"A man supposed to be dead arising from his coffin and surprising his wife (?). The coffin is placed on trestles next to a four-poster bed (the deathbed of a rich man?). The lid of the coffin bears an elaborate brass plaque inscribed "Mr Gripe departed this life Ague" (last word indistinct). Arising from out of the coffin, Mr. Gripe disturbs the woman who was reading a large book (presumably a business ledger). On the ground, a soup bowl, a bottle and a glass, suggesting that she had poisoned him."--Wellcome Library online catalogue, no. 533361i
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., First of two plates with the same title, both etched by Rowlandson after Wigstead; see Grego. For the second plate, see British Museum online catalogue, registration no.: 1947,1215.2., "Plate 1"--Lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: stage scenes -- Ghosts -- Literature: scene from John O'Keeffe's The Dead Alive! -- Furniture., and 1 print : etching and aquatint, hand-colored ; design 230 x 302 mm.
"A man supposed to be dead arising from his coffin and surprising his wife (?). The coffin is placed on trestles next to a four-poster bed (the deathbed of a rich man?). The lid of the coffin bears an elaborate brass plaque inscribed "Mr Gripe departed this life Ague" (last word indistinct). Arising from out of the coffin, Mr. Gripe disturbs the woman who was reading a large book (presumably a business ledger). On the ground, a soup bowl, a bottle and a glass, suggesting that she had poisoned him."--Wellcome Library online catalogue, no. 533361i
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., First of two plates with the same title, both etched by Rowlandson after Wigstead; see Grego. For the second plate, see British Museum online catalogue, registration no.: 1947,1215.2., "Plate 1"--Lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: stage scenes -- Ghosts -- Literature: scene from John O'Keeffe's The Dead Alive! -- Furniture., and Sheet mutilated in lower right, with loss of digit "1" following "Plate".
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Delighted gentlemen carrying the old bishop's coffin representing the Irish Church; Devil in the funeral procession."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in middle left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "85" in brown ink in top center portion of design., and No. 85.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
An illustrated broadside with text describing in detail the ceremonies and events around the funeral and burial of Queen Caroline from Monday 13th August as her body lay in state at Brandenburgh House, through the early afternoon interment in Brunswick on 25th August. The broadside records the argument between Sir George Naylor and Mr. Bailey who had assigned responsibility for the events by the George IV and the Caroline's executor Dr. Lushington. The official route attempted to negate the threat of violence from a mob by steering it away from the city center. However, a mob blocked the cortege's path forcing it to re-route through the city. Chaos erupted and soldiers opened fire killing two men and other injuries. The internment was precided over by J.W. Wolff who said a prayer in German, a translation of which is included in the text of the broadside
Description:
Caption title. and Text in four columns; illustrated with a portrait of Queen Caroline at top, a large woodcut (11 x 20 cm) of the funeral procession below, and a small woodcut of the coffin in the bottom left corner.
Publisher:
Carrall, printer, near Foss Bridge, York
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
Subject (Topic):
Death and burial, Funeral processions, and Coffins
"Design in an irregular oval border to which four scrolls are attached: ‘To the Work House, To the Mad-House, To the Gaol, The Gibbet'. The shop is ornate and pilastered, lit by a double gas chandelier. The customers, dregs of the town, stand at the counter, within the toothed circle of a huge man-trap on the floor. A drunken man in the remnants of fashionable clothes, takes a glass from the barmaid (right). She is outwardly comely, but her fashionable dress, a smiling mask, and gloves, conceal a skeleton, revealed by a skull which grins from her shoulder, and the bones of a foot and ankle. Beside her is a book: ‘Open Gin Shop The Way to Wealth'. An old hag drinks, another gives gin to an infant in her arms; a little girl drains a glass, and a tiny child clamours at the counter. On the counter stands a small cask on which sits a skeleton: Bacchus with bottle and glass. On the left stands Death (who has set the trap), a skeleton dressed as a London watchman; he holds up an hour-glass in place of lantern; he holds a javelin which points ominously to a trap-door in the boards at his feet. He says: ‘I shall have them all dead drunk presently! They have nearly had their last glass'. On the extreme right behind the barmaid is a doorway framing a ring of little demons dancing round a spirit-still; a skull grins from the transparent retort; below the floor is a dark space: ‘Spirit Vaults'. The casks in the shop are coffins. A huge one is ‘Old Tom' [gin, especially if good and strong]. The others are ‘Deady's Cordial' [Deady was a well-known distiller], ‘Kill Devil' [rum, especially if new], ‘Blue Ruin' [bad gin], ‘Gin & Bitters'. On the wall are two placards: [1] a playbill, ‘Drury Lane Theatre, Road to Ruin [cf. British Museum Satires No. 8073] --Life in London [cf. British Museum Satires No. 14320], Devil to Pay' [cf. British Museum Satires No. 7908]; [2] ‘Wanted a few Members to complete A Burial Society'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse below title: "Now oh dear, how shocking the thought is, They makes the gin from aquafortis; They do it on purpose folks lives to shorten, And tickets it up at two-pence a quartern". New Ballad., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, pages 239-240., Temporary local Medical Library subject terms: Drunkeness -- Children and Childcare, and 1 print : etching, hand-colored ; sheet 27.5 x 36.7 cm.
