On recto, two men walk to the left in a wood with guns. The man behind (right) holds his gun by the barrel pointed towards his companion's posterior; he wears colored spectacles, a top hat, and is smoking a cigar. The man in front (left) looks back towards his companion as he holds his rifle by the butt, the barrel pointed over his shoulder at his companion's face. The lines below: "I never likes to go out with a man as don't carry his gun like a sportsman." "Not I. I'm always wery particular.!" and On verso, a pencil drawing of two men (dustmen?) conversing as one points to the donkey that he holds by the reins
Alternative Title:
I never likes to go out with a man as do'nt [sic] carry his gun like a sportsman
Description:
Title written in ink at top of sheet on the recto; alternative title from dialogue written in ink below image., Attribution to Henry Heath and approximate date of production inferred from an etching (in reverse) of similar design that appears with nearly identical text in Henry Heath's series "Sporting sketches". For a description of the design for which this may be the original drawing, see British Museum online catalogue, registration no.: 1951,0411.4.29. For plate of four designs of which this is one part, see Lewis Walpole Library call no.: 834.00.00.30+., and With pencil sketch on verso depicting a dustman talking to a man with a donkey.
Subject (Topic):
Chimney sweeps, Donkeys, Hunting, Rifles, Smoking, and Sunglasses
Pencil drawing by an amateur artist of the west front of Strawberry Hill, as seen from the road. Also in the road is a man pushing a wheel barrel as a young boy gestures to him. On the verso is a pencil sketch of a donkey's head
Description:
Drawing signed by artist in lower right corner of image; signed and dated again in left corner of image., On verso, in later hand, misidentified as "SH - North Front"., and Partial watermark: [W]hatman 1817.
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Buildings, structures, etc, Estates, and Donkeys
"A design in two compartments; above, cavalry proceed right to left; below, infantry march left to right. [1] A burlesqued procession of men variously mounted. The leader, dressed as a light horseman and holding up a sabre, rides a horse with blinkers, trampling on a hen and chickens and leaving a dead pig behind him. He says: "Know all Men by these presents that if any accidents happen I do not Consider myself accountable for them after thus publiccally Warning every Person to keep within doors all all [sic] their live and Dead Stock!!" The next horseman, whose hat flies off, turns to shout: "Hollo there, some body be so good as to catch my hat." He is followed by a silent man riding a bull. Next him a man threatens with his sword a ragged boy on an ass: "What are you at you young scoundrel are you going to ride over the Captain keep in your rank you." The boy answers: "What d'ye mean by that I have as much right here as you." A man clasps his horse's neck, saying, "Curse the Horse how he Prances." Behind the ass, the horse of a man in civilian dress falls on its knees, throwing its rider, who says: "D------n the chimney Sweeper I thought he'd be over us." A rider (horse visible) shouts "Take care of the Apple Stall", while an old woman throws up her arms, shouting, "O Dear Mr Soldier dont ride over me." She is in danger from a man in regimentals, gauntlet gloves, and wearing a sword, but whose horse has blinkers. A man turns to him, saying, "D------n me you'll kill the old woman." He answers: "What signifies that charge her to the parish." The last of the procession is a yokel in a smock, on a horse with blinkers and collar. He rides down a pig and poultry; his neighbour turns to him, saying, "Mind what you are hat - you Sir in the Blue Frock if you kill the Pigs it will be actionable." He answers : "Then let them keep out of the way of the Sarvice." [2] An unsoldierly group march with bayoneted muskets, preceded by two boys with fife and drum. The officer, wearing a gorget and holding up a sword, scowls at a man behind him who raises his leg so high as to kick him, saying: "None of your tricks Jack dont Fancy you are in the shop now": the grinning offender is addressed by a man wearing a Grenadier's cap who marches beside him: "Mind what you are about or you will be had before a Court Martial". A man with tipsily closed eyes says, "I'm as giddy as a goose." A short, fat, elderly man in civilian dress says, "Warm work my Masters". His neighbour answers, "Nothing when you are used to it". A man wearing an apron rests his musket horizontally on his shoulder, saying, "This is the way to march"; he spikes the hat of the man behind, who shouts: "What are you at you fellow in green are you going to poke peoples eyes out". A stout man says, "When I kept the tripe Shop in the Borough who would have thought I should have rose to be an Insign." Beside him walks a woman with a bottle and glass shouting, "Does any Gentlemen in the front ranks want a drap of good Gin." A Grenadier marches beside the last couple looking contemptuously at a man in a shirt who says: "By goles this thing [musket] is so heavy it's the best way to drag it along and not carry it." The last man, who is bandy-legged, says, "I donna much like it."."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Imperfect; sheet trimmed within plate mark, resulting in loss of imprint statement and publisher's advertisement from bottom edge. Missing text supplied from impression in the British Museum.
