"A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:
Evil communications corrupt good manners
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"Cobbett as a small boy, ragged but sturdy, eggs on a bull-dog which is mauling a cat. He has thrown to the ground tankards strung on a strap, and inscribed 'Jolly Farmer'; behind him lies his hat, filled with apples. A goose followed by goslings escapes to the right. Behind is a ramshackle thatched cottage, a country ale-house of the lowest grade with the sign on a tall post: 'The Olde Jolly Farmer of Farnham--Gaffer Cobbett'. From the doorway, closed by a half-door and serving as a window, old Cobbett looks out. He holds a frothing tankard, and grins approvingly at his son; his likeness to Cobbett shows his identity. An old woman, evidently Mrs. Cobbett, looks over his shoulder, clenching her fists angrily at the fate of the cat. On the door-posts are chequers, sign that ale is sold, and above the door: 'Goode Entertainment for Man and Beaste'. Under the thatch, in the gable, is a casement window with broken panes; on the wall is nailed a dead rat; there is also a bill headed by fighting-cocks: 'Cock Fighte--Farnham--Old Cobbett Feeder', Smoke rises from a broken cask, thrust into the thatch, and serving as a chimney. A wagoner in a smock, holding his whip, sits on a bench by the door, draining a jug. In a line with the ale-house is a latrine of dilapidated planks and of the roughest kind, by which a sow is rooting. Above it on a line hang a ragged shirt and stockings. Trees form a background with the top of a church spire."--British Museum online catalogue
Description:
Title etched below image., First print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 1st plate. Father kept the sign of the Jolly-Farmer at Farnham. I was his pot boy and thought an ornament to the profession ... Vide, my own memoirs in the Political Register of 1809., Series number etched above image, in upper left., and Mounted to 41 x 27 cm.
Publisher:
Publish'd Sepr. 29th, 1809, by H. Humphrey, St. James's Street
"Cobbett, surrounded by flames and beset by ghosts, starts back in his chair, overturning his writing-table and dropping his pen. Behind him and on his right is a black replica of himself (his shadow). Over this shadow's shoulder leans the Devil, naked except for a bonnet rouge, bending menacingly towards Cobbett. In the foreground (right) the head and shoulders, in back view, of Sir Charles Gould emerge from clouds, holding up a long scroll: 'the Forfieted Pledge--"my Black Soul I pledge to the Devil for the Truth of my Accusation Wm Cobbett--Witness . . . Goold Judge' [Advocate]. On the opposite side, surrounded by clouds, are the ghosts of three officers, with blank eyes, standing stiffly behind the bar over which hangs a paper: 'Court Martial Chelsea' [see No. 11377]. The centre figure declaims: 'Remember Powel', the others add: 'Hall' and 'Seton'. Just behind and to the right of Cobbett the arms of a woman holding the equally balanced scales and the flaming sword of 'Justice' emerge from flames. Her head is covered by a large scroll: 'the Groans of Hampshire with the Cries of Little Jessey and the Screams of his blasted Brandy-Faced Bitch of a Mother'. Behind the Devil, and partly concealed by a festooned curtain, is the wall of a pawnshop as in No. 11376, with the sign of three balls; over the doorway: 'Beelzebub Pawnb[roker] Nota Bene. Damag'd Souls taken in Pawn'. Four bat-like creatures fly away, upwards and to the left. Three have human heads and are Wardle, nearest to Cobbett, Burdett, and (?) Horne Tooke. From Cobbett's tilting table ink, pens, candle-sticks, and lighted candles fall to the ground, the candles setting fire to the many papers which have fallen and are falling: two copies of 'Cobbett's Political Register' are already blazing. Three other copies are still on the table, one inscribed: 'Cobbetts Register--The Hell-Fire-War in Spain--Oh damn Wellesley'. Other copies have titles referring to the tenor of actual and imaginary articles in the Register: 'Plan for to Hang up all the Public Robbers without Judge or Jury'; 'Hints on ye Rights of Napoleone the Great to the Throne of Great Britain'; 'The Jubilee--a Damned Ministerial Humbug upon the country'; Cobbett's Political Register--. . . Navy . . .'; 'Stupidity of the Whigs'; 'Bank Notes our Rum'; 'New Parliamentary Reform'; 'Necessity of a new Party'; 'Blasted Ignorance of Ministry'."--British Museum online catalogue
Description:
Title etched below image., Eighth print of eight in a series entitled: The life of William-Cobbett, written by himself., and Below image is printed a second plate etched with text only: Plate 8th. But alas, in the midst of my towering prospects while I was yet hesitating between a radical-reform & a revolution ... Vide, my own memoir's in the Political Register, 1809.
