Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Caricaturna 72., Originally published in Le Charivari, 14 January 1838., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert gal. véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Robert Macaire (Fictitious character)., Deals, Colic, Negotiation in business, Actors, Pain, Costumes, Theatrical producers & directors, and Mirrors
"Three men on the deck of a small sailing-vessel. Boswell, his knees flexed, stands in profile to the left holding the end of a rope and looking at Col, in Highland dress, who holds up his finger admonishingly. His Scots cap flies from his head, his coat-tails blow in the wind, his ink-pot dangles from his neck, his 'Journal' is under his left arm. A sailor (right) stands in back view leaning against the side of the vessel."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "As I saw them all busy doing something, I asked Col. with much earnestness what I could do. He with a happy readiness put into my hand a rope which was fixed to the top of one of the masts ..." Vide Journal p. 349., Sheet trimmed within plate mark., Temporary local subject terms: Ink pot., and In mss. in lower left corner: E-159.
Publisher:
Publish'd May 15th, 1786, by E Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Subject (Topic):
Inkstands, Dancing, Scottish, Costumes, Sailing ships, and Sailors
"A cobbler flourishes a strap, while a little woman in Turkish trousers and jewelled turban runs away behind him. On the left is his shed and a bench with tools. Behind is a large quasi-oriental building, with minaret and dome. The verses relate how the cobbler thrashed his very small wife who ran away between his legs 'for ever'. They end:'"Twou'd break my heart, to lose my awl, To lose my wife's a trifle.'"--British Museum online catalogue
Alternative Title:
Cobbler's wife
Description:
Title engraved below image., Plate numbered '447' in the lower left corner., From the Laurie & Whittle series of Drolls., and Twenty four lines of text between three numbered song verses above imprint: Last week I took a wife; and when I first did woo her...
Publisher:
Publish'd Novr. 12, 1806 by Laurie & Whittle, 53 Fleet Street, London
"Boswell and two men in Highland dress dance a Highland fling on the summit of a low mountain, with the sea and a low spur of land on the horizon. Boswell, full-face, capers; his wig and pendant ink-pot with the pen in it, stream in the wind. He flourishes his 'Journal'; his left hand is in that of one of his companions (right); the other (left) dances a 'pas seul' looking at Boswell; both hold long sticks. A piper on the extreme left, standing just below the summit of the hill, plays the pipes."--British Museum online catalogue
Alternative Title:
Dance on Duncan
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "Old Mr. Malcolm McCleod who had obligingly promised to accompany me was at my bed-side between five & six, I sprang up immediately ..." Vide Journal p. 192., Sheet trimmed within plate mark., and In mss. lower left corner: E-157.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Geographic):
Scotland. and Scottish.
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
published as the act directs 1780.
Call Number:
780.00.00.94+
Image Count:
1
Alternative Title:
Fair nun unmasked
Description:
Title engraved below image., Printmaker identified by Chaloner Smith from Sayer edition in the same year., Sheet trimmed within plate mark., and Reversed copy of the print originally published by Carington Bowles in 1769.
Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait, whole length, of a man in profile walking to the right, grotesquely dressed, probably for a masquerade. In his right hand he holds a rod to each end of which is slung a fox's tail. A large fox's tail hangs from the back of his neck. A bell hangs outwards from the back of his waist. A ribbon flutters from his right arm. He wears a small cap with a tuft of feathers at the top. Rows of feathers (quills) or ribbons hang from his cap, his waist, and from the tops of his stockings which leave his knees bare."--British Museum online catalogue and "At the masquerades (c. 1772) groups of young men from the universities, some dressed as "Tom fools with cap and bells", were conspicuous. ... Evidently intended for C. J. Fox, a leader of fashion and already a favourite subject of caricature."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text above image: Tom Fool the First., Plate numbered "v. 3" in upper left corner and "8" in upper right corner., Temporary local subject terms: Macaronies -- Male costume., and Second of three plates on leaf 74.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Dandies, British, Costumes, Masquerades, and Feathers
Verse begins: "Come all ye young men and maids,"., In four columns, with the title and woodcut above the first two; the imprint at foot of the last column below a single rule; the columns are not separated by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 18. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., Mounted on page 17 of: George Humphrey shop album., 1 print : etching on laid paper, hand-colored ; sheet 25.6 x 33.7 cm., and Sheet trimmed within plate mark.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina
Title from item., Suggested attribution to Kingsbury in British Museum catalogue., A second 's' has been inserted with a caret in 'Disipation' and Miss West's profile has been modified: the nose is straight instesd of Roman and her neck is less thick., Temporary local subject terms: Signposts: To Plymouth and To Dissipation -- Coronets: Baron's -- Lady Sarah Archer (West), 1741-1801 -- Harriet Archer (Clive), fl. 1788 -- Anne Archer (Musgrave), fl. 1788 -- Sarah Archer (Amherst), Countess, 1762-1838 -- Phaeton., and Mounted to 31 x 47 cm.
Publisher:
Pub. March 30 1788 by S.W. Fores, No. 3 Piccadilly