Two young women, attired in low-cut, fine dresses, their veils pulled back over their hair exposing their pretty, young faces, sit in a semi-embrace on a blue loveseat in a garden, one looking lovingly into the eyes of the other with her hand posed to encircle her companion. The other, wearing red shoes, with a rosary at her waist, looks down toward the low neckline of the first. Standing next to them is a rotund Catholic monk in brown robes. He points to the two women while with a mischievous smile he looks to the viewer. Below him is the caption: "The Scene delightful, Beauty here, what then! Ah, Benedicite! Men are but Men." The women speak: "We live recluse and are believed religious, We but dissemble for our Lusts prodigious."
Description:
Title engraved below image., Reissue, with altered publication line. For an earlier state with the imprint "London, Printed for R. Sayer and J. Bennett, map and printsellers, No. 53 Fleet Street, as the act directs, 5 April 1782," see British Museum online catalogue, registration no.: 2010,7081.3219., Sheet trimmed to / within plate mark., Plate numbered "197" in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, chart, map and printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Benches, Convents, Gardens, Garden walls, Monks, and Nuns
Manuscript on parchment containing Ceremonials for a nuns' convent and related texts. Contents: 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 February, f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation
Description:
In Latin and Dutch., Script: the main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text., Decoration: Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r, 18r, 40r, 46v, and 86r., and Binding: circa 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps. The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443.
Subject (Geographic):
Connecticut, New Haven., and Flanders (Belgium)
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Convents, Manuscripts, Medieval, Monastic and religious life of women, Nuns, Processionals (Liturgical books), and Religious life and customs
Manuscript inventory, on parchment, in a secretary hand, of ceremonial plate and jewels collected from religious houses in Hampshire, Wiltshire, Glocestershire, Wiltshire, and Hertfordshire by several of the King's Commissioners for the suppression of the monasteries and turned over to the Master of the King's Jewels. The commissioners named include Robert Southwell, Edward Carne, John Ap Rice, and William Barnes. The sources of the plate were some of the larger houses targeted in the 1539 Act for the Dissolution of the Greater Monasteries and include St. Swithun's Winchester, Amesbury, Malmesbury, Cirencester, Hailes, Pershore, and Tewksbury. The plate listed comprises chalices; crosses; monstrances; cups; a pyx; gold mitres, and "thirteen other Myters garnisshd with perles." and Composed of one sheet of parchment; head indented
Description:
In English., Signed, "by me John Williams" (Master of the King's Jewels)., Binding: modern quarter morocco case., and Bookplate: Mark Lansburgh Collection.
Subject (Geographic):
England. and Great Britain.
Subject (Name):
Henry VIII, King of England, 1491-1547.
Subject (Topic):
Church plate, Convents, Church and state, Monasteries, Monasticism and religious orders, and Secularization
Title engraved below image., Sheet trimmed within plate mark., Illustration to Cumberland's History of Nicholas Pedrosa, from the Attic miscellany, v. ii, opp. p. 153., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from item caption (given in Latin and German)., Date derived from printmaker's date of death., In lower margin center: Cum Priv. Sac. Coes. Maj., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Germany.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, City & town life, Churches, and Convents
A design for St. Hubert's Priory, a perspective with part plan showing piers of the tower. The steeple has been drawn on a separate piece of paper and mounted to the sheet with the main building, cut to line up with the roof line
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Date from J. Harris., With a note in Horace Walpole's hand in ink below title: N.B. This was built, but pulled down after her death., With a watermark (partial) in center of sheet., and Formerly mounted on leaf 51 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
