An obese man and a tall lean woman, symbolical figures of 'dropsy' and 'consumption', flirting outside a mausoleum; another couple promenade before a statue of Hercules in the background and "A grotesquely obese man (his hat placed under his plump knees) kneels at the feet of an ugly and bedizened woman, fantastically lean and tall. She holds up a fan, and looks down alluringly at her lover to whom she gives her left hand. They are in the circular portico of a 'Mausoleum' (right). In the background is an avenue and a statue of Hercules, towards which a fat woman and a lean parson of the Dr. Syntax type are walking arm-in-arm. The muscular Hercules is contrasted with the four other types of physique represented."--British Museum online catalogue
Description:
Title etched below image., "Price one shilling coloured.", and Temporary local Medical Library subject terms: Dropsy -- Consumption.
Publisher:
Pubd. October 25th, 1810, by Thos. Tegg, No 111 Cheapside
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Reissue, with new imprint statement, of a print first published as the heading to a broadside entitled "Recipe for corns". For an earlier state published 4 December 1822 by G. Humphrey, see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
A haggard old woman carelessly mixing a recipe for corns on the fire in her sordid bedroom. As well as being cluttered with potions, the room contains an assortment of squabbling pets; on the wall hangs a painting depicting the attempted seduction of Susanna by the elders. The lettering below image, a recipe in verse, begins: "Take tacamahacca, an ounce & a half, a pound of good suet, from the skin of a calf, 3 barbicued apples, a ha'p'orth of pears, 3 dragon flies pounded, the ear wax of bears, a small peice of cheese, a little gum copal, some putrified salt with some essence of opal ..."
Description:
Title etched below image, as the heading to the recipe in verse., Print signed using Frederick Marryat's device: an anchor titled diagonally., For a later state lacking the recipe below image and with the new title "Mixing a recipe for corns", see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., "January 12th, 1467. Copied from the Black Letter"--Beneath recipe in verse., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Panaceas, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
A man cavorting with a young woman, while his recently deceased wife lies in a coffin in the background. Lying next to a treasure chest is an open book which reads: "A smokey house and a scolding wife are the plague of mans life. Oh what pleasure well about when my wife is laid in ground".
Alternative Title:
Cure for the heart ache
Description:
Title etched below image., Four lines of quoted text below title: "Were I not resolv'd against the yoke of hapless marriage, never to be curs'd with second love, so fatal was the first, to this one error I might yield again. Dryden., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Design'd and pubd. by T. Rowlandson, No. 1 James St., Adelphi
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Marriage, Death, Coffins, Courtship, Sexual attraction, Drinking of alcoholic beverages, and Costume
An apothecary praying for a host of illnesses to descend on his customers so that he can make more money and "A lean and sour-looking apothecary kneels in profile to the left at a stuffed high-backed elbow-chair, his tricorne hat and gold-headed cane beside him. Behind him (right) are a huge pestle and mortar standing on a block. He prays to 'mighty Esculapius!' to send 'a few smart. Fevers and some obstinate Catarrhs', calls down curses on the 'new-invented waterproof (the earliest instance of the word in the 'O.E.D.' is an advertisement of Jan. 1799), asks for compassion to his book of bad debts, and pins his hopes on the squire's lady having an heir which he may 'bring handsomely into the world ...'."--British Museum online catalogue
Description:
Title printed in letterpress below image., Nineteen lines of letterpress text below title: O mighty Esculapius! hear a poor little man overwhelm'd with misfortunes ..., and One of a series of broadsides. For information on the series, see page 51 in v. 8. of the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. 30 July 1801 by R. Ackermann, No. 101 Strand and Spragg, printer, 27, Bow-Street, Covent-Garden
"A large central design is flanked by four small designs arranged as if to represent the decorations of folding doors open to display a puppet-show (but explained as 'tablets ... in the manner of a child's writing piece', as in a plate published in 1803 by the Royal Jennerian Society, called 'A comparative View of the Effects on Individuals and Society between the Small-pox and Cow-pox'). There is a quasi-heraldic head-piece to the whole, with a scroll: 'Dedicated to the Associated Jennerain Cow Poxers of Gloster'. The main design is a funeral procession (right to left), the coffin inscribed 'Vaccina aged 12 Years'. Two bearers are seen under the pall; one points to two men heading the procession holding up placards; he says: "Par ignobile fratrum." The men are plainly dressed and Quaker-like, the placards are: 'National Vaccine Institution for Genuine Cow Pox by Act of Parliment! L- Undertaker' and 'Surry Dispensary Institution for Genuine Cow Pox . . . [ut supra] W [? John Walker] Undertaker'. In front of the procession marches a parson (Rowland Hill) with an open book and holding a torch from which rises smoke forming a dark background to the design. Beside him is a milestone inscribed 'IIII Miles from the Sur[rey] Round House'. The two pall-bearers (the others being hidden by the coffin) are elderly and ugly, the legs of one being shrunken, of the other gouty. They hold torches inscribed 'Harveian Oration'. On the coffin stands a golden calf, garlanded with roses, and inscribed 