Subject Heading: Debt - Yale University Library Search Results

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1. 1812, or, Regency a la mode [graphic]

Creator:: Heath, William, 1795-1840, printmaker, artist
Published / Created:: [approximately 1812]
Call Number:: 812.00.00.129+
Image Count:: 1
Resource Type:: still image
Abstract:: "A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:: Regency a la mode
Description:: Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:: publisher not identified
Subject (Name):: George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
Subject (Topic):: Dressing tables, Cosmetics, Corsets, Stools, Mirrors, Monkeys, Wigs, Debt, Sconces, Clocks & watches, Dogs, and Urination
Found in:: Lewis Walpole Library > 1812, or, Regency a la mode [graphic]

2. A scene in the Gamester [graphic]

Creator:: Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:: [8 February 1792]
Call Number:: 792.02.08.01
Image Count:: 1
Resource Type:: still image
Abstract:: "The Duke and Duchess of York face each other, a small table between them; he sits (left), with his hands clasped and resting on the table; she stands (right), a small jewel-box in her left hand, holding out to him a string of jewels. A paper inscribed '17,000 . . .' lies on the table beside the Duke, whose words are etched above his head: 'Henceforth my follies and neglects shall cease And all to come be penitence and peace, Vice shall no more atract me with her Charms, Nor pleasure reach me, but in those dear arms.' She says, "My Jewels? trifles! not worth the speaking of, if weigh'd against a husband's peace; but let 'em purchase that, and the world's wealth is of less value". She wears the Duke's miniature round her neck. Behind her is a chest of drawers, the top drawer open and full of jewels. On it stands a small coffer of jewels, marked with the Prussian eagle. Beneath the design is etched: 'Ye slaves of passion, and ye dupes of chance, Wake all your powers from this destructive trance! Shake off the shackles of this tyrant vice : Hear other calls than those of card and dice Be learn'd in nobler arts than arts of Play, And other debts than those of Honor Pay. No longer live insensible to Shame Lost to your country, families, and fame.'"--British Museum online catalogue
Description:: Title etched below image., Signed with printmaker Isaac Cruikshank's initials in center right portion of image., Eight lines of verse in two columns below image, four on either side of title: [The] slaves of passion, and [the] dupes of chance ..., Temporary local subject terms: Marriages: Duke of York's marriage, 1791 -- Furniture: chest of drawers -- Tables -- Upholstered chairs -- Furnishings: box with jewels -- Symbols: Prussian eagle -- Gambling debts -- Allusion to the Duke of York's gambling., and Watermark: [T?]aylor.
Publisher:: February 8, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):: Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Moore, Edward, 1712-1757.
Subject (Topic):: Interiors, Boudoirs, Jewelry, Jewelry boxes, Chests, Tables, Chairs, Gambling, and Debt
Found in:: Lewis Walpole Library > A scene in the Gamester [graphic]

3. An obliging disposition Manors make the man / [graphic]

Published / Created:: [1 April 1830]
Call Number:: 830.04.00.01
Image Count:: 1
Resource Type:: still image
Abstract:: Design consists of two images with individual titles above. In the upper image "An obliging disposition" a gentleman in a chaise longue is asked by his visitor to cover his debt: "Sir, you will oblige me to pay this bill, if not I must oblige you". On the wall behind them is a print showing a boxer; on floor beside the chaise are a pair of epees, a portfolio, and boxing gloves and In the image below, Manors make the man, a country gentleman with a walking stick addresses a country bumpkin. They exchange in conversation: Do you know sir that you are fishing in my Manor? No sir, I thought I was fishing in my own manner
Alternative Title:: More scraps
Description:: Title from text below lower image., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:: Published April 1, 1830, by R. Ackermann, 96 Strand and Printed by Engelmann, Graf, Coindet & Co.
Subject (Topic):: Boxers (Sports), Debt, and Fishing
Found in:: Lewis Walpole Library > An obliging disposition Manors make the man / [graphic]

