Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue, description of an earlier state
Alternative Title:
Buck and doe macaronies
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "13" in upper right corner., For an earlier state, see no. 5029 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., First of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 12.5 x 17.4 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Publish'd according to act Septr. 7, 1772, by M. Darly, 39 Strand
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue, description of an earlier state
Alternative Title:
Buck and doe macaronies
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "13" in upper right corner., and For an earlier state, see no. 5029 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd according to act Septr. 7, 1772, by M. Darly, 39 Strand
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., First of two plates on leaf 41., and 1 print : etching on laid paper ; plate mark 17.4 x 24.6 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., and Watermark: countermark I V.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
Five men accompanied by two dogs leisurly sit around a small table in a tavern smoking long-stemmed tobacco pipes and drinking while one of their number squeezes juice and pulp from a fruit into a large punch bowl resting on the table
Description:
Title and artist's signature inscribed in the artist's hand below image. and Sheet trimmed to oval shape.
Title etched below image., Third plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Hydrotherapy, Gout, Health resorts, Interiors, Water pumps, Drinking vessels, Wheelchairs, and Crutches
"George IV, dressed as a monk, stoops over Lady Conyngham (right), placing a hand on her breast. He is clean-shaven, his whiskers, inscribed 'Transferred Whiskers', form a border to a bald head, giving the effect of a tonsure. She is décolletée, dressed in white, with white drapery from her head, suggesting a travesty of a nun (cf. British Museum Satires No. 5177). He says: "Speak freely thou Cunning-one, and by St George, I will give thee Absolution--(let me see) a Faux-Pas, is no deadly sin, and loving other men, it is our duty to love each other." She says: "Since my Conversion (Holy Father) I feel much lighter you have put a new conscience into me." They are large half length figures, hiding much of the background. Behind the King (left) on a table are wine-bottle of 'Holy Water', goblet, open book, and crucifix. Above this is a picture of asses at table, drinking wine: 'Feast of Asses in honour of Balaam's a[ss]'. Behind Lady Conyngham (right) is a picture of a monk birching the bare back of her husband, who kneels, holding up a cross; on his forehead are large antlers: 'St Francis Doing Penance', placarded 'NB The origin of this Picture may be seen at Hamilton Place' [see British Museum Satires No. 13848]."--British Museum online catalogue
Alternative Title:
Anticipation of the Catholic Emancipation
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 3 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Geo. IV", "Lady Conyngham", and "Ld. Conyngham" are identified in ink above title. Typed extract of one line from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 163 Piccadilly, 2 doors form [sic] St. James's Stree[t]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Conyngham, Henry Conyngham, Marquess, 1766-1832
Subject (Topic):
Adultery, Monks, Drinking vessels, Crucifixes, Donkeys, and Antlers
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., and Provenance identification in contemporary hand near bottom of print.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