'The Brazen Image'. Immediately behind the coffin walks a little naked boy carrying a milk-pail on his head. Behind him walks an old man wearing a long official gown; he weeps and carries on a staff a conical fool's cap decorated with bells and inscribed 'L Ps [Pepys] Præsus'. He is followed by a fat parson and a woman registering violent grief. The procession of mourners, old men and women, emerges from a building which is collapsing (right). This is hexagonal with a dome, lantern, and spire, having a flag inscribed 'Broad hum for ever'. The building tilts, and the spire breaks off, under the impact of rays from a face centrally placed in the upper part of the design, just above the 'Brazen Image'. The rays dispel the heavy clouds which surround the procession and are inscribed (left to right): 'Common Sense', 'Candid Investigation', 'Reason', 'Religion', 'Truth'. The upper part of the design is framed by a festooned stage-curtain inscribed 'His Conscience that makes Cow-herds of us all'. From this falls downwards and to the right a little cow with the (horned) head of Jenner, much distressed. The four smaller designs are realistic scenes. [1] A doctor sits with hands on knees addressing a young woman who stands holding an angry baby. He says: "I will not recommenendd your Milk Lass--unless you have the Child Cow pox'd." On the wall is a picture of a cow dancing on its hind-legs while a man fiddles. [2] A handsome young blacksmith standing beside his anvil puts his arm on the shoulder of a sick and spotty friend, asking, "What's the Matter Dick." The other, supporting his head on his hand, answers: "I have caught the Small pox tho I was Cowed with the genuine Parliment sort." [3] A milkmaid, her pail on her head, shows her little boy to an elderly doctor (Jenner). The child displays his speckled arm, his face also is covered with a dark rash. She says: "The Docter says it is the Small Pox." He answers: "Poh! 'tis-- impossible I Vaccinated him My self at Cheltenham." [4] A doctor (Moore) and a parson (Rowland Hill) sit facing each other in controversy. An angry old woman stands between them, saying to Moore: "You have brought the College into sad disgrace Squire." He says: "I dare not make any Moore Reports." Hill answers: "I'll have it preached & practised in all My Methodest Chappels not withstanding." Above the design and below the dedication is a central sarcophagus supported on cloven hoofs, and inscribed: 'To the Memory Of Vaccina who died April the First!' On this a cow lies on her back. A burlesque figure of Time chops off the cow's head with his scythe; he wears breeches, shoes, and stockings, and on his head is a winged hour-glass. Opposite, and, like Time, in the position of a supporter to a coat-of-arms, a donkey prances on one hind-leg, its forefeet on the tomb. This centre-piece is flanked by cornucopias, one (left) scattering papers on to a bed of roses, the other (right) on to a pile of skulls and bones. The papers are (left): 'Illustrations of the Proofs of Young Jenners Inoculation by Dr Barron'; 'Grovennor Case'; 'List of Fai[lures]'; 'Sermons on Cow Pox by Rowland & Others'; 'Blair's Whores of Baby Ion'; 'Harveian Orations'; 'College Reports'; 'Supposing Reports'; 'Rings Botherations'; 'Roseum oratio'; 'Ringwood Report'. On the right: 'Squinting Eyes &cc'; 'Glandle swelli[ngs]'; 'Scabed Heads'; 'Jennerain Scrophula'; 'Blindness'; 'Vaccine Eruptions'; 'Inflamed Arms'; 'Cow Itch'; 'Lingering Death'; 'Cowpox Mange'; 'Tumid Glands'; 'In Cælo Quies'."--British Museum online catalogue
Description:
Title etched below image., Month and day of publication from British Museum catalogue., Plate to the 'Scourge', iv, before page 87., Illustration to 'Vaccine quackery', pages 87-9., and Temporary local Medical Library subject terms: Vaccination controversy -- Broadhum*.
Publisher:
Pub. by M. Jones, 5 Newgate St., Scourge
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Royal College of Physicians of London., Jenner, Edward, 1749-1823., Walker, John, 1759-1830., Hill, Rowland, 1744-1833., Pepys, Lucas, Sir, 1742-1830., Moore, James, active 1812., Baron, John, 1786-1851., and Blair, William, 1766-1822.
Subject (Topic):
Golden calf (Bible), Smallpox vaccine, and Costume
A medicine vendor kneeling and praying. Doctor Rock (Richard Rock 1690-1777) was an itinerant medicine vendor who frequented the London areas of St. Pauls and Covent Garden. He was famous for his "anti-venereal, grand, specifick pill". He was satirised in several caricatures: W. Hogarth represented him in A harlot's progress pl. V; The march to Finchley; and The four times of the day, morning and "A fashionably-dressed man kneels in profile to the left at a large chest of 'Patent Medecines', on which is a duck with the inscription 'Quack. Quack. Quack' [cf. British Museum Satires No. 5766]. A hanging candelabra and a festooned curtain indicate wealth. He prays to the shade of Dr. Rock, describes the composition of his famous Vegetable Drops, and asks for the continuance of 'my Carriages and Equipage, my Town and Country Residence, and all other good things of this life ...'."--British Museum online catalogue
Description:
Title printed in letterpress below image., Publisher from imprints present on other plates in the series. For information on the series, see page 51 in v. 8. of the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Date of publication from Grego., and Twenty-one lines of letterpress text below title: Illustrious shade of the renowned Dr. Rock, still continue, I beseech thee ...
Publisher:
R. Ackermann and Printed by E. Spragg, No. 27, Bow-Street, Covent-Garden
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Rock, Richard, 1690-1777 and Doctor Botherum.
Subject (Topic):
Quacks and quackery, Selling, Drugs, Medicine, Chests, Ducks, Costume, Candelabra, Draperies, Prayer, Quacks, and Patent medicines