"The King runs towards the Pavilion, carrying a large bow and spear, with a shield on which are a bottle and glass. At his feet kneels a demon sharpening an arrow on a leech (see No. 13740). The Pavilion is a grinning Chinese figure, with a (smaller) dome and a large minaret; it is partly hidden by smoke from which a second demon looks out. P. 3: B, for the blunder displayed, when again He strove to inflict the excesses of pain, ..."--British Museum online catalogue
Alternative Title:
B, for the blunder displayed, when again he strove to inflict the excesses of pain ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Rosco., and Royal Pavilion (Brighton, England),
Subject (Topic):
Demons, Worms, Spears, Bows (Weapons), Arrows, and Shields
"Lord Howe (left) sits cross-legged on a tailor's shop-board working at a naval coat which lies across his knees. He holds up a threaded needle in his right hand; in his left are shears with which he is about to cut the thread. He says, "I have now finish'd my Seven Years Plan of the N-v-l Uniform; next the Marines must be Blue, faced with White, & White Buttons. I shan't let the Guardships cruize as formerly, a bad plan, give me young Officers that know little, then I may shew my skill - The word Merit should be expung'd from the Dictionary. Next Year I must set a few more of the old Ninety Two's aside, & have smart young Admirals. I'll have a general reform soon." Beside him is a tailor's goose, &c. Behind him (right) five naval coats in course of completion hang from a row of pegs, two have elaborately wide cuffs, one of which is decorated with an anchor. Beneath the board on which Howe sits are demons from whose operations smoke rises to surround him. Two grotesque nude creatures (left), one very thin, the other obese, are on the top of a circular platform which rests on a mast flying an ensign. They are cooking a goose, a cabbage, and a cucumber, all emblems of the tailor, cf. BMSat 5805, &c. The place where the 'cabbage' (pilfered cloth) was kept was called Hell. Grose, 'Dict. Vulgar Tongue', 1796. Next them a large devil with a gridiron under his arm stretches out his talons, saying, "And I'll have a general Reform soon as I shall get you before you are aware of it. I've ting'd your Heart so may safely leave you to go on."--British Museum online catalogue
Alternative Title:
Black-Dick turned taylor and Black-Dick turned tailor
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: Strasburg Lily.
Publisher:
Pubd. Feby. 4th, 1788, by G. Humphrey, No. 48 Long Acre
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799 and Great Britain. Royal Navy
A five-piece orchestra composed of demons, playing a flute, violon, oboe, horn, and drums
Description:
Title from caption below image., Publication information from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Satire on the Southampton parliamentary election of 1830. A large parade of people, including 'Tradesmen on the Grand Committee,' 'Inferior Tradesmen on the Kingland & Cossac Committee,' 'Publicans,' 'Brewers,' 'Itchen Ferrymen,' 'Fishwomen,' and 'Blidgeon Men employed from the Forest,' all march, holding flags above their hats. In the center on being carried in a grand chair, appears to be James Barlow Hoy (1794-1843), Irish-born military surgeon and politician who represented the Southampton constituency in the British parliament and also served as Deputy Lieutenant Sheriff of Southampton. The print appears to also refer to the corruptness of the Southampton parliamentary election of 1830; John Story Penleaze stood as a candidate but resigned before the end of the poll. He had been proposed by William Lankester, an upholsterer and prominent radical, who headed a newly formed 'Independent Committee', and seconded by Bryant. Although Hoy was proposed by Rose, he affirmed his commitment to the independent political line he had hitherto pursued, for which even Stanton gave him credit, and cited his endeavours to obtain improved status for Southampton as a port. The Members were returned unopposed and chaired without incident
Alternative Title:
Southampton election in the modern times of 1830
Description:
Title from text below image., "Price plain 9d. cold. 9d. 6s."--Bottom center., Not in the Catalogue of prints and drawings in the British Museum., and Note from verso: 1979. Removed from Fanny Harrison's scrapbook (circa 1835).
Publisher:
Lithographed for the author J. Downes by T.H. Skelton, Southam
Subject (Geographic):
England and Southampton.
Subject (Name):
Hoy, James Barlow, 1793 or 1794-1843
Subject (Topic):
Demons, Gin, Political elections, and Parades & processions
"George III (left), seated in a chair, is being shown by the ghost of Chatham a procession of figures walking towards a pit (right) inscribed "Chaos". Chatham wears pseudo-classical draperies, a tie-wig crowned with a laurel wreath, and is surrounded by a glory of rays. He holds up a circular glass to the king, who looks through it with an expression of alarm. On the back of the king's chair is a crown surmounted by a weathercock which points to the South, probably to indicate that North's power is over, cf. BMSat 5659. Under his feet are torn county petitions, and an open book, "Lock on Government". The petitions are those of York, Westminster, Middlesex, Hampshire, Surrey. There is also the design of the façade of a building inscribed, "The Elevation of [a] Baby House". The leaders of the procession, who are on the brink of the pit, are the kings of France and Spain. A devil (right) with wings, horns, and a long barbed tail, points into the pit. Behind the two kings come North and Sandwich. North holds a rolled document inscribed "Taxes". Under his arm is a large money-bag with a gaping hole in it, by which is an open book or paper inscribed "New Way to pay old Debts, A Farce by Boreas" (Massinger's comedy had recently been revived at Drury Lane). On his right Sandwich walks with his arms folded, a paper under his arm is inscribed "Catches & Glees Mr Arne" (Arne (1710-78), the musical composer, is generally styled Dr; Sandwich was "the soul of the Catch Club", see BMSat 5342). From his pocket protrude papers, one inscribed "Greenwich Hospital", in allusion to the scandal caused by Captain Baillie's exposure of abuses there, see BMSat 5548. The other is inscribed "Love & Madness"; this is the title of a series of fictitious letters recently published purporting to be the correspondence of Hackman and Martha Ray, Sandwich's mistress, see BMSat 5540, &c, but really by Herbert Croft. See Walpole, 'Letters', xi. 139-40,13 Mar. 1780. Behind come Mansfield, in judge's wig and robes, and Bute in Highland dress, both with expressions of despair; they are being hurried along by a man with the face of a fiend who has seized Mansfield by the arm and Bute by the shoulders. Beside them walks a Dutchman, his hands in his breeches pockets, being propelled from behind by a devil, significant of the unpopularity of the Dutch Republic,"--British Museum online catalogue
Alternative Title:
Peep into futurity
Description:
Title from item. and Trimmed within plate line.
Publisher:
Published as the act directs May 16, 1780, by W. Wells, No. 132 opposite Salisbury Court Fleet Street London
Subject (Geographic):
Netherlands.
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, William, Earl of Chatham, 1708-1778., Bute, John Stuart, Earl of, 1713-1792., Mansfield, William Murray, Earl of, 1705-1793., Sandwich, John Montagu, Earl of, 1718-1792., North, Frederick, Lord, 1732-1792., Charles III, King of Spain, 1716-1788., and Louis XVI, King of France, 1754-1793.
Depicts Burke wearing spectacles and wig, but in monastic habit as an Irish Jesuit. He is seated on a stool peeling a potato, at a table on which is a chamber pot full of steaming potatoes, and at the other end a keg of whisky supporting a broken crucifix. Beneath the table dance 3 demons. A reference to Burke's resignation after the death of Rockingham, and to his support of the Catholic Relief Act
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 23d, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797 and Catholic Church
Subject (Topic):
Politics and government, Monks, Demons, Chamber pots, Potatoes, Tableware, Fireplaces, Interiors, and Anti-Catholicism
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
