Title etched below image., Sheet trimmed within plate mark., Frontispiece to: Grose, F. Supplement to A treatise on ancient armour, being illustrations of ancient and Asiatic armour & weapons. London : Printed for S. Hooper, 1789., and Mounted on page 72 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Pub. 20 May 1789 by S. Hooper
Subject (Topic):
Arms & armament, Arrows, Axes, Daggers & swords, and Shields
Volume 2, page 71. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"The shooting of Hyloeues & Rhoecus by Atlana to protect her chastity; in a wood, one of the men lying dead in the foreground, only his torso and legs visible with an arrow in chest, the hunter at left aiming her bow to shoot the second man, a soldier weilding a dagger beside the body of his companion, a horse fleeing behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed within plate mark., One line of text below title: As renown'd for her skill in the use of the bow, as for the beauty & swiftness of foot; sends two arrows to the hearts of Hyloeus & Rhoecus who attempt her chastity in her solitude., Dedication etched above imprint statement: To the most noble the Marchioness of Salisbury, as patroness of the elegant science of archery, this plate is inscrib'd by her Ladyship's most respectful humble servant, John Raphael Smith., and Mounted on page 71 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 4th, 1790, by J.R. Smith, King Strt., Covent Garden
Subject (Name):
Atalanta (Greek mythological character),
Subject (Topic):
Forests, Bows (Weapons), Daggers & swords, Soldiers, and Horses
"The Duke of York sits on a settee with a courtesan on each knee, Mrs. Clarke (left) and (presumably) Mrs. Carey (right). One foot rests on large volumes of 'Army Accompts'; by the other is a smaller book: 'Ovid Art of Love'. A chair is overturned; the Duke's (broken) sword transfixes a paper: 'Promotions, My Foot Boy' [Carter, see British Museum Satires No. 11223], 'Foster 200 ... 150, Smalcroft200....' [see British Museum Satires No. 11227]. On a round table are decanters, fruit, a stand of jelly-glasses. Above the Duke hangs a picture of the Prodigal Son watching swine at a trough, inscribed: 'I will Arise and Go To my Fa[ther]'. Mrs. Clarke, unnoticed by the Duke, makes a sign to Wardle (right) who enters the room holding out a paper: 'The Duty which I Owe to my Country is Paramount to Every Other Concideration' [the tenor of the opening of his speech of 27 Jan. attacking the Duke). He is followed by a crowd of shadowy figures carrying a gibbet, an axe, and a statue of Justice."--British Museum online catalogue
Alternative Title:
Beggars opera : Act 2, Scene 1
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Missing text supplied from impression in the British Museum., and Mounted opposite page 14.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Gay, John, 1685-1732.
Leaf 65. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "3" in upper right corner., For an earlier state, see no. 4988 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Masters of the ceremonies -- Routs: Eighteen penny -- Club wig -- Literature: Reference to Samuel Foote's (1720-1777) play, The maid of Bath -- Actors in performance: Thomas Weston as Billy Button., and Third of three plates on leaf 65.
Publisher:
Pubd. by MDarly accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Name):
Weston, Thomas, 1737-1776 and Foote, Samuel, 1720-1777.
Subject (Topic):
Dandies, British, Actors, Bowing, Wigs, and Daggers & swords
"A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '3' in upper right corner., and Temporary local subject terms: Macaronies -- Masters of the ceremonies -- Routs: Eighteen penny -- Club wig -- Literature: Reference to Samuel Foote's (1720-1777) play, The maid of Bath -- Actors in performance: Thomas Weston as Billy Button.
Publisher:
Pubd. by MDarly accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Name):
Weston, Thomas, 1737-1776 and Foote, Samuel, 1720-1777.
Subject (Topic):
Dandies, British, Actors, Bowing, Wigs, and Daggers & swords
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title etched below image., Date of publication from that of the periodical in which the plate appeared., Text above image: Engrav'd for the Oxford Magazine., Imperfect; sheet trimmed within plate mark with loss of text above image. Missing text supplied from impression in the British Museum., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), p. 64., Temporary local subject terms: Emblems: cap of liberty -- Emblems: staff of liberty -- Weapons -- Masks: bull's head -- Britannia's shield., and Mounted to 20 x 14 cm.
Publisher:
publisher not identified
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norton, Fletcher, 1716-1789, Pitt, William, Earl of Chatham, 1708-1778, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
Britannia (Symbolic character), Liberty cap, Petitions, Daggers & swords, Axes, Shields, and Masks
publish'd according to act of Parliament 25 Sepbr. 1755. and [printed 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 34. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
French fairly coopt at Louisbourg and French fairly cooped at Louisbourg
Description:
Title etched above image., Restrike. For original issue of the plate, see no. 3332 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Explanation of a numerical key engraved below image: 1. Britannia attending to the complaints of her injur'd Americans ..., and On leaf 34 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Printed for J. Bowles in St. Pauls Church Yard, & Jno. Bowles & Son, in Cornhil [sic] and Field & Tuer
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Cannons, Ships, Lions, and Daggers & swords
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[7 September 1772]
Call Number:
772.09.07.01.1
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue
Alternative Title:
Buck and doe macaronies
Description:
Title from caption below image., M. Darly in imprint either Mary Darly as publisher or Matthias Darly as publisher or printmaker? See British Museum online catalogue., Plate numbered '13' in upper right corner., and Temporary local subject terms: Macaronies -- Swords -- Canes -- Glass: wine glass.
Publisher:
Publish'd according to act, Septr. 7, 1772, by M. Darly, 39 Strand
Subject (Topic):
Daggers & swords, Dandies, British, Quarreling, and Staffs (Sticks)
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue, description of an earlier state
Alternative Title:
Buck and doe macaronies
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "13" in upper right corner., For an earlier state, see no. 5029 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., First of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 12.5 x 17.4 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Publish'd according to act Septr. 7, 1772, by M. Darly, 39 Strand