Publisher:
George Cruikshank
Subject (Topic):
Alcoholism, Death (Personification), Alcoholic beverages, Gin, Intoxication, Children, Demons, Stills (Distilleries), and Coffins
"Design in an irregular oval border to which four scrolls are attached: ‘To the Work House, To the Mad-House, To the Gaol, The Gibbet'. The shop is ornate and pilastered, lit by a double gas chandelier. The customers, dregs of the town, stand at the counter, within the toothed circle of a huge man-trap on the floor. A drunken man in the remnants of fashionable clothes, takes a glass from the barmaid (right). She is outwardly comely, but her fashionable dress, a smiling mask, and gloves, conceal a skeleton, revealed by a skull which grins from her shoulder, and the bones of a foot and ankle. Beside her is a book: ‘Open Gin Shop The Way to Wealth'. An old hag drinks, another gives gin to an infant in her arms; a little girl drains a glass, and a tiny child clamours at the counter. On the counter stands a small cask on which sits a skeleton: Bacchus with bottle and glass. On the left stands Death (who has set the trap), a skeleton dressed as a London watchman; he holds up an hour-glass in place of lantern; he holds a javelin which points ominously to a trap-door in the boards at his feet. He says: ‘I shall have them all dead drunk presently! They have nearly had their last glass'. On the extreme right behind the barmaid is a doorway framing a ring of little demons dancing round a spirit-still; a skull grins from the transparent retort; below the floor is a dark space: ‘Spirit Vaults'. The casks in the shop are coffins. A huge one is ‘Old Tom' [gin, especially if good and strong]. The others are ‘Deady's Cordial' [Deady was a well-known distiller], ‘Kill Devil' [rum, especially if new], ‘Blue Ruin' [bad gin], ‘Gin & Bitters'. On the wall are two placards: [1] a playbill, ‘Drury Lane Theatre, Road to Ruin [cf. British Museum Satires No. 8073] --Life in London [cf. British Museum Satires No. 14320], Devil to Pay' [cf. British Museum Satires No. 7908]; [2] ‘Wanted a few Members to complete A Burial Society'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse below title: "Now oh dear, how shocking the thought is, They makes the gin from aquafortis; They do it on purpose folks lives to shorten, And tickets it up at two-pence a quartern". New Ballad., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, pages 239-240., and Temporary local Medical Library subject terms: Drunkeness -- Children and Childcare
Publisher:
George Cruikshank
Subject (Topic):
Alcoholism, Death (Personification), Alcoholic beverages, Gin, Intoxication, Children, Demons, Stills (Distilleries), and Coffins
"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title etched in upper margin, Date supplied by curator., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Growth and Human Development; Aging.
Publisher:
Printed for the Proprietors Bowles & Carver, No.69, St. Pauls' Church Yard
Subject (Topic):
Life cycle, Human, Career development, Infants, Boys, Men, Older people, Families, and Coffins
"At each side of a table are seated figures with the heads and forms of grotesque monsters or animals. The bull-faced Sir Fletcher Norton (the Speaker) presides; in one hand is a scourge, in the other a staff to which are attached bags of money and a coronet. He says: "He that dares be Virtuous shall be punish'd, but Ye my Friends shall be rewarded". Bute and Grafton are hovering above as imps. The table is emerging from flames and is decorated with 'The Coffin of Liberty'. Two demons act as clerks at the head of the table in front of the Speaker."--British Museum online catalogue and "From the 'Oxford Magazine', vi. 219. As usual in the series the explanatory text is in the form of a letter to the Editor, showing that the design represents "the extraordinary appearance the present ministerial wretches will make in the next world ... I have erred on the favourable side; for it is impossible for many of them to assume any shape or character that is not less horrible than their own." The only two who can be identified are North, on the Speaker's right, as a dog wearing a ribbon and star, and Lord Holland as a fox clasping a number of money-bags. For the unpopularity of the House of Commons cf. also British Museum Satires Nos. 4850, 4889, 4893, 4944, 4970."--British Museum online catalogue, Curator's comments
Alternative Title:
True portraits of the majority of the Parliament of Pandemonium
Description:
Title etched below image., Date inferred from that of the periodical in which the plate was published., Plate from: The Oxford magazine; or, Universal museum ..., v. 6, page 219 (June 1771)., "Engrav'd for the Oxford magazine"--Above image., and Temporary local subject terms: Unpopularity of House of Commons -- Secret influence -- Ministers in pandemonium -- Imps.
Publisher:
publisher not identified
Subject (Name):
Norton, Fletcher, 1716-1789, Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Holland, Henry Fox, Baron, 1705-1774, and North, Frederick, Lord, 1732-1792
Verse begins: "You youthful charming lady's fair,"., In four columns with the title and two woodcuts above the first two; imprint at foot of the last column, below a series of long dashes; the columns are separated by rules composed of long dashes., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 58. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.