Publisher:
Pubd. January 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
A coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn's sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind
Description:
Title etched below image., First of eight plates to: Wigstead, H. Excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., 1 print : etching and aquatint in sepia on laid paper ; sheet 26.4 x 33.7 cm., Sheet trimmed within plate mark with loss of imprint., and Watermark.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinson's, Paternoster Row
Subject (Geographic):
Sutton (England)
Subject (Topic):
Baskets, Donkeys, Peg legs, Poverty, and Taverns (Inns)
"The candidates for Middlesex and their supporters race (right to left) to Brentford. The foremost rider is Wilkes on a horse wearing a royal crown (indicating George III); he holds up the cap of 'Liberty' on its staff. Half a length behind, and nearer the spectator, is Mainwaring, holding up a sword whose blade is inscribed 'Justice'. His horse's human head is blindfolded, in its mouth is a pair of scales; in one balance is 'Byng Dunston', in the other and heavier, 'Wilkes Manwaring'. The horse probably represents Justice, its rider was a well-known Middlesex Justice and chairman of the Middlesex Sessions. Behind Wilkes, his horse's head hidden, is a rider not identified, he has lost his stirrups and clutches his saddle with both hands. Behind these three and in the centre of the design is George Byng, the friend of Fox and the Prince of Wales, M.P. for Middlesex since 1780. He rides a pair of horses (representing the Coalition), standing with one foot on the saddle of each; the near horse has the head of Fox, the other that of North; the tail of the near horse is a fox's brush inscribed 'Grace'. The fore legs of the pair touch a paper inscribed 'Test'. Byng's whip is inscribed 'Coalition' and he is saying, "Spur them up behind Doctor, or I shall lose the race", addressing Hall, the Westminster apothecary, who rides like a hobby horse a pair of crutches tied with a ribbon; in place of a hat he wears a mortar inscribed 'All [sic] Blue and Buff'; he holds up his pestle as if it were a whip. Behind Byng, Jeffery Dunstan rides an ass with long ears and the head of Sam House; he looks round to address the Duchess of Devonshire who is the last of the cavalcade. The Duchess (right) rides astride, her bunched-up skirt showing spurred half-boots. Her horse has the head of the Earl of Surrey; she says, "Byng for ever - and may the Hearty Cock ever stand stout in our sarvice". Dunstan says, "Well said my Dutchess - Charly's Whipper-in for ever. Huzza". The Duchess wears a heavily trimmed hat in which is a large election favour and four fox's tails, each inscribed 'Byng'. On the extreme left is a sign-post pointing 'To Brentford'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to 27 x 36 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
Great Britain, Middlesex (England), and England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Mainwaring, William, 1735-1821, Byng, George, ca. 1735-1789, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Elections, Crutches, Donkeys, Hobby horses, Horse racing, Horses, Justice, Liberty cap, Pharmacists, Political elections, Scales, Symbols, and Traffic signs & signals
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, and Manuscript "254" in upper center of plate.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, Mounted on page 35 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 23 cm, on sheet 38.8 x 23.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, 1 print : etching ; plate mark 38.2 x 23 cm, on sheet 39 x 23.9 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 61 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood, Brewers Druggist" identified in ink below image; date "28 Feb. 1821" written in lower right corner. The censored name "C-r-l--e" in title has had its blank spaces completed in ink to read "Caroline." Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"A number of men with asses' heads sit round a table signing a petition. They are upon a platform in a ramshackle room; a ladder rests against its left corner; on the ladder appear the head and shoulders of Fox in back view; he holds strings attached to the noses of the asses. The ass seated at the head of the table (left) hands down to him a 'Petition to the House of Commons for Delay [signed] Ign[or]amus'. An ass holds a long document, the 'Commercial Treaty with France', which falls across the table on to the ground; on his right shoulder an ass rests his head; another on the left sleeps with his head resting on a pile of books on the table. A spectacled ass writes busily; next him, at the end of the table (right), an ass leans back asleep. The nose of a braying ass appears through a door on the extreme right. Behind the table an ass places a notice on the wall: 'Chamber of Commerce at a Meeting held the 10th of February Resolved'. This partly covers another bill: 'Chamber [of] Commerce at a Meeting 9th Decr 1786 Resolv[ed]'. On a shelf (left) a figure of Mercury with a wooden leg dances, flourishing a caduceus; the right hand is broken off; behind it part of a vase is visible inscribed 'Wedgwood'. Figure and vase are on a pedestal inscribed 'Ex Quovis Ligno non fit Mercurius'. A casement window with broken panes and a raftered ceiling indicate the squalor of the room."--British Museum online catalogue
Alternative Title:
Assemblée des not-ables anglois and Assemblée des notables anglois
Description:
Title etched in bottom center of image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., 1 print : etching on wove paper ; plate mark 22.8 x 28.3 cm, on sheet 24.5 x 29.5 cm., and Mounted on leaf 36 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. the 14th Febry. 1787 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and France.
Subject (Name):
Wedgwood, Josiah, 1730-1795. and France.
Subject (Topic):
Politics and government, Foreign economic relations, Mercury (Roman deity), and Donkeys
