Title etched below image., Temporary local subject terms: Literature: Mrs. Jordan as Priscilla in Lloyd's The Romp -- Literature: allusion to Mrs. Jordan as Pickle in Bickerstaffe's The Spoil'd Child -- Morganatic marriages., and Watermark: I Taylor.
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Fitzherbert, Maria Anne, 1756-1837
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
"A young lady at confession; on the right, a monk leans on his elbow, right hand resting on a Bible, lecherously looking sideways at a young girl beside him, who stands holding a rosary, looking down sorrowfully with tears running down her cheek, she wears a veil on her head. On the ledge are various symbols of mortality, and a paper, lettered "...From fornication and all other deadly Sins Libera nos Domine! 'Tis better to Marry than burn...", to the far left stands an altar; after Millar; scratched-letter state."--British Museum online catalogue, description of a later state
Description:
Title from the Catalogue of the Society of Artists, 1771, no. 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chapel of a Catholic church -- Religious rites -- Rosaries -- Allusion to sins., and Watermark.
Title supplied by curator., Plate 49 from: Joseph von Baumeister, Die Welt in Bildern, Vienna: Johann Baptist Wallishausser, 1794., Above image: No. 49., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Clergy., and Insert accompanying text.
Publisher:
Verlag ben Johann Baptist Wallishausser, F. F. priv. Buchhändler
Subject (Topic):
Death, Sick persons, Priests, Grief, Skulls, and Crucifixes
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic standing on the right in an oratory, leaning slightly backwards with a shocked expression on his face. Across the room from him on the left stands a skeleton wrapped in a hermit's cowl, its fleshless face visible within the hood and its bony legs and feet sticking out from under the cloak. Behind the skeleton is an altar on which two tall candlesticks and an open book sit; beyond the altar is a crucifix within an arched alcove. Behind Frederic on the right are columns with armorial shields mounted above; an arched window, a bench, and a painting on the wall complete the background
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Chapels, Interiors, Altars, Crucifixes, and Skeletons
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Title in pen, lower margin., Date from item., Place of publication derived from printmaker's place of residence., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Saints, Skulls, Lions, Crucifixes, and Writing materials
Under an arch, St. Anthony in profile looking left, in prayer with a rosary between his hands and a small crucifix on the table before him. In the left distance a niche with a bowl
Description:
Title devised by curator., Date based on creation date of Walpole's album in which this was mounted., and Lewis Walpole Library: Formerly mounted on leaf 1 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Publisher:
publisher not identified
Subject (Name):
Anthony, of Egypt, Saint, approximately 250-355 or 356.
A Flemish or Dutch drawing of a female saint in a Poor Clare habit and with a crown of thorns (probably Catherine of Siena) kneeling before a crucifix, arms crossed over her chest, as she resists the temptation of riches, power, and pleasure. Riches are represented by three well-dressed men on the left offering her treasure, including an open chest filled with coins and valuables. Power is represented by a crown suspended in the cloud above, while pleasure represented on the right by two female musicians, one playing a flute and another a lute, while a third woman offers a bouquet of flowers. Above and behind the figures on the left is the ruin of a building. In the clouds on the right above the musicians, the triumph of faith over temptation is represented as the grim reaper with a scythe cutting down three kings whose crowns topple from their heads
Alternative Title:
Female saint worshipping a crucifix
Description:
Title devised by cataloger., Date of the drawing is questionable. Possibly a much later drawing, 17th-century?, On verso, in unknown (possibly W.S. Lewis's) hand: "A Flemish drawing of a female saint worshipping a crucifix.", On verso: "Probably not Horace Walpole's. W.S. Lewis 7 Feb. '73.", On verso: "'Late 15th or early 16th century. Probably Dutch. Anne-Marie Logan, BAC, Sept. 30, 1996.", Lower right corner of image, ownership stamp initial 'D' encircled., Numbered on mount in upper right corner in ink '83' and in a different hand in pencil '63'., Formerly shelved as part of the SH Drawings collection., and For further information, consult library staff.
Subject (Name):
Catherine, of Siena, Saint, 1347-1380
Subject (Topic):
In art, Grim Reaper (Symbolic character), Crucifixes, Musicians, Prayer, Saints, Temptation, and Wealth