Publisher:
Publish'd by H. Humphrey Septr. 29th, 1809, No. 27 St. James's Street
"Cobbett, dressed as a farmer, but with a favour in his hat and his short hair tied back into a scraggy tail, marches stiffly behind a recruiting Serjeant who marches with drawn sword, preceded by a little drummer-boy beating a large drum, both of whom wear plumed bearskins, smart uniform, and boots. They march with pointed toe; Cobbet follows, out of step, and with clumsily upturned toe; on his back is a rough knapsack. They march towards the sea where boats are being rowed out to a ship in full sail (right). Behind Cobbett (left) are his plough and two oxen. The field is neatly furrowed. Behind is a rocky hill on which stands a gibbet with an empty noose."--British Museum online catalogue
Description:
Title etched below image., Second print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 2d plate. As I shot up into a hobble-dehoy, I took to driving the plow for the benefit of mankind, which was always my prime object ... Vide, my own memoire's in the Political Register for 1809., Series number etched above image, in upper left., Sheet trimmed leaving thread margins., and Mounted to 42 x 27 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
"Cobbett, a burly and youthful corporal, stands with raised cane and clenched fist, having chastised two officers, older and much smaller than himself. One clutches his posterior, and runs off to the left, the other, losing his hat, throws up his arms, and a copy of a small book: 'Cobbetts Cards or new Military Tacticks'. Five others stand behind Cobbett, waiting for instruction, all studying his cards with perplexed and anxious intentness. Three are inscribed respectively: 'Cobbett's Military Cards'; 'How to Run away'; 'Eyes left'. One of them holds a furled Union flag inscribed 'Victoria'. In the foreground is an open dispatch-box, inscribed 'Wm Cobbett' and 'Cobbetts Military Movements'. Papers overflow on to the ground, inscribed: 'Cobbetts new Cards of Discipline', 'How to turn out Toes', 'How to Fart to ye Right', 'Eyes Right', 'To the Right', 'To the Le[ft]', 'How to march Forward', 'How to Run away', 'shoulder Musquet[s]'; 'How to shoulder Musquets', 'Left Right, how to hold up Heads', In the middle distance is a parade-ground: an officer is drilling his men with raised sword, while studying one of Cobbett's cards. They have a tricolour flag inscribed Loyal 51stt Regt L E Fi[tzgerald]. In the background are tents with tricolour flags, and tiny men marching. Behind again are mountains with pine-trees, and tiny Indians round a camp-fire."--British Museum online catalogue
Description:
Title etched below image., Third print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 3d Plate. Arrived in safety (according to the proverb), being a scholard (for all the world knows that I can read and write) I was promoted to the rank of a corporal ... Vide, my own memoir's in the Political Register of 1809., Series number etched above image, in upper left., and Mounted to 43 x 27 cm.
Publisher:
Publish'd Septr. 29, 1809, by H. Humphrey, 27 St. James's Street
"Sergeant-Major Cobbett, helped by Corporal Bestland, furtively copies regimental documents in a room with a bolted door. Bestland, registering alarm, sits at the writing-table holding open a book, while Cobbett, facing him, stoops to write. The book is inscribed: 'Regimental Account of Provisions --Cloaths--Accoutrements. 51st Regt--Bread--Meat--Potatoes'. The room is lit by one candle. On the door is a placard: 'Regimental Orders. 51st Royal Regt--Ordered,--that none but trusty Persons shall have Access to the Regimental Books and Accounts--N.B. the Keys are left in the possession of Serjt Majr Cobbett'. Let into the wall above Cobbett's head is a cupboard or safe, the door open, the key in the lock. In it are books, five being inscribed 'Regimental Book', 'Army-Extraord[inaries]', '51st Regiment', 'Cash Account', 'Provision Acct'. Above this is an oval half-length portrait of 'Lord Edwd Fitzgerald', his head cut off by the upper margin (see No. 9227, &c). He holds a paper inscribed 'Rebellion', and the frame is fringed with daggers pointing outwards. Over the door is a trophy of crossed blunderbusses, with spear, firebrands, and a bonnet rouge supported on a dagger. Regimental muskets and pistols are ranged against the wall (right). Behind Cobbett is an open chest, 'Wm Cobbett's Private Box', filled with documents: 'Copies of the Regimental Accounts', 'Cuttings from the Regimental Books', 'Scraps for Court Martial', 'Stolen Documents for to make Grounds for Charges'. On the ground lies his tasselled cane. On a chair behind Bestland are books: 'Army Ac . . .', 'Pay-Office', 'Regimental Book--Cash account 51st Reg.--Wm Cobbett'. On the floor is a money-bag labelled 'for private use W. Cobbett', and inscribed '£200 Regimental Money 51st Regt'. Beside it are two large books: 'Extracts from the Regimental Accounts to be altered as Convenient--Willm Cobbett J Bestland', and, 'Robberies of the Mens Provisions-- Witness W. Cobbett J. Bestland'. On the table are ink-stand, seal, and sealing-wax."--British Museum online catalogue