4. Charles thrown into prison [art original]

Creator:: Dodd, Daniel, artist
Published / Created:: [between 1752 and 1793]
Call Number:: Drawings D639 no. 10 Box D117
Image Count:: 1
Resource Type:: still image
Abstract:: The tenth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this tenth drawing, Charles is confronted by two fellow prisoners as he enters his prison cell. The guard on the left looks in as he holds his key on the lock. The cell contains a single bed, a broken chair, a broken jug, a broadside posted to the wall along with graffiti including the initials "G.B."
Description:: Title from pencil notation below title., Signed "Dodd" in lower left and numbered '10' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):: Allegorical drawings, Cells (Rooms & spaces), Debt, Graffiti, Prison guards, Prisoners, Prisons, Parables, and Political elections
Found in:: Lewis Walpole Library > Charles thrown into prison [art original]

5. Confined in the Fleet Prison [graphic].

Published / Created:: according to act of Parliament, July 1735.
Call Number:: Hogarth 735.07.00.01+ Box 200
Image Count:: 1
Resource Type:: still image
Abstract:: "Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:: Rake's progress. Plate 7
Description:: Title from text engraved above image., Verses, attributed to John Hoadly, below image in three columns, four lines each: His hours of joy are fled with rapid speed, And scenes of anguish in a jail succeed ... Can his person from restraint enlarge., The seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and "Plate 7."--Lower right below design.
Publisher:: Published with the consent of Mr. William Hogarth by Tho. Bakewell
Subject (Name):: Fleet Prison (London, England),
Subject (Topic):: Alchemy, Children, Debt, Dramatists, Jails, Poverty, Rake's progress, Telescopes, and Unmarried mothers
Found in:: Lewis Walpole Library > Confined in the Fleet Prison [graphic].

6. Confined in the Fleet Prison [graphic].

Published / Created:: March 25, 1768.
Call Number:: Hogarth 768.03.25.07+ Box 210
Image Count:: 1
Resource Type:: still image
Abstract:: Copy (reversed) of the first state of Plate 7 of Hogarth's 'The Rake's Progress' (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:: Rake's progress. Plate 7 and His hours of joy are fled with rapid speed
Description:: Title from text engraved above image., "Plate 7"--Lower right below design., Verses below image in three columns, four lines each: His hours of joy are fled with rapid speed, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image and text on right.
Publisher:: Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):: Fleet Prison (London, England),
Subject (Topic):: Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Found in:: Lewis Walpole Library > Confined in the Fleet Prison [graphic].

7. Going to court he's arrested at St. James's Gate [graphic].

Creator:: Bowles, Thomas, -1767, printmaker
Published / Created:: [1735]
Call Number:: Hogarth 735.00.00.20+ Box 200
Image Count:: 1
Resource Type:: still image
Abstract:: "Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:: Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:: John Bowles
Subject (Geographic):: Saint James Westminster, London, England : Parish),
Subject (Name):: Hogarth, William, 1697-1764.
Subject (Topic):: Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Found in:: Lewis Walpole Library > Going to court he's arrested at St. James's Gate [graphic].

8. John Bull & his dog Faithful "Among the faithless, faithful only found". [graphic]

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [20 April 1796]
Call Number:: 796.04.20.01+
Image Count:: 1
Resource Type:: still image
Abstract:: "John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:: John Bull and his dog Faithful
Description:: Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:: Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):: Great Britain.
Subject (Name):: Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):: John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
Found in:: Lewis Walpole Library > John Bull & his dog Faithful "Among the faithless, faithful only found". [graphic]

9. Les vapeurs ou, le jour des mémoires. [graphic]

Published / Created:: [18--]
Call Number:: Print01149
Image Count:: 1
Resource Type:: still image
Description:: Title etched below image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:: publisher not identified
Subject (Topic):: Illness anxiety disorder, Debt, Servants, Tea, and Paying bills
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Les vapeurs ou, le jour des mémoires. [graphic]