"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., and Watermark, trimmed.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"Wilberforce, as a weathercock, stands with his right foot poised on a pinnacle at the point of intersection of the four points of the compass. He leans forward in profile to the right, both arms stretched out towards a bird which grasps a scroll resting on clouds: 'Peace and Fraternity with France'. The bird is half-dove, and holds an olive branch in its mouth, but the left leg is that of a bird of prey, and in its talons a dagger is clasped, while the left wing is fantastically webbed. Two papers issue from Wilberforce's coat-pocket: 'Charge agt Kimber' and 'Abolition of the Slave Trade'. From his back rises a vertical spike supporting the hat of a Roundhead, its brim inscribed 'Fanaticism, Puritanism'. On its crown sits a raven, shrieking at Wilberforce the word 'Kimber'. Below (right) is the dome of a minaret terminating in the head of Fox, directing a blast of 'Republicanism' against Wilberforce which has blown him into his present position."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Second of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "2" etched in upper left corner, see no. 8637 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- House of Commons: Motion for peace with France, 27 May 1795 -- Bills: Abolition of slave trade -- Allusion to Puritans -- Daggers -- Symbols: Dove as a symbol of peace -- Kimber, John, fl. 1795., 1 print : etching on wove paper ; plate mark 30.5 x 23.9 cm, on sheet 33.6 x 25.9 cm., and Mounted on leaf 66 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 14th April 1795 by H. Humphry [sic], New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Weather vanes, Doves, Crows, Domes, and Politics and government
"Wilberforce, as a weathercock, stands with his right foot poised on a pinnacle at the point of intersection of the four points of the compass. He leans forward in profile to the right, both arms stretched out towards a bird which grasps a scroll resting on clouds: 'Peace and Fraternity with France'. The bird is half-dove, and holds an olive branch in its mouth, but the left leg is that of a bird of prey, and in its talons a dagger is clasped, while the left wing is fantastically webbed. Two papers issue from Wilberforce's coat-pocket: 'Charge agt Kimber' and 'Abolition of the Slave Trade'. From his back rises a vertical spike supporting the hat of a Roundhead, its brim inscribed 'Fanaticism, Puritanism'. On its crown sits a raven, shrieking at Wilberforce the word 'Kimber'. Below (right) is the dome of a minaret terminating in the head of Fox, directing a blast of 'Republicanism' against Wilberforce which has blown him into his present position."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Second of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "2" etched in upper left corner, see no. 8637 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- House of Commons: Motion for peace with France, 27 May 1795 -- Bills: Abolition of slave trade -- Allusion to Puritans -- Daggers -- Symbols: Dove as a symbol of peace -- Kimber, John, fl. 1795., and Mounted on page 85 with one other print.
Publisher:
Publd. 14th April 1795 by H. Humphry [sic], New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Weather vanes, Doves, Crows, Domes, and Politics and government
"Wilberforce, as a weathercock, stands with his right foot poised on a pinnacle at the point of intersection of the four points of the compass. He leans forward in profile to the right, both arms stretched out towards a bird which grasps a scroll resting on clouds: 'Peace and Fraternity with France'. The bird is half-dove, and holds an olive branch in its mouth, but the left leg is that of a bird of prey, and in its talons a dagger is clasped, while the left wing is fantastically webbed. Two papers issue from Wilberforce's coat-pocket: 'Charge agt Kimber' and 'Abolition of the Slave Trade'. From his back rises a vertical spike supporting the hat of a Roundhead, its brim inscribed 'Fanaticism, Puritanism'. On its crown sits a raven, shrieking at Wilberforce the word 'Kimber'. Below (right) is the dome of a minaret terminating in the head of Fox, directing a blast of 'Republicanism' against Wilberforce which has blown him into his present position."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Second of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "2" etched in upper left corner, see no. 8637 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- House of Commons: Motion for peace with France, 27 May 1795 -- Bills: Abolition of slave trade -- Allusion to Puritans -- Daggers -- Symbols: Dove as a symbol of peace -- Kimber, John, fl. 1795.
Publisher:
Publd. 14th April 1795 by H. Humphry [sic], New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Weather vanes, Doves, Crows, Domes, and Politics and government
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., 1 print : etching on wove paper ; plate mark 37.7 x 26.1 cm, on sheet 39.9 x 28.2 cm., and Mounted on leaf 78 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted to 49 x 34 cm.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted on page 97.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[not after 1760]
Call Number:
760.00.00.111+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on prostitution set in a brothel in which all the men have been given the heads of apes and the women those of cats. In the centre of the room a prostitute sits on the knee of an old man who fondles her, her legs splayed; she holds a glass in one hand and a flask in the other. A magistrate wearing a lace edged hat and holding a large candle stands over them. Constables with staves stand in the open door, behind which the prostitute's pimp (referred to as her bully in the verse beneath) is hiding; he is dressed as a grenadier. On the right, the brothel-keeper holds up a tally-board pointing out one of the symbols to three men who are startled at the entry of the constables; one is seated at a table holding a glass, another holds a large candle. On the table is a large flask, another rests on the floor beside a big jug, and another lies broken in pieces. In the background on the right a couple peer from being the curtains of a large bed. Hanging from the ceiling is a large birdcage on which a bird is perched."--British Museum online catalogue, description of an earlier state
Description:
Title supplied from description of an earlier state in the British Museum catalogue., Reissue by Sayer of a print published anonymously around 1730. See no. 1860 in the Catalogue of prints and drawings in the British Museum, v. 2., Terminal date of publication based on publisher's street address; according to the British Museum online catalogue, Sayer moved from his "opposite Fetter Lane, Fleet Street" premises in 1760. A later date is also possible, as the series that included this print was advertised in Robert Sayer's catalogue for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum, v. 2., Sheet trimmed within plate mark., and Eight lines of verse in two columns below image: Alas! poor whore, thourt fairly trap'd, Tho' by thy spark so sweetly lap'd; And for thy midnight vice and folly, Your fate is now to mill your dolly ...
Publisher:
Printed for Robt. Sayer, opposite Fetter Lane, Fleet Street
Subject (Topic):
Animals in human situations, Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
Title from description in the British Museum catalogue for the original version of the print., Date of publication based on publisher's street address. John Bowles began operating out of No. 13 Cornhill in 1768; see British Museum online catalogue., Copy in reverse of a print originally published ca. 1730. Cf. No. 1860 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: While thus the revelling debauchee, Dandles his mistrees on his knee, Th'old bawd is reckoning up the score, Of all that has been spent and more ..., Plate numbered '1' in lower left corner., and Temporary local subject terms: Tavern -- Trades: Tavern-keepers -- Tallies: Tavern-keeper's score board -- Magistrates -- Furniture: Bed with curtains -- Pets -- Containers: Jug -- Glass: Wine bottles.
Publisher:
Printed for Iohn Bowles at No. 13 in Cornhill
Subject (Topic):
Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
Drawing of two doves in profile, facing each other and touching beaks; both stand on a quiver of arrows lying on its side
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., On verso are light sketches in pencil., Formerly laid in with one other drawing at page 117 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
