Letter "S" in "Strand" in imprint is etched backwards., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 114-5., and On leaf 14 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Ian. 23, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Lee, John, 1733-1793, Mansfield, James, Sir, 1733-1821, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Politics and government, Taverns (Inns), Foxes, Clowns, and Carriages & coaches
Title supplied by curator., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Teeth, Extraction, Medicine shows, Stages (Platforms)., Spectators, Dentistry, Clowns, Patent medicines, Ladders, and Snakes
Satire on Hogarth, shown as the mountebank painter on a stage demonstrating the beauty of a crooked line. Eight figures identified in the key below: Hogarth (H), Dr. Morell (?), appearing in a clown's costume addresses the crowd. Also appearing are Hogarth's Fool (S), Hogarth's puffer(4), Hogarth's fiddler (W), etc
Description:
Title, printmaker, and publication date from British Museum catalogue., Sheet trimmed within plate mark., Key to the image below image, followed by four lines of text: This arrogant quacking analist who blinded by the darkest ignorance of [the] principles of painting, has spoke so foolishly of the works of [the] greatest masters-- is hereby challeng'd to produce one piece of his either in painting, or on copper plate, that has [the] least grace, beauty or so much knowledge in proportion as may be found in common signs in every street--O will thy impudence is the certain consequence of thy ignorance.", A satire on Hogarth by Paul Sandby., and On page 288 in volume 3. Sheet trimmed to: 23 x 19 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Morrell, Thomas, 1703-1784
