The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are amond the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling R.C. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Shipsfood v., and Street vendors
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
An expensively decorated room with a gas chandelier of cut glass is filled with a raffish crowd, eating, drinking, and fighting, and flirting. The selling of shell-fish is a 'specious pretence' for 'costly suppers' in a 'den of depravity'. The center figure, a young man assiled by a woman, appears to be R.C. See British Museum catalogue
Alternative Title:
New Covent Garden Hall
Description:
Title from caption below image., Date of publication from British Museum catalogue., Date of publication erased from sheet. For complete imprint statement cf. no. 14950 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted to 16 x 24 cm.
Publisher:
Pubd. by Sherwood Jones & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856,
Subject (Topic):
Chandeliers, Courtship, Eating & drinking, Fighting, and Parties
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are among the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling Robert Cruikshank. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14941 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 342, vol. 1. Watermark: Warranted not bleached.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Ships, and Street vendors
Huntsmen and hounds with mounted members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimney and joints of meat hanging from the gable-end of a building. The artist (Robert Cruikshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hounds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15220 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 262, Vol. 2.
The King's Bath with the heads of men and women emerging from steaming water. Robert Cruikshank (right) is in profile to the right, addressing a pretty woman, and pointing to 'Blackmantle' who swims (defying the rule), approaching a group of alarmed and pleased women. British Museum catalogue
Alternative Title:
Stewing alive
Description:
Title, printmaker, and imprint from published state., Sheet trimmed within plate mark., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 372.
Scene in a crowded room lit by a few guttering candles, 'far exceeding in profligacy and dissipation' anything depicted by R obert Cruikshank in St. Giles. Men and women fight, drink, and smoke. An old soldier fiddles, a woman beats a drum for dancers who are almost hidden but apparently naked. Cruikshank stands on a table, pouring gin from a large tankard inscribed 'R.C' into raised glasses. One prostitute squirts liquid from her mouth at another, a third pulls on her stockings, incidents taken from Hogarth's 'Rake's Progress' (plate iii). 'Blackmantle' watches the fight, smoking a long pipe. On the walls are placards: 'No trust' and 'Pig and Whistle: Rules of the Club." British Museum catalogue
Alternative Title:
Buff Club, at the Pig and Whistle, Avon Street, Bath
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15232 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 386.
Publisher:
Sherwood & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856, and Hogarth, William, 1697-1764.
An expensively decorated room with a gas chandelier of cut glass is filled with a raffish crowd, eating, drinking, and fighting, and flirting. The selling of shell-fish is a 'specious pretence' for 'costly suppers' in a 'den of depravity'. The center figure, a young man assailed by a woman, appears to be Robert Cruikshank. See British Museum catalogue
Alternative Title:
New Covent Garden Hall
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14950 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 399.
Publisher:
Sherwood Jones & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856,
Subject (Topic):
Chandeliers, Courtship, Crowds, Eating & drinking, Fighting, Intoxication, and Parties
