The Devil, flying above the scene, has cast a fishing net over a table in the foreground of a large assemblage. A judge (?) outside the net on the left points to the individuals within. These are, from left to right, a man with spectacles holding a pen and writing in a book, his place card reading "The High Bailiff's conscience", followed by a central figure at whom the assemblage is looking, a young man in a fools cap, another man standing wearing clerical bands, and an old woman seated wearing a cap. At the right of the table stands a man who lifts the tablecloth to reveal the personification of Justice decapitated below, her scales lying next to her. In the foreground on the left a dog labelled "Prerogative" urinates on a round object. His collar is inscribed "W.P. Downing Street" (a reference to Pitt?). The man wearing spectacles is almost certainly Edmund Burke, the central seated figure perhaps the King, and the man lifting the tablecloth resembles Fox. Possibly relating to the 1783 Westminster election
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
The heads of Burke, North, and Fox lie on a long table, in front of which are executioner's block and axe, with the words "pro bono publico" above them. Behind the table sits Thurlow wearing judge's robes, asking the House of Lords to approve the display of the heads at Temple Bar (last done after the defeat of the Jacobite Rebellion in 1746). The title refers to Fox's attempts to postpone the Mutiny Bill
Description:
Title from item. and Mounted to 37 x 28 cm.
Publisher:
Pubd. Feby. 20th, 1784, by E. Darchery, St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., and Thurlow, Edward Thurlow, Baron, 1731-1806.
Subject (Topic):
Politics and government, Decapitations, and Tables
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"Orléans (Égalité), looking to the right, stands on the scaffold dressed as a grenadier of the National Guard. He holds out by the hair the decollated head of Louis XVI, while he waves his cap in his right hand. Behind (left) is the guillotine, with the King's body; streams of blood pour from head and trunk. Below the scaffold (right) are heads and bayonets of the National Guard, and, behind, two large buildings, the windows and roofs filled with spectators; those on the roof wave their hats."--British Museum online catalogue
Description:
Title etched below image. and Text below title: Behold the progress of our system.
Publisher:
Pub. Feb. 12, 1793, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793, Louis XVI, King of France, 1754-1793, Louis XVI, King of France, 1754-1793., and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
Subject (Topic):
History, Guillotines (Punishment), and Decapitations
Title devised by cataloger based on Paulson titles for Hogarth's originals., With: [Beheading] / W. Hogarth invt. ; A.M Ireland sculpt., State with altered statements of responsibility and plate numbers added., The top plate with the image of a Roman general numbered "Plate 1.", Lower plate with the image of a beheading number "Plate 2.", Designed originally for John Beaver's Roman military punishments; used as headpiece for Chap. V; p. 50., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 69., and Reissue with of plates from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77.
Publisher:
R. Faulder and J. Egerton?
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Generals, Punishment & torture, and Soldiers
Title devised by cataloger based on Paulson titles for Hogarth's originals., With: [Beheading] / W. Hogarth delt. ; A.M.I. fecit., Designed originally for John Beaver's Roman military punishments; used as headpiece for Chap. V; p. 50., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 47., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 66., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 69.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Generals, Punishment & torture, and Soldiers
Title devised by cataloger based on Paulson titles for Hogarth's originals., With: [Degrading punishments] / W. Hogarth delt. ; A.M.I. fecit., With: [Freemen degraded and sold into slavery] / W. Hogarth delt. ; A.M.I. fecit., Designed originally for John Beaver's Roman military punishments., See Paulson, R. Hogarth's graphic works (3rd ed.), nos. 64, 66, and 72., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, opposite page 50.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, Enslaved persons, and Soldiers
Title devised by cataloger based on Paulson titles for Hogarth's originals., With: [Degrading punishments] / W. Hogarth invt. ; A.M. Ireland sculpt., With: [Freemen degraded and sold into slavery] / W. Hogarth invt. ; A.M. Ireland sculpt., State with altered statements of responsibility and plate nos added., The top plate with the image of Banishment numbered "Plate 3.", Middle plate with the image of Degrading punishments number "Plate 4.", Lower plate with the image of Freemen degraded and sold into slavery number "Plate 5.", Designed originally for John Beaver's Roman military punishments., See Paulson, R. Hogarth's graphic works (3rd ed.), nos. 64, 66, and 72., and Later state with plate numbers added. Cf. Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, opposite page 50.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, Enslaved persons, and Soldiers
