Leaf 75. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait. A whole length standing figure in profile to the right. His right hand is in his breeches pocket, his left is thrust under his waistcoat. He wears a small hat, a bag-wig, a sword, a ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 3" in upper left corner and "12" in upper right corner., Temporary local subject terms: Macaronies., and Third of three plates on leaf 75.
Publisher:
Pub. by MDarly, Strand, June 1st, 1772, accor. to act
Two soliders shown full-length, one facing forward and the other in profile looking left
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 13, 1831, for W. Heath at 56 Quadrant Regent Street
Subject (Topic):
Daggers & swords, Military uniforms, British, Bayonets, and Rifles
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., and Watermark: Strasburg lily.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., First of two plates on leaf 29., and 1 print : etching with engraving on laid paper ; plate mark 24.7 x 17.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Leaf 67. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A hackwriter, in profile to left, with an ill-fitting wig and old-fashioned coat, purchased second-hand from "T Twigg of Monmouth Street" whose label is still attached to a button; he carries a volume with a dedication to "My Lord S-[?Sandwich]"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "8" in upper right corner., Temporary local subject terms: Macaronies -- Grub Street -- Old-fashioned clothing -- Old-fashioned bag wig., and First of three plates on leaf 67.
Publisher:
Pub. accor. to act, Feby. 3d, 1772, by MDarly, Strand
Leaf 86. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole length, of a man in macaroni dress. In his left hand he holds out a peer's black velvet hat trimmed with ermine; his right is thrust inside his waistcoat. He wears a three-cornered hat, and a solitaire."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "v. 4" in upper left corner and "22" in upper right corner.
Publisher:
Pubd. accordg. to act, Octr. 6, 1772, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hats, and Daggers & swords
Leaf 86. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole length, of a man in macaroni dress. In his left hand he holds out a peer's black velvet hat trimmed with ermine; his right is thrust inside his waistcoat. He wears a three-cornered hat, and a solitaire."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "22" in upper right corner., First of three plates on leaf 86., and 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act, Octr. 6, 1772, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hats, and Daggers & swords
"In a dining hall, the King standing at right draws his sword to knight the miller kneeling at left, a group of three men and one woman standing behind him, another figure stands behind the table at right, a dog at the other side leaning on a bench; after an untraced painting by Hayman for Vauxhall Gardens (Allen CL 215)."--British Museum online catalogue
Alternative Title:
King and Miller of Mansfield, representing the scene of knighting the miller
Description:
Title engraved below image., Later state, with printing plate trimmed at top and bottom, removing part of the original design. Title and statements of responsibility re-engraved in newly-created lower margin, with original "N. Parr sculp." printmaker's signature changed. For an earlier state published by Thomas and John Bowles in 1743, see British Museum online catalogue, registration no.: 1862,1011.609., Date of publication based on the separation of John and Carington Bowles's names in imprint statement; Carington Bowles separated his business from his father's in 1764. See British Museum online catalogue. See also Carington Bowles's entry in: Maxted, I. London book trades, 1775-1800., Plate numbered "a. 3" in upper right corner., Inlaid to 38 x 55 cm., and Mounted on page 101 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, and Carington Bowles in St. Pauls Church Yard, London
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Dining rooms, Kings, Daggers & swords, Millers, Knighting, and Dogs
