"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see British Museum Satires Nos. 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see British Museum Satires No. 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see British Museum Satires No. 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Sheet trimmed within plate mark., and Plate from: The Whimsical repository. London : Printed for R. Snagg ..., v. 1, no. 1 (August 1794).
Publisher:
Engrav'd for the Whimsical Repository, Septr. 1st, 1774, publsh'd according to act of Parliament
"The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer's wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, "Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day." The King adds, "A very bad market girl, indeed, a very bad market girl - Limy shall go next" (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, 'Cartwheel's score', 'The Widow Waggonrut', and 'Mrs Towser'. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: "I made war with Kate, a buxom Northern Lass: But such my cruel fate - " Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, "She bid you kiss her A------! Damn the Whip I'll never learn the right smack of a Carter.""--British Museum online catalogue
Alternative Title:
Summer amusement at Farmer George's near Windsor
Description:
Title etched below image., Attributed to Richard Newton by Alexander., Publisher's advertisement above image: In Holland's Exhibition Rooms may be seen the largest collection in Europe of caricatures. Admittance, one shilling., Sheet trimmed within plate mark., and Watermark in center of sheet: CR.
Publisher:
Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Catherine II, Empress of Russia, 1729-1796.
"Political satire; a farmer rides to market on a cow from an inn named 'Joe Jolly', with a goose and a cockerel in a basket attached to his saddle, and a notice reading 'Tax on Horses' under the cow's hoof; a small group cheer him from the lintel and window of the inn."--British Museum online catalogue
Alternative Title:
Pitt outwitted
Description:
Title etched below image., Below plate line, letter press explanatory text: A farmer in Cheshire, who kept a good team of horses, but had not entered one as a hackney or saddle horse, having occasion to go to Stockport market on Friday, actually saddled a cow, and rode her in triumph to and from the market, attended by a numerous concourse of spectators, who heartily enjoyed the joke - See Morning Herald of Friday Dec. 3, 1784., For a later state by a different publisher, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Three lines of text below the image., and Watermark in center of sheet: Taylor.
Publisher:
Publish'd as the act directs, Decr. 11th, 1784, for M. Smith, No. 46 Fleet Street
Men, horses, and (mongrel) dogs in wild but spirited confusion in a forest glade pursue a cow (left); the stag is in the background running in the opposite direction, followed by one man on foot. One horse and rider struggle in a ditch while a second horse, which has kicked off its rider, leaps on top of them. A bald John Gilpin clasps his mount round the neck. In the foreground four men over-weight a two-wheeled cart drawn by a wretched but galloping jade. See British Museum catalogue
Alternative Title:
Cockney comicalities in full chace and Cockney comicalities in full chase
Description:
Title from caption below image. and Sheet trimmed within plate mark.
A harnessed lion on the left struggles to pull away from "The Pit of ruin" into which he is being pulled backwards by four other animals whose harnesses are attached to a large hook at the end of his. They represent Spain (spaniel), France (cockerel), United States (rattle snake) and Holland (pug). The lion is hindered by four disoriented donkeys representing the new ministry who yank back on his rope bridle. A two-headed eagle (possibly Russia) hovers above the pit protesting its neutrality
Alternative Title:
Ass-headed and cow-hearted ministry making the British Lion
Description:
Title from caption etched below image., Sheet trimmed within plate mark., A rebus with the words in the title -- ass, cow, and lion -- represented by images., and Mounted to 26 x 43 cm.
Publisher:
Pubd. by J. Barrow, May 8, 1783 White Lion Bull Stairs Surry Side Block Friars Bridge
Subject (Geographic):
Great Britain and England
Subject (Topic):
Politics and government, Foreign relations, Harnesses, Donkeys, Dogs, Roosters, Snakes, Lions, Eagles, Cows, and Clothing & dress
A landscape divided by a stream. On the left, a desolate wasteland with a man cutting down the remaining apple tree while several other men attack a cow with knives or drink its blood. The cow bears on its rump a large stamp, alluding to the Stamp Act of 1765. To the right a cow garlanded by flowers and standing on a yoke is milked by a woman while the milk is drunk from bowls by women and children. Other children dance in the background and a boy picks apples in a tree. Contrasts England's harsh rule of her American colonies with benign and more profitable policies, possibly those of Holland
Description:
Title from item., Sheet cropped into plate mark with some loss of text., Date from British Museum catalogue., Text in plate below image: "Let us not cut down the tree to get at the fruit. Let us stroke and not stab the cow, for her milk and not her blood can give us real nourishment and strength.", and Mounted on paper 30 x 48 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and America.
Subject (Topic):
Colonies, Children, Eating & drinking, Dancers, Milking, Cows, and Apple trees
"A bird with human face squats on the back of a cow crowing at another fallen bird."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., From the series of Laurie & Whittle Drolls., Plate numbered '344' in the upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 26 x 32 cm., and Three columns of contemporary ms. on mount. Presumably a copy of the verse that normally accompanies a Laurie & Whittle Droll.
Publisher:
Publish'd April 24, 1804, by Laurie & Whittle, 53 Fleet Street, London
In a country setting with cows and a windmill in the background, a young milkmaid sits on a bench under an oak tree, receiving a ribbon from a young sailor seated beside her. Another young girl looks on from behind, while the milkmaid's country suitor stands behind sulkily scratching his head. A dog paws at the milkmaid's lap while another drinks from the milking pail
Alternative Title:
Jealous clown
Description:
Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in lower left of plate 385., Publication date erased from print., and Torn and repaired.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Clothing & dress, Sailors, Hats, Couples, Windmills, Dairy farming, Cows, and Dogs
A widow with her gouty foot elevated, sits on a stool in front of her cottage, as her daughter wipes away a tear in the doorway. A tax collector with a book under his arm examines the widow's possessions, which are strewn about the ground in front of the house. Included are a bellows, chair, candlesticks, and cauldron. The cow's head is visible on the left. In the foreground a young squire in riding dress is in the act of offering the old woman a purse, as he eyes her pretty daughter
Alternative Title:
Widow Costard's cow and goods distrained for taxes
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street ...
Subject (Geographic):
England
Subject (Topic):
Gout, Widows, Cows, Farmhouses, Tax payers, Country life, and Clothing & dress