Description:
Title etched below image., Fourth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 4th plate. I was now made sarjeant major and clerk to the regiment, and there being only one man in it besides myself who could read or keep himself sober ... Vide, my own memoirs in the Political Register of 1809., Series number etched above image, in upper left., Sheet trimmed to margin of plate mark., and Mounted to 41 x 26 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
"Cobbett, in civilian dress, stands full face, with his right hand on his breast; in his left he holds out a paper: 'Accusations agst Capn Powel & others'. On the carpet at his feet lie his regimental coat, bearskin, sword, belt, and (broken) cane. On the left and in back view Judge-Advocate Gould sits at a writing-table, pen in hand, averting his head from Cobbett, and putting out a protesting hand. Cobbett declaims: "--if my Accusation is without foundation the authors of cruelty have not yet devised the tortures I ought to endure; Hell itself, as painted by the most fiery bigot, is too mild a punishment for me!--See my own Letter to Sir Charles Gould--Judge Advocate General". Gould wears a legal wig and gown with military uniform. On his table are papers inscribed 'Court-Mart[ial] to be held. . . and Charges by W. Cobbett against Cap. Powel'. Behind Cobbett stands his shadow, a dark replica of himself standing out against flames and smoke which billow up before a brick wall with a rectangular aperture through which the Devil, wearing a bonnet rouge, thrusts his talons to seize Cobbett's shadow. Above this window into Hell are three balls and the words 'Beelzebub--Pawn-broker--The utmost Value for souls taken in Pawn'. Facing Gould are high shelves draped by a curtain and containing bundles of legal documents. Some are inscribed 'Trials for Ungentlemanly Conduct', 'Military L . . .', 'Court Martial upon . . .', 'Motion for a Court Martial', 'Trial of Cap . . .', 'Court Martial'."--British Museum online catalogue
Description:
Title etched below image., Fifth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 5th plate. My next step was to procure a discharge from my ever lamented associate the Lord Edw. Fitzgerald. With this I returned to England and directly set about ... Vide, my own memoirs in the Political Register, 1809., Series number etched above image, in upper left., Sheet trimmed to plate mark., and Mounted to 41 x 26 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
"Three officers stand stiffly at the bar at one end of a high panelled hall; through the open door behind them are seen steps leading to the Thames and one pillar of the south portico of Chelsea Hospital. Only the end of the long table (right) at which officers are seated is within the design, with four officers, two on each side, one holding a paper headed 'Charges'. A long label floats into the design from the right: 'Call William-Cobbett into Court, to make good his Charges!' An usher standing close to the accused, and looking through the wide doorway calls: "William Cobbett! William Cobbett!" Soldiers stand by the door, hat in hand, others are on the steps hailing a small boat with two occupants sailing across the river. One shouts: "Ho! William Cobbett". Cobbett, in the boat, shouts back: "Call away & be Damn'd--I'm off". Spectators, men and women, crowd the court; some are many rows deep on the farther side, some in a gallery over the wide-open doors. The heads and shoulders of others in back view in the foreground form a base to the design. Six men turn their heads in profile and Burdett and Derby are unmistakable. A head next Burdett resembles Wilberforce."--British Museum online catalogue
Description:
Title etched below image., Sixth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 6th. The court-martial was assembled at Chelsea as I requested, and Captn. Powele and the other accused persons were placed at the bar ... Vide, my own memoir's in the Political Register, 1809., Series number etched above image, in upper left., and Sheet trimmed to plate mark.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
