A pregnant young woman standing to the right, swearing on a book before a magistrate who sits at a bench to left with a book in front of him, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to left, a little girl sits teaching a dog to walk on its hind legs
Description:
Title engraved below image., Text following title: Vide Picart's Religious ceremonies, Vol. VI, p. 81., Sheet trimmed within plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See reference to related print published by Joseph Sympson: Paulson, R. Hogarth's graphic works (3rd ed.), p. 107., and On page 11 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Children, Couples, Courtrooms, Dogs, and Pregnant women
Leaf 26. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a luxuriously furnished room, across one corner of which is a large folding screen. Behind the screen (left) a man stands on a chair looking over it, while a footman in livery crouches beside him looking round it at a pair of lovers: a fashionably dressed young military officer sprawls on a sofa, with his arms round the waist of a pretty young woman. On the ground beside them a mandoline lies across a music-book. On a small ornate table are fruit and a bottle. The fire-place, chimney-piece, candelabra, and a landscape in an ornate frame indicate a handsomely furnished room. The man looking over the screen is elderly and dressed in an old-fashioned manner with tie-wig, flapped waistcoat, and sleeves with wide cuffs."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, before S.W. Fores added as a publisher at end of imprint, see no. 8178 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 306., and On leaf 26 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by T. Rowlandson, Strand, Feby. 1792, & S.W. Fores, No. 3 Piccadilly [i.e. Field & Tuer]
Subject (Topic):
Interiors, Screens, Servants, Couples, Military officers, Fireplaces, Sconces, Mandolins, Clocks & watches, and Adultery
Title, publisher, and date from item. and In lower margin: OWI Poster No. 59. Additional copies may be obtained upon request from the Division of Public Inquiries, Office of War Information, Washington, D.C. ; U.S. Government Printing Office: 1943-O-520467.
Publisher:
Office of War Information, Washington, D. C. and U.S. Government Printing Office
Subject (Geographic):
United States.
Subject (Name):
United States. Crop Corps.
Subject (Topic):
World War, 1939-1945, War work, Food supply, Farmers, Vegetables, Pitchforks, and Couples
An awkward couple, caricatured and drawn full-length, are shown dancing. An older woman whose decorative plumage extends beyond the man's head, has a crooked nose and lanky features. The man, somewhat younger, has a protruding chin
Description:
Title from caption in brown ink, below image., Questionable attribution to William Heath., Mounted on the verso of an estate map., and William Heath, English caricaturist and illustrator, 1795-1840.
Title from item., Date and artist from Redback Graphix website, viewed 5/20/2023: https://redbackgraphix.com.au/Product/Details/af3100d9-11ad-4809-ba27-9ee04bd3274f?pageno=1, Place of publication derived from publisher's information., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Commonwealth Department of Community Services and Health, Aboriginal Health Workers of Australia (Queensland)
Subject (Topic):
AIDS (Disease)., Safe sex in AIDS prevention, Condom use, Bars, Couples, Sick persons, Hospital wards, and Tombs & sepulchral monuments
SH Contents W218 no. 1 Framed, shelved in LFS Bin 50
Image Count:
1
Abstract:
Horace Walpole's watercolor of an amorous young couple. Formerly hung in the Red Bedchamber in Strawberry Hill
Description:
Dated and signed with Walpole's initials "H.W. 1737" in lower left of image., After Watteau., Verso frame, label: The Moyer Gallery, Paul W. Cooley., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A pleasing drawing, in body colour, from a subject of Watteau's, 1737, by Horace Walpole.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Watteau, Antoine, 1684-1721
Title devised by cataloger., Series title from caption below image; plate number in upper right., Plate from: Graphic illustrations of Hogarth from pictures and drawings in the possession of Samuel Ireland author of this work, v. 2, opposite page 125., and Prints trimmed within plate mark with loss of imprint. Imprint from impressions as issued in bound volume: Lewis Walpole Library 75 H67 S794.
A garden scene with two lovers in intimate conversation, with the father near-by. Other guests mingle in the distance in an allee. Musicians play fiddles, lower right
Description:
Title devised by cataloger., Series title from caption below image; plate number in upper right., Plate from: Graphic illustrations of Hogarth from pictures and drawings in the possession of Samuel Irland author of this work, v. 2, opposite page 127., and Prints trimmed within plate mark with loss of imprint. Imprint from impressions as issued in bound volume: Lewis Walpole Library 75 H67 S794.
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants