Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[1786]
Call Number:
Bunbury 786.03.03.01.1+
Image Count:
1
Resource Type:
still image
Abstract:
"A group in a garden room listening to a girl read, seated in the centre with the book in her lap, two woman sitting on either side of her, one patting a dog at right, the other with solemn expression, which has been noticed by a man standing against the wall at right, gesturing towards her, another standing directly behind her looks on with concern, a child sitting on the floor beside a large sleeping dog, his eyes raised up; after a drawing by Henry William Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title, printmaker, artist, and publication information from lettered state., Proof before letters. For a later state published 3 March 1786, see British Museum online catalogue, registration no.: 1940,1109.105., and Sheet trimmed within plate mark.
Publisher:
James Bretherton
Subject (Topic):
Children, Clothing & dress, Courtship, Dogs, and Reading
An apothecary kneels at the feet of a pretty young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread a clyster-pipe, shears, pestle and mortar, a bottle, and a canister of "Love Pow[der?]". Behind them is a piano; in the background on the right is a slightly open door, around which an amused woman and man view the scene
Description:
Title devised by curator., Signed and dated by the artist in lower left., "VWN" within oval in lower right corner, probably a collector's stamp or mark, For a print after Rowlandson of similar design, see no. 11114 in the Catalogue of prints and drawings in the British Museum, v. 8., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Apothecaries.
Subject (Topic):
Pharmacists, Courtship, Medical equipment & supplies, Mortars & pestles, Pianos, and Doors & doorways
The fifth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fifth drawing, Edward sits in a parlor holding the hand of a young lady as she looks down demurely. Behind the couple, an older woman sits on a sofa sewing, her basket at the table before her. In addition to the fashionable sofa and chairs, the room is decorated with an ornate mirror with swags on the wall behind. On the wall to the left is a marble mantel with a Buddha and other decorative china
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '5' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Blacks, Allegorical drawings, Buddhas, Courtship, Mirrors, Parables, Parlors, and Sewing
The frontispiece to an enlarged version of Henry Fielding's The tragedy of tragedies ... London : Printed and sold by J. Roberts, 1731. Hogarth chose Act II, scene viii, a burlesque of the meeting of Octavia nd Cleopatra in Drydens' All for love. The Princess Huncamunca and the Amazon Glumdalca, rivals for the love of Thumb. Hogarth show Huncamunca with large breasts and heavy arms, thick neck, and cherubic countenance
Description:
Title and date from Paulson., Sheet trimmed to plate mark., Note in Steevens's hand above: Tom thumb / 171., and On page 52 in volume 1.
Title from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Plate from: Human passions delineated in above 120 figures ... By Timo. Bobbin. [Manchester] : John Heywood, 1773., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
An elderly woman in spectacles sleeps in a chair, a jug and glass on a table beside her. Under the table, sits a cat; a book lies open on the floor at her feet. A pair of scissors hangs from a chain on her lap. Behind the high backed chair, a man embraces a young woman who has her finger to her lips to quiet the spectator
Description:
Title provided in manuscript; artist name lacking. and Plate from: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788.
A flirtatious young couple under a pear tree: The male suitor is half-climbing the tree with one hand supporting himself on a branch and the other dropping freshly picked pears into the upraised apron of his companion. The couple stare lovingly into each others eyes and a the man's walking stick and hat rest on the ground off to the side
Description:
Title devised by cataloger. and Artist and date from unverified data from local card catalog record.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
