Manuscript on parchment of 1) Jacobus Palladinus de Teramo, Belial (also known as Consolatio peccatorum seu Processus Luciferi contra Iesum Christum). 2) Athanasian Creed, added in a different hand
Description:
In Latin., Script: Written in a cramped gothic cursive by a single scribe, above top line; art. 2 added in an awkwardly formed gothic bookhand., Divided initial, 15-line, in red in f. 1r. Plain initials, 10- to 4-line, initial strokes, and paragraph marks (in outer margin) in red throughout., and Binding: Nineteenth century. Dark brown, hard-grained goatskin, blind- and gold-tooled. Gilt edges. On spine: "Liber Bellial" and "Codex Ms. Saec. XV".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Theramo, 1350 or 1351-1417.
Subject (Topic):
Christian literature, Latin, Consolation, and Manuscripts, Medieval
Manuscript on paper of a Paraphrase of the Creed, by Antonio Beccari, known as Credo di Dante, as well as rules for the Confraternita della Morte on how to accompany and comfort the condemned to death; Laudi to comfort those condemned to death, and moral and biblical quotations related to death
Description:
In Italian and Latin., Script: copied by three scribes: A, writing Gothica Semitextualis Libraria, copied ff. 1r-28r, line 5; 30r-79v; B, writing Gothico-Humanistica Semitextualis Libraria/Formata, copied ff. 28r, line 6 -29v and 80r-87r; C, writing Gothico-Humanistica Semitextualis Libraria, copied ff. 88r-91r. Headings in red. Paragraph marks and 2-line plain initials alternately blue and red. In the texts copied by hand B decorated 2-line initials and red stroking of the majuscules. On f. 1r 7-line initial on square gold background with marginal extensions, and in the lower margin three painted wreaths, in the two outer ones the initials A and L, in the larger central one the emblem of the Fraternity of Death: a black skull surmounted by a cross; in the upper right corner a label has been pasted containing a now erased coat of arms. On f. 2r a 4-line gold initial on square blue background., Antonio da Ferrara (Antonio Beccari, 1315- c. 1373), paraphrase in verse of the Creed, dealing also with the sacraments, the Ten Commandments, the mortal sins, the Lord's Prayer and the Hail Mary, known as Credo di Dante, and often attributed to Dante Alighieri. The manuscript also contains rules for the members of the Confraternita della Morte in the Ospedale di Santa Maria della Morte in Bologna, on how to accompany and comfort the condemned to death, as well as Laudi to comfort those condemned to death, moral quotations related to death, and quotations from the Bible and the Church Fathers, in Latin on the verso pages, in Italian translation on the facing rectos., and Binding: 19th century, blind-tooled brown leather over pasteboard. Spine with three raised bands. The parchment flyleaves are palimpsest fragments from a Latin biblical manuscript (Italy, s. XII) written in two columns; a few parts of Daniel 10:16-17 are still legible On the rear pastedown printed label of the "Legatoria L. Muratori, Bologna" (active 1932-1968), probably added at the occasion of a repair.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Beccari, Antonio, 1315-approximately 1371.
Subject (Topic):
Christian literature, Italian, Consolation, and Manuscripts, Medieval
Manuscript on parchment of Boethius, De consolatione philosophiae. With Excerpts from the commentary of Nicolas Trevet (in margins) on Boethius, Book I.1.1 - II.5.34.
Description:
In Latin., Script: Written by two scribes in an ornate and elegant gothic bookhand. 1) ff. 1v-154v; 2) ff. 155r-210v. The marginal commentary is in a neat informal batarde (ink paler than that used for text)., Plain initial, 3-line, in blue at beginning of text; other initials, 2-line, in red throughout text to mark the beginning of poetry and prose sections. Title page (f. 1v): alternating lines of blue and gold., Grease stain in margins at end of codex; bottom of f. 81 trimmed., and Binding: Nineteenth century. Brown sheepskin, blind-tooled. Repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Consolation, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript, on vellum, in a single hand, of Boethius, De consolatione philosophiae
Description:
In Latin., Probably copied in Tuscany., Signed, after the explicit: "Ego iulianus francisci de leuanto notarius scripsi.", Layout: single columns of 30 lines., Script: rounded gothic bookhand., Decoration: 5 illuminated initials on gold grounds; many smaller initials in red or blue penwork., and Binding: contemporary (?) beech boards with brown goatskin spine decorated with blind ropework; metal clasp and latch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Manuscripts, Medieval, Consolation, and Dialogues, Latin
Manuscript on parchment (trimmed in a very irregular manner) of Boethius, De consolatione philosophiae. With Short notes (in Latin and English) on medical recipes, including "Medicyn for the Colyk".
Description:
In Latin., Script: Written by three scribes in informal gothic scripts. 1) ff. 1r-33v, with running titles, in red, on f. 4v and 28r; this is the only section of the text with rubrication. 2) ff. 34r-60v, 112v-169r, in a style of writing verging on Anglicana. 3) ff. 60v-112v, many erasures and corrections by 2. Marginal and interlinear glosses in several contemporary hands, one of which added the notes on ff. 170v-171r., First initial in red penwork, 4-line, with crude portrait of Boethius. Simple red initials to mark sections of text., and Binding: Fifteenth century. Possibly German or Dutch. "Girdle-book." Although early, it is not the original binding. Resewn on three narrow, tawed, double thongs. The endbands do not seem to have laced cores, but a primary sewing may have been sewn to the head and tail of the chemise, underneath the braided secondary endbands. The thongs are laced into grooves in beech boards, the pattern reversed; one horizontal above one V lacing on the upper board and a V above a horizontal on the lower. The thongs are pegged. The outer wrapper of tawed skin, now grey, is sewn to a tawed, pink, inner chemise around the outer edges of the boards. The wrapper extends about 130 mm. to a Turk's head knot at the tail, about 25 mm. at the head, and has an overlap of about 50 mm. on the upper board. The edges of the wrapper are turned in and hemmed. The book hung upside down when attached to the girdle by having the knot slipped under it, but was right side up when picked up (still attached to the girdle) to be read. A strap-and-pin fastening, the pin on the upper board, consists of a thick, brown leather strap nailed to the lower board and tacketed to the cover with a leather thong ending in an anthropomorphic brass clasp, the head of which catches on the pin. A glued repair was made before, a sewn one after 1973.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Consolation, Dialogues, Latin, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on parchment of Boethius, De consolatione philosophiae, translated into French by Renaut de Louhans. As the translator states in the prologue, his work incorporates material from a commentary on Boethius made by another member of the Dominican order (Nicholas Trevet) as well as his own digressions
Description:
In French., Script: Written in batarde by a single scribe., Two intricate penwork initials, 5-line, on ff. 1r and 2r in red and blue; less detailed penwork initials, 3-line, in same colors throughout text; first letter of each verse stroked in red., and Binding: 17th-18th centuries. Brown spattered calf, with peculiarly striped turn-ins. Title, in gold, on spine: BOECE EN VER FRANC.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Trivet, Nicholas, 1258?-1328., and Dominicans
Subject (Topic):
Manuscripts, Consolation, French poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on goatskin parchment of Boethius, De Consolatione Philosophiae; with dictionary of philosophical terms, a text on Venice, and a moral-allegorical text
Description:
Script: Art. 6 a single hand writing largely in Southern Gothica Textualis Libraria/Formata (Rotunda); art. 5 is probably by the main scribe, using a smaller Southern Gothica Textualis Libraria; and the other texts are additional: art. 1 in Southern Gothica Textualis Libraria; artt. 2 and 3 in Italian Gothica Cursiva Currens (Mercantesca); art. 4 in Gothica Cursiva., Decoration: Art. 6 has red headings and red diagonal stroking of majuscules; alternately red and blue 2-line flourished initials; litterae duplices, half inserted. Artt. 1 and 4 have red stroking of the majuscules and a red flourished initial with red penwork. The other texts have no decoration., Binding: 18th-19th century plain parchment over cardboard; and spine has a gold-tooled title label with inscription., and In Latin.
Manuscript on parchment of Boethius, De consolatione philosophiae
Description:
In Latin., Script: Written in round gothic bookhand by one scribe., Historiated initial with partial border contains the portrait of Boethius (f. 14r); four illuminated initials of similar design and colors (dark red, red-orange, green, blue, gold) on ff. 6r, 12v, 22r, 29v (beginning of Books II-V). Small initials and paragraph marks in red throughout., and Binding: Date? Original sewing on two thick, slit leather straps, the endbands sewn on leather cores. Flush beech boards with straps laced through tunnels in the edge to channels slanted up to the outer face. The ends of the straps therefore protrude well above the face. Straps nailed and endband cores laid in V shaped grooves and nailed. The spine and about one quarter of the boards covered by brown calf with a nailed parchment strip at the edge, fragments only remaining. No adhesive on the spine. Channels for straps cut in the upper board. Holes for pins in the lower, but no marks of pin plates. This binding could be contemporary or 19th-20th century. It is interesting to note that the manuscript was bought because of the binding and not because of the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Consolation, Dialogues, Latin, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on paper, in Anglicana and secretary script, with headings in Gothic bookhand, produced in England in the 1540s
Description:
In English., The title given is "A dyalogue of comforte by an hungaryan in latyne and translated owte of latyne in to Frenche and owte of Frenche in to Englishe.", Only two other manuscript texts are known., Watermark: hand with the initials "PB" resembling Bricquet 11383 (Neuberg, 1537), and a pot., and Binding: modern limp vellum with green ties.
Manuscript on parchment of Albertano da Brescia, 1) Liber de doctrina dicendi et tacendi. 2) Liber consolationis et consilii. 3) De amore et dilectione Dei. 4-8) Sermones. 9) De omnibus ordinibus omnium hominum. 10-13) Unidentified moralistic passages. 14) Ps.-Seneca, Proverbia. 15) Seneca, De beneficiis (extracts).
Description:
In Latin., Script: Written by a single scribe in an informal gothic bookhand, below top line., Initials for major text divisions in red with designs on parchment ground, 18- to 4-line, and some (e.g., f. 28r) with modest penwork designs in red and/or black. Small plain initials, 3- to 1-line, rubrics, and paragraph marks, in red., and Binding: Nineteenth century, Italy. Quarter bound in tan paper with semi-limp paper sides. Written, in ink, on spine: "De Scientia/ Loquendi/ Tacendi/ Manos" and "Albertani/ Pergomena". On parchment leaves at front and rear: rust stains from five bosses and 2 fore-edge fastenings of an earlier binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertano, da Brescia, 13th cent.
Subject (Topic):
Consolation, Devotional literature, Latin (Medieval and modern), Didactic literature, Latin, Manuscripts, Medieval, Sermons, Sermons, Latin, and Theology